Report: GMs Angry NBA Isn’t Intervening After LeBron’s Anthony Davis Comments

LOS ANGELES, CA - FEBRUARY 18:  LeBron James #23 and Anthony Davis #23 of Team LeBron celebrate after winning the NBA All-Star Game 2018 at Staples Center on February 18, 2018 in Los Angeles, California.  (Photo by Jayne Kamin-Oncea/Getty Images)

Jayne Kamin-Oncea/Getty Images

Several general managers of small-market teams are angry with the NBA for not enforcing its tampering rules after Los Angeles Lakers superstar LeBron James said it would be “amazing” to pair with New Orleans Pelicans big man Anthony Davis.

“If these are the rules, enforce them,” one Western Conference general manager told Adrian Wojnarowski of ESPN. “If you want to push Anthony Davis in L.A., if you allow LeBron to interfere with teams, then just do it. Change the rules, and say ‘It’s the wild, wild west and anything goes.’ But give us a list of the rules that you’re enforcing, and give us a list of the rules that you’re going to ignore.”

“It’s New Orleans’ problem today, and a problem with a different player tomorrow for the rest of us,” an Eastern Conference general manager added. “It’s open season on small markets and our players.”

Technically speaking, James wasn’t tampering when he said it would be “amazing” to someday play with Davis. Tampering rules do no prohibit players from talking publicly about the possibility of playing with players on other teams in the future, nor do they prohibit players under contract with different teams from talking privately together about joining up, per Dave McMenamin of ESPN.com.

Adrian Wojnarowski @wojespn

An NBA spokesman tells ESPN: “Each case is assessed on its own facts. In general, absent evidence of team coordination or other aggravating factors, it is not tampering when a player makes a comment about his interest in playing with another team’s player.” https://t.co/6hEIyW3qBi

The NBA will, however, charge “any player who, directly or indirectly, entices, induces, persuades or attempts to entice, induce or persuade any player, coach, trainer, general manager, or any other person who is under contract to any other member of the Association to enter into negotiations for or relating to his services” with tampering.

As Wojnarowski noted, many small-market teams believe James’ comments serve to create a media whirlwind around the possibility of the Pelicans trading Davis to the Lakers, putting pressure on New Orleans to pull the trigger. And the fact that Davis’ agent is James’ business partner, Rich Paul of Klutch Sports, there is added belief that James’ contingent is working behind the scenes to orchestrate a Davis-to-Los-Angeles move.

As one Eastern Conference general manager told Wojnarowski:

“Interference is as bad as tampering—maybe worse in this case. This becomes a campaign meant to destabilize another organization, install chaos and unrest that make it harder to keep an environment that the player would want to stay in. There’s no use in complaining to the league about it. We all get that it’s a players’ league, but there are rules on the books that they need to follow too.”

Davis can’t become a free agent until after the 2019-20 season, but it’s a pretty safe bet that if he turns down a supermax contract extension this offseason, the Pelicans will look to trade him rather than potentially lose him for nothing in free agency. 

But for the Lakers, swinging a trade before this year’s trade deadline would be ideal, since it would eliminate one of their biggest competitors in the Davis sweepstakes. The Boston Celtics have better trade chips than the Lakers, but they can’t swing a deal for Davis this year unless they move Kyrie Irving, since both Davis and Irving have “Rose Rule” contracts.

Teams are not permitted to trade for more than one player on a “Rose Rule” contract, meaning they’d either have to trade Irving to get him off the roster or wait until he becomes a free agent this offseason.

So the Lakers have a small window to enter into negotiations with the Pelicans without the Celtics and their treasure trove of assets interfering. But it’s probably a moot point, since the Pelicans will assuredly do everything in their power to entice Davis to stay and likely will wait until this offseason. They will offer him a max extension and only consider dealing him if he turns it down, which would allow the Celtics to also enter the bidding.

So small-market teams may not like James stirring the pot, but it’s unlikely the Davis saga will have any sort of resolution until the summer at the earliest.

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Israeli forces kill Palestinian teen in Gaza protests: officials

Palestinian demonstrators run for cover from Israeli gunfire and tear gas during a protest in the Gaza Strip [Ibraheem Abu Mustafa/Reuters]
Palestinian demonstrators run for cover from Israeli gunfire and tear gas during a protest in the Gaza Strip [Ibraheem Abu Mustafa/Reuters]

At least one Palestinian teen was killed and dozens of other protesters injured while taking part in the ongoing demonstrations along the lands east of the besieged Gaza Strip near Israel’s fence.

According to Gaza’s health ministry, Mohammed al-Jahjouh, a 16-year-old demonstrator, was killed after being struck in the neck by Israeli army gunfire on Friday.

Another 40 Palestinian protesters – including four medics and two journalists – sustained injuries, the ministry added.

For the 39th consecutive week, Palestinians converged along the Gaza-Israel buffer zone to take part in ongoing demonstrations against Israel’s decades-long occupation.

Israeli forces fired live ammunition and tear-gas grenades directly at Palestinian protesters gathered at the eastern borders of Khan Younis, in the southern Gaza Strip, and in Jabaliya in the northern Gaza Strip.

An Israeli military spokeswoman said, “Troops responded with riot dispersal means and fired in accordance with standard operating procedures.”

Friday’s rally was held under the slogan, “Honouring heroes of the resistance” and witnessed a turnout of around 8,000 protesters.

In a statement, Gaza’s National Authority for Breaking the Siege urged members of the public to take part in Friday’s demonstration. 

“These demonstrations draw their strength from the heroes of the resistance and from their sacrifices,” the statement read.

It went on to urge the Palestinian people to “escalate all forms of resistance against Israel’s occupation”.

The Great March of Return protests were launched on March 30 by thousands of Palestinian civilians in Gaza, who are calling for the right of return for Palestinian refugees to their lands, under UN Resolution 194, and demanding an end to the 12-year Israeli blockade.

Since the rallies first began, more than 215 Palestinians have been killed and at least 18,000 others injured by Israeli forces.

SOURCE:
Al Jazeera and news agencies

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Sasha Sloan Tells Us How She Wrote ‘Older,’ A Sad But Hopeful Song About Divorce



Xavier Guerra/MTV News

On Instagram, 23-year-old singer and songwriter Sasha Sloan is @sadgirlsloan. Her two EPs are titled Sad Girl and Loser. Before she dropped the latter at the end of November, she posted a steely selfie with the caption, “my ep comes out in less than a week i hope it doesn’t suck lol.” That self-deprecation is integral to her persona, likely both a natural extension of her actual personality (low-key and pensive, but friendly) and the fact that she first gained exposure through a viral Reddit photo where she was the butt of the joke.

Aided by a strategically placed SoundCloud link in the comments, that online fame led to songwriting opportunities in Los Angeles and eventually a chance for her to showcase her own voice. A few years (and day jobs at a coffee shop and a gym) later, she’s helped write songs by Louis Tomlinson, Steve Aoki, Tinashe, and Charli XCX. Perhaps most notably, Camila Cabello’s “Never Be the Same,” which she also worked on, blends the lyrical vulnerability and skeletal beat found on her own tracks. But it’s the midpoint of Loser — a plaintive, confessional piano ballad called “Older” — that shines a most direct light onto the person lurking behind those songwriting sessions, winking album covers, and tweets like “who’s coming to see me in march?? plz come so my self esteem doesn’t get lower than usual lmao.”

“Older” doesn’t package any of its sentiments with a quick “jk.” Instead, Sloan opens it starkly in medias res: “I used to shut my door while my mother screamed in the kitchen.” The verses bring the song’s real-life inspiration, the dissolution of her parents’ marriage, sharply into focus. Before long, though, Sloan adds her own found wisdom on the chorus, proclaiming, “The older I get, the more that I see / My parents aren’t heroes, they’re just like me.”

“I’ve been trying to write that song for a really long time,” Sloan recently told MTV News. “I’ve always been trying to write about my parents’ divorce because it’s such a crucial part of my life, but I never wrote it right. It was always too bitter.” One listen to “Older” reveals the opposite: a careful, loving study of a messy situation, viewed both from the center of the storm and from a safe distance years later. Here’s how it came together.

Xavier Guerra/MTV News

A Joint And A Hotel Room

It began in a hotel room in Germany. Sloan and her pal Danny Silberstein had just secured a joint. “We smoked it, and he just started playing this guitar riff,” she said. “I was like, whoa, that’s really dope. I feel like writing right now.” In about 10 minutes, the pair had etched out the song’s first verse, a pre-chorus, and its main hook in the chorus. Sloan typically starts writing lyrics, then works on the rest of the song, ensuring she’s constructing a good story.

With “Older,” the story was simple and sad. Her impending 24th birthday got her thinking about how her “very foreign” father (“he’s kind of like Borat”) had watched her mother give birth to her at that age. She thought about how her mother worked toward getting advanced degrees while trying to raise her. And she built a song around it with Danny.

“We both looked at each other, really emotional. I was like, I think I really like this, but I can never tell if it’s good,” she said. The only thing to do was wait a while.

From Voice Memo To Finished Version

Armed with a demo recording from the hotel room, Sloan was in no rush to finish the song. In fact, spending even a few minutes with her reveals that she’s not in much of a rush to do most things. She takes her time walking around a room, moving deliberately. But she knows when to strike. “I’m the master of ‘it’s done,’” she said. “I’ll spend time on lyrics, but if I get something I love, I don’t second guess it. You always have that feeling when it’s not totally there yet, and you push through that.”

Sloan called Danny to her place back home to smoke hookah and work on refining it at their own speed. She estimates it took about two months, with most of the time spent narrowing down the lyrics to the second verse. Once it felt right, she enlisted her producer, frequent Major Lazer collaborator King Henry. “I finish a song and I hand it off to a producer like, make it work,” she said. When she sings it live, her crowds almost always connect with it. She takes that as a good sign.

Breaking The Rules

In its final form, “Older” cycles through melancholic piano chords and Sloan’s solemn but wise voice, delivering the story taken from her own life. Despite her past work with other artists, it wouldn’t have made sense coming from anyone else, and she seems convinced that “pop singers don’t want” such specificity anyway. Early in her career, an A&R bigwig told her the “pop rules” she was to adhere to during songwriting sessions: No songs about growing old; only songs about dancing and being young forever. She appreciates the twist of “Older” resonating as it has.

Perhaps predictably, Sloan doesn’t necessarily feel the thrust of the industry machine toward making a proper album any time soon. Too much pressure, she said, so maybe another EP, or maybe some further tinkering with her own sound. Whatever she wants, really. In the meantime, she’s played “Older” for her mom, now an English teacher, who lovingly labeled it “realistic fiction.” She doesn’t talk to her dad much, but she feels like her music has brought them closer together.

“‘Older’ is also just an appreciation song to them, maybe in the most back-handed way of all time. But it was, OK, I get what you did for me now,” she said. “I get to live a pretty fucking dope life now because of that.”

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Yankees Rumors: Manny Machado Prefers NYY over Phillies, White Sox

LOS ANGELES, CA - OCTOBER 26:  Manny Machado #8 of the Los Angeles Dodgers reacts after flying out during the thirteenth inning against the Boston Red Sox in Game Three of the 2018 World Series at Dodger Stadium on October 26, 2018 in Los Angeles, California.  (Photo by Ezra Shaw/Getty Images)

Ezra Shaw/Getty Images

If teams like the Philadelphia Phillies and Chicago White Sox want to win the Manny Machado sweepstakes, they’ll reportedly need to blow the New York Yankees‘ offer out of the water.

According to Jim Bowden of The Athletic, “Machado has told friends in Miami that his preference is the Yankees, and if the offers are close, he’ll be headed to the Bronx.”

And if the bidding comes down to the Phillies vs. the White Sox, Bowden believes the Phillies have the advantage “because they are already contenders and their current team President, Andy MacPhail, has an established relationship with Machado, having previously worked with him in Baltimore.”

While Machado may prefer the Yankees, Bowden noted that he may not be the best fit from a team perspective. For one, they already have Didi Gregorius at shortstop—though he may not be back on the field until June at the earliest after undergoing Tommy John surgery this offseason—and Miguel Andujar at third.

For another, the Yankees aren’t lacking for dangerous right-handed bats, with Giancarlo Stanton, Aaron Judge, Aaron Hicks, Gleyber Torres and Gary Sanchez all hitting from that side of the plate. In that regard, Bowden feels a left-handed outfielder like Bryce Harper would fill a bigger need than a right-handed infielder like Machado.

Nonetheless, “general manager Brian Cashman has focused on the two-way abilities of Machado, and he’s certainly familiar with him, having gotten to see him play often in the AL East for most of his career.”

Machado would no doubt improve the Yankees, or pretty much any other team. The 26-year-old is a two-time Gold Glove winner capable of playing both shortstop and third base. He’s also a four-time All-Star and hit .297 this past season with 37 homers and 107 RBI. 

His addition in New York would make the Yankees World Series favorites, no doubt. Certainly, the Yankees would have the most feared lineup in baseball. But in either Chicago or Philadelphia, the addition of Machado would usher the team into contender status and likely set the market for Harper quite high. 

And for either the Phillies or White Sox, missing out on Machado would mean landing Harper would become all the more important. It appears Machado will be the first domino to fall, and it will be an extremely expensive domino. 

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Family of slain Palestinian teen demands full investigation

A Palestinian teenager was shot and killed at the Bet Il checkpoint at the northern entrance of the occupied West Bank city of al-Bireh.

Qassem al-Abbassi, 17, was killed by Israeli forces on Thursday night while he was in a private vehicle with his friends who were attempting to pass the checkpoint.

Abbassi is from the town of Silwan in occupied East Jerusalem. His body has been withheld by the Israeli army.

On Friday, Abbassi’s family contested claims by the Israeli military that he had attempted to ram his car into the soldiers.

In a press statement, family elder Moussa al-Abbasi said that what happened to Abbassi is murder, and demanded a full investigation into the shooting.

The family also called for an autopsy to be carried out on, and for Abbassi’s body to be returned to them in order to conduct a proper burial and funeral.

Maan, a local Palestinian news agency, reported that Mohammed al-Abbassi, a relative of the slain teen, was with him in the car at the time of the shooting.

“We were on our way to Nablus when we reached the checkpoint,” Mohammed said.

He said an Israeli policeman approached to tell them the road was closed.

“As we attempted to go back to the main road, we were chased by either Israeli soldiers or settlers,” he continued. “We could barely see as there were not enough lights and it was very dark.”

It was at that point, Mohammad said, they came under a heavy barrage of gunfire from all directions. 

A spokesman for the Israeli army told the AFP news agency that “soldiers opened fire in the direction of a vehicle which was attempting to break through a military barrier in the Ramallah region, killing one of the occupants”. An investigation has been opened, the spokesman added. 

In a separate incident, armed men opened fire at Israeli soldiers stationed by the illegal Jewish settlement of Ofra, east of Ramallah, late Thursday. The men managed to flee the scene.

Israeli media reported that shots were fired at the Israeli army and that soldiers responded with fire.

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Albums Of The Year: The Magic Of Kacey Musgraves’ Golden Hour



Tom Walko/Icon Sportswire via Getty Images

The center of Kacey Musgraves‘ dazzling Golden Hour, an album you will be listening to for the rest of your life, hardly lasts more than a minute. On its fifth song, “Mother,” she wanes poetic over a lonely piano about shouldering the weight of the world. “I’m just sitting here,” she sighs, “thinkin’ bout the time that’s slipping, and missing my mother.”

Then: “And she’s probably sitting there, thinkin’ bout the time that’s slipping, and missing her mother.”

It’s an expanding seed of nostalgia that makes anyone feel impossibly small, one that stunningly captures the very essence of love and loss, the unyielding march of time, life and the stifling insignificance of it all. It’s Golden Hour‘s quietest moment, one that underlines the album’s biggest question: What do you do when you fear the worst is coming?

“I’m the kinda person who starts gettin’ kinda nervous when I’m havin’ the time of my life,” Musgraves confesses on “Happy & Sad,” struggling to be content with a good feeling. But Golden Hour is not dragged down in its uncertainty. In fact, it’s remarkably bright, a sprawling landscape of psychedelic piano and guitar, rooted in country with fusions of bluegrass, pop, and disco, never raising its voice and hardly altering its soft tempo across 13 songs. Its weaving motifs — of flowers and magic, of rivers and skies, of blinding color, glowing light and the darkness of the unknown — lace it together tightly, building a timeless encapsulation of feeling everything and nothing all at once, of feeling everywhere and nowhere at the same time.

On Golden Hour, Musgraves very gently pines over biggest, tiniest, most patient, and urgent moments, all with an assured air of peace and acceptance. Whether she’s ditching a beau on “Space Cowboy” (“When a horse wants to run, ain’t no sense in closing the gate”), or falling in love again on “Butterflies” (“Now I remember what it feels like to fly”), there is no one feeling stronger than the other. The result is a lush depiction of our often awful planet and the still-wonderful things within it. It’s hopeful without being naive, melancholy without inspiring pity. Even as it weaves through moments of questioning existence, the album’s title track — written as a love letter to her husband, fellow country singer Ruston Kelly — is its most full-throated acceptance of the way things are in the wake of what has been and what will be. “You set my world on fire,” she acknowledges, “and I know, I know everything’s gonna be alright.”

Small and fearful as we are, Golden Hour realizes that nothing ever erodes the reality of true love, of finding peace within ourselves, of marveling at just how beautiful this place really is. On the floating “Oh, What a World,” Musgraves is awestruck by the magical fate that brought us here, but plants her boots firmly in front of the one she shares her space with. “These are real things,” she affirms of the love and feelings beating in her heart, fleeting and ethereal as they may be. “Oh, what a world,” she proclaims. “Don’t wanna leave,” she repeats, knowing that at some point in time, we all must.

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Duke’s Zion Williamson on Playing for Knicks: ’41 Games Here Wouldn’t Be so Bad’

NEW YORK, NY - DECEMBER 20: Zion Williamson #1 of the Duke Blue Devils reacts against the Texas Tech Red Raiders in the first half at Madison Square Garden on December 20, 2018 in New York City. (Photo by Lance King/Getty Images)

Lance King/Getty Images

Zion Williamson played at Madison Square Garden for the first time Thursday night with the Duke Blue Devils, and if the Mecca of Basketball turns out to be his home arena in the NBA, he wouldn’t be disappointed.

Williamson was asked about the possibility of being drafted by the New York Knicks after a 69-58 victory over No. 12 Texas Tech, and he said he was open to playing at MSG, per The Athletic’s Michael Scotto:

Michael Scotto @MikeAScotto

Zion Williamson on Knicks: I think this is RJ’s team. RJ, u wanna play for the Knicks? If they draft me, I’d love to play for the Knicks. I don’t really care where I go. Just the experience of being in the NBA whoever wants me & whoever sees the most in me that’s where I wanna be https://t.co/HHYlKLlKK1

He continued, per ESPN’s Jeff Borzello:

“Forty-one games at the Garden, I mean, it would probably be incredible. This is the Garden. A lot of greats have come through here. My favorite great to come through here was probably Bernard King because my stepdad talked about him a lot, how he just put the ball in the basket. … I had to go watch his highlights. He could really score the basketball. He was incredible how he did it. … Playing 41 games here wouldn’t be so bad.”

Considering the 6’7″, 285-pound freshman is No. 1 on Jonathan Wasserman’s 2019 big board at B/R, Knicks fans of course wouldn’t mind having him suit up for their team.

New York (9-24) owns the fifth-worst record in the NBA, two games in the win column ahead of the Atlanta Hawks (7-23) and Chicago Bulls (7-25).

For Williamson, it was a solid Garden debut, even though he fouled out. He put up 17 points and 13 rebounds and went 9-of-10 from the line in 25 minutes.

Williamson has made a name for himself by throwing down jaw-dropping dunks, dating back to his high school days. However, he said he takes pride on the defensive end as well:

Michael Scotto @MikeAScotto

Zion Williamson on defense: Growing up my favorite player was Michael Jordan. For those who may just think Michael Jordan was an offensive player he was a great defender and won DPOY. I’m just striving to be like that. As well as I am on offense, I want to be the same on defense. https://t.co/gydBfkEo6U

While the internet loves to make comparisons, the 18-year-old said he is just trying to play his game:

Michael Scotto @MikeAScotto

Zion Williamson was asked if there is a player in the NBA he thinks he can be like. He replied, “Not really. I’m just trying to be the first Zion really.” https://t.co/CxPrd1N6W8

It won’t be long before Williamson hears his name called on draft night in June. But for now, his focus will be on trying to help 11-1 Duke cut down the nets in April.

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‘I Am the Woman Trump Hates’: Meet Sherrod Brown’s Louder Half

CLEVELAND—Connie Schultz stood at her stove this week and stirred a big pot of thick vegetarian chili. On the long brown table set and waiting for lunch was a copy of that day’s New York Times, folded and opened to a page with a column with a headline I couldn’t help but notice, “The Secret to Winning in 2020,” and on the refrigerator and the walls around her were pictures of her four children and her seven grandchildren and of course her husband, too—the only statewide elected Democrat in Ohio, the potential presidential candidate, Senator Sherrod Brown.

Brown, 66, the curly-haired progressive populist who was preaching fair trade over free trade back when Donald Trump was reintroducing himself as a reality television business boss, last month won a third term in the Senate in part by winning back a sufficient slice of those who had voted for Trump two years before. His six-point victory in a state Trump carried by 8 prompted immediate 2020 chatter. Brown himself labeled it “a blueprint for America.” Hailing from this perennially critical swing spot—and this region of the country that decided the last presidential election and almost certainly will decide the next one as well—he has the unusual and proven ability, according to strategists from both parties, to appeal to black voters and urban liberals and workers in fading factory towns. For these reasons, Trump aides say, Brown is on a short list of possible foes the president fears.

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“We’ve heard that, too,” Schultz said, ladling chili into bowls.

“And I would say,” she added, “… good—because he should.”

She readied shredded cheese and sour cream and offered cornbread from a cast-iron skillet.

“Not because Sherrod’s a scary guy or a mean guy,” she continued. “Because Sherrod’s onto him. Sherrod is who these voters thought Trump was.”

If there is a commonly held image of how a political spouse should behave—seen and heard but not too much, not exactly muzzled but certainly measured, ever aware of some nebulous, help-or-hurt calculus—Connie Schultz is not it. And only Sherrod Brown—no other person who might run for president—has a her. She’s not just a spouse who’s a journalist. She’s a spouse who’s a journalist who’s a liberal feminist columnist who’s won a Pulitzer Prize and teaches journalism at her alma mater at Kent State University. She’s a spouse who’s a journalist who’s a liberal feminist columnist who’s won a Pulitzer Prize and who is a Christian who actually practices her faith. She’s a spouse who’s a journalist who’s a liberal feminist columnist who’s won a Pulitzer Prize who is a Christian and who also packs a blue-collar backstory as the Ashtabula-born-and-bred-daughter of a maintenance mechanic and a nurse’s aide. She has working-class cred, a powerful platform and opinions she is utterly unafraid to express. And she’s all these things at a moment when the current president is unceasing with his anti-press invective.

“I am the woman he hates,” Schultz said, getting water from the fridge.

She stopped and smiled.

“Can I tell you just how proud I am to be that woman?” she said. “I never measure myself against what Donald Trump would think of me. But if I am exactly what he hates, and I think I am, it makes me feel all the more necessary.”

In the last three and a half years, since Trump descended on his escalator and announced he was running, her criticism of him has been withering and unremitting. On Twitter (where she has more than 54,000 followers), on Facebook (183,000 and counting), and in her columns, she has accused him of “spewing racism and xenophobia to cheering crowds of white people.” She has called him “the most dangerous man running for president in our lifetimes.” She has ripped him as “a chronic and unapologetic liar.” She has called his anti-democratic media-denigrating “venom” “toxic” and “contagious.” Earlier this month, when Trump said the closing of a GM plant in eastern Ohio “doesn’t really matter,” Schultz seethed. “Come to Lordstown and say that,” she tweeted at the president. “Tell all those Ohio families now facing potential ruin that what they’re going through ‘doesn’t really matter.’”

If Brown runs, and he and Schultz are obsessively weighing the idea—“It’s all we talk about right now,” she told me—she is not going to stop. “If he runs, I’m in,” she said. And if they’re in, she’s going to keep speaking her truth about Trump.

“I don’t have any expectation, nor does my husband, that if he were to run for president, I would stop doing that,” she said.

Connie Schultz is not going to shut up.

“No,” she said.

“No. No. No. Have I been emphatic enough? No.”

“She wouldn’t, and I wouldn’t want her to,” Brown told me when he called from Washington.

“You won’t see a candidate’s spouse like her—we never have, and you won’t see for a long time—that’s as accomplished as she is, that is as outspoken as she is, that has a reach like she does,” he said. “You will not see that in any other candidate team, if you will.”

Back in 2005, when Brown first decided to run for the Senate, he ultimately made the decision—they made the decision—partly because they worried they were about to get too comfortable. He had a safe seat in the House. She had just won the Pulitzer. They had been married for going on a year and a half and were by all accounts giggle-level happy that they had found each other after their divorces and had another chance at marriage in middle age. But comfort wasn’t the goal. Wasn’t then—sure isn’t now.

“My generation of women was raised to be making other people comfortable,” said Schultz, 61. “If you’re in my house, we’re going to eat. What can I bring you? If the conversation got, you know, ugly in any way—if Uncle Frank starts making a racist comment—you bring out the carrot cake.” This, she suggested, is not the time for carrot cake. “A lot of us have broken with that. But not enough. Not enough women.”

Approaching 30 years, though, after another outspoken politician’s spouse, the eminently accomplished-in-her-own-right Hillary Clinton, toggled unevenly between asserting her independence and standing by her man, a political wife’s role remains undeniably fraught. Schultz frames it this way: To pundits, you’re either a problem or a prop. Words like “surrogate,” “secret weapon” and “asset” have become hoary clichés. She doesn’t want to be described as any of those things. And her husband doesn’t want her described as any of those things, either. “We’re partners,” she told me—making her a fully unleashed half of a unique and formidable one-two punch heading into the already ratcheting-up 2020 cycle, a spouse with not only a license but a charge to amplify the putative Brown campaign’s animating themes. On her terms. In her voice.

There’s no real precedent for this. No playbook. But the way Schultz sees it, it’s more than simply overdue. Because of Trump, and given the stakes, it is a must.

“The women who are used to being ignored, it’s my generation of women,” she said, “and they need to speak out more.”

We finished our bowls of chili.

“You start drawing lines,” Schultz said. “Because we’re in that place now—that place and time.”

***

Her path to this point has not been a straight line. Schultz was a freelance writer until she was 36. She was on the staff at Cleveland’s Plain Dealer as a features writer when she was a single mother. When she became a columnist for the newspaper, in 2002, first she called her kids and then she called her father. “Finally,” Chuck Schultz joked. “You’re going to get paid for what you’ve been throwing around for free …” But he was proud, and she could hear it. He went to the Crow’s Nest, his regular bar where he drank his Stroh’s and his Schlitz, and he told all his pals. “Imagine that,” he often said. “Getting a paycheck to give everyone a piece of her mind.” Her first column was about the lunch pail he took to the Cleveland Electric Illuminating Company for 36 years—as a member of the Utilities Workers of America, Local 270.

“When people want to accuse me of having an agenda,” she told me, “I say, ‘How could I not have an agenda?’ I’m a working-class kid who grew up with union wages and benefits, which saved my life when I had such bad asthma that they rushed me by ambulance to the Cleveland Clinic. I am a woman writing a column in op-ed pages around the country, and not the women’s section, because of the feminist movement. And I went to a state university with grants and scholarships and graduated with, like, $2,500 in debt. How could I not be a liberal? How could I not be a feminist? How could I not be writing about the people who work so hard to make this country work? What kind of person would I be if I turned my back on all that?”

These thoughts she had, and the words she wrote, and the way she wrote them—they’re literally why she started dating Brown.

In late 2002, he had been a congressman for nearly a decade. He sent her an email.

Ms. Schultz,

Where did The Plain Dealer find you? You are a breath of fresh air; your writing reminds me of that of Barbara Kingsolver, one of my favorite living writers.

Best wishes,

Sherrod Brown

Lorain, Ohio

They met for a date on January 1, 2003, at a chain restaurant called Cooker. She had to be pep-talked into getting out of her car in a last-minute phone call with a friend. He wore a Lorain County Community College sweatshirt even though he went to Yale. He proposed 10 months and 26 days later. “He’s us, in a tie,” Schultz’s father had decided.

The tension, though, of what Schultz still could say, and where, and how, flared soon after Brown started running for the Senate. “Their marriage presents us with an ongoing set of challenges,” another columnist at her newspaper wrote. “By any definition, she’s a liberal. Her husband is one of the House’s most liberal Democrats and fights for the same kinds of issues Connie frequently takes on in her column. Some critics are bothered by that and believe either that Connie promoting Sherrod Brown’s agenda or Sherrod is influencing hers …”

A few months later, she took a campaign-long leave of absence. “I want to write about what’s on my mind, but that is becoming increasingly difficult,” she admitted in her bye-for-now column. She pulled out of the parking garage at the office and affixed a bumper sticker to the back of her gray Pontiac Vibe: “Sherrod Brown for U.S. Senate.” But she wrote in her journal, “WHAT IS TO BECOME OF ME?” Later, she told a reporter from the Washington Post, “I’m having to rein myself in. I’m less myself.”

The night Brown won, Hillary Clinton called. “Tell Connie not to let anyone tell her she can’t have her career,” she told Brown, who relayed the message to his wife, according to her memoir. Schultz went back to writing her column for the Plain Dealer, but it was never the same. That tension never totally subsided. In 2011, she resigned. On her way out, she boxed up the placard that had been on her desk for years: “Well-behaved women rarely make history.”

But writing for a national audience was different than writing for the largest paper in the state her husband represented. She cultivated her Creators Syndicate following. She did it, too, on social media. She started working on a novel set to be published by Random House—about a blue-collar family living on the shores of Lake Erie. She got her voice back. It carried as always.

And a few weeks before the election in 2016, in a TEDx Talk at Cleveland State, Schultz recounted a moment she shared with her mother right before her death. She was driving her to the doctor’s office. She was emotionally wrought. “I said, ‘Ma, you know what? I’m so sorry. I’m so full of opinions all the time. I’m constantly expressing ‘em. Everybody’s getting upset with me,’” Schultz said. “And she grabbed my hand, and she said, ‘Honey, you’re who I wanted to be.’”

In the run-up to November 8, 2016, when it looked like Clinton was going to be the first woman to be elected president, Schultz actually began to mull pulling back a bit.

“I don’t think I’ve acknowledged this publicly—Sherrod knew it, sort of, but he was trying to talk me out of it—but I thought Hillary was going to win, and I was probably going to at least suspend my column for a while, so I could finish my book, and maybe just stop doing the column,” she told me. She would keep teaching. She could do some freelance pieces. “It wasn’t a definite, but it was where my head was shifting, which was a significant shift for me,” she said.

“Then Trump won.”

Everything was different.

And now, for Schultz, the prospect of a race for the right to take him down couldn’t be more personal. Because to become president, Trump conned men like her father. Sitting at her table, she told me a story about Chuck Schultz. In 1974, the year before she, the oldest of four, went to college, the first in her family to do so, her parents decided her mother needed to get a job. They had just bought a house after years of renting. There were bills. There were three more kids. They were going to go to college, too. His union benefits and his union salary were not enough. “That was a failure, he felt, on his part,” she said. “He never got over it.”

Since then, of course, it’s only gotten harder to be someone like Chuck Schultz, somewhere like Ashtabula, a town whose name means “always enough fish to be shared” and is bleeding population due to a loss of industrial jobs. He died in 2006, and his daughter doesn’t think he would have voted for Trump, but he was a part of the portion of the electorate that did so in droves. “I am not going to mock Trump voters,” she told me. “Because so many of them—they are desperate right now. For many reasons that are not their fault. Companies leaving. Companies abandoning them. And moving out of the country, right? Bottom line: I’m not going to mock them because I’m related to some of them.”

She called it “an issue of betrayal.”

“I come from the people he’s exploited and misled and lied to,” she said of Trump. “He made them think he cared about them. They were pawns on a board for him. But they believed him. And I understand. … I’ve known men like my dad all of my life. I know these voters, a lot of them.” And they have gone from “important” and “mighty” and “strong” … to “forgotten.”

“And he made them think that he saw them,” she said. “And he was looking right past them. He just thought, ‘I need you, you, you, you’—he doesn’t want to shake their hands, he doesn’t want to go out and mingle with them, he’s not inviting them to the White House. … They wore their bodies out so we didn’t have to. They wore their bodies out. My dad had heart bypass surgery at age 48—48. And he already felt like an old man. What does Donald Trump know about that?”

***

Here in their house with clusters of stacks of books (Doris Kearns Goodwin’s Leadership: In Turbulent Times, Michelle Obama’s Becoming …), a framed letter from Barack Obama (“A love like yours is something to treasure, and your extraordinary support for one another …”) and a First Amendment throw pillow on a chair by where she writes (“Congress shall make no law … abridging the freedom of speech, or of the press …”), Schultz woke up around 5 this past Monday morning from fitful sleep.

“Are you awake?” she whispered to her husband.

He was. This happens a lot these days.

In the dark, she called up on her Kindle the memoir she wrote in the aftermath of his initial Senate election. Scanning the beginning of … And His Lovely Wife, she reminded him about some of the early missteps and difficulties during that campaign, a nod to the reality that it was hard but that it worked out in the end. And then she got to the part about the role the show “West Wing” had played in their decision to run. She read it out loud.

I pulled out Season Two, slid the first disc into the DVD player, and asked Sherrod to watch the first two episodes with me.

The first scene opens on mayhem as several in the presidential party are shot. It’s dramatic, but it’s not why I wanted Sherrod to watch. The first two episodes are full of flashbacks that explain how Jed Bartlett, played by Martin Sheen, finally decides to work up the nerve to run for president. And he decides to run for all the right reasons, none of which have to do with his comfort level or whether he can win.

It takes him a while to get there, and at one point his wife, played by Stockard Channing, lectures a campaign staffer that the reason her husband is so irritable with everyone is because he’s scared.

“He’s not ready yet,” she tells him. “He’ll get there, but he’s not ready yet.”

It’s where he is again, Schultz said now.

“He’s getting there.”

He’s called people in early states. He’s met with officeholders and friends. He’s had conference calls with staff. “The patriotic thing to do,” Brown said from Washington, “is to consider running for president—because I may be the candidate that people rally around because I know how to win a state in the heartland. And my message is a message that’s national but is especially effective in the heartland—my message of dignity of work.”

Consultants concur.

“Republicans do worry about a Democratic nominee with white, working-class voter appeal,” GOP strategist Alex Conant told me. “Trump needs those voters to win again in the upper Midwest.” Conant mentioned Joe Biden, but Brown “fits that mold, too,” he said.

“He should be a candidate they fear,” added Bob Shrum, the veteran Democratic hand and a longtime advocate of unabashed economic populism as a political strategy. And Schultz, he said, is part of the reason. “She would be a tremendous asset, I think. If she persists, if I may borrow a word, I think that would be a positive, especially against Trump—who will not be able to resist saying something that will really anger women.”

“This will be a presidential race like no other,” Schultz tweeted last month, and she has no illusions about the coarseness of what is to come. These next two years are going to be noxious. “I don’t think there’s anything they won’t stoop to,” she said. “So what does that mean? What is fair to ask of your family?”

Schultz and Brown both have been divorced. They each brought children to their marriage. They have young Latino grandchildren. Maybe members of their family will be subject to harassment from supporters of Trump and maybe they won’t. She can’t help but contemplate the worst.

“I just want to be clear on this,” Schultz said. “Anybody who attempts to go after our family, it is going to be double-barrel. I mean, you don’t go after children, you don’t go after our kids. There’s no such thing as the ‘acceptable’ family—especially after we’ve put up with the Trump family. Nobody’s going to tell us what it means to be our family. I’m sorry—I just feel so strongly about that.”

The Apple Watch on her wrist ding-dinged with an alert. Her heart was racing. She looked down at the screen. More than 120 beats per minute.

They worry about more than personal attacks. They worry about the loss of personal space as well.

When Schultz read Becoming, for instance—she wrote a column about it (“This is the Michelle we were waiting for, the one who used to keep her opinion to herself …”), and she reviewed it for the Post—she couldn’t help but linger on some of the smaller details about what it means to live at 1600 Pennsylvania Avenue. “One of the things Michelle talks about,” Schultz told me, “is how wonderful it is now to have her windows open”—a no-go at the White House—“and how her dogs are getting used to hearing neighborhood dogs bark because they never heard another dog bark.”

Recently here in Ohio, Schultz and Brown went to the movies, where they saw “Green Book”—a film about a celebrated black pianist who was driven through the Deep South in the early ‘60s by a white man with whom he forges an unlikely bond. They talked to people at the theater afterward. They walked to their car. “I said, ‘You know, all this is over if you run. And if you’re elected, it’s over for eight years,’” she said. “And he said, ‘Honey, if I win, it’s over for the rest of our lives.’ And we just kind of stopped and stood there for a minute.”

Her ringtone on her phone is set to the beginning bars of that familiar song by Queen.

“Under Pressure.”

Nonetheless, she returned to the concern they had had before that first Senate campaign—about getting too comfortable. “Now, we’re older, right?” she said. “A lot of people our age are thinking about that, but that’s not how we’re built, obviously. We’re not doing that. But it’s something we’re thinking about more and more: Have we become too comfortable? I mean, he just won re-election to a six-year term, I’ve got my novel coming out—we’re in a good place. We’re worried if we don’t run, we’ve surrendered to that. Because if the argument is, this is going to be really hard …” For her, that’s not a good enough argument. Not now. Not with Trump as the president.

As a journalist, she’s alarmed. “I worry about my fellow journalists,” she said. “I worry that they’re going to die.”

As a Christian, she’s appalled. “I don’t know how they look at Donald Trump—I guess they figure, well, he’s straight, he’s not gay, so that’s not a problem. He’s fooling around like crazy, he hates women, but he’s not gay. I don’t know how they justify it.”

As a mother, she’s repulsed. “This is the guy we warned our daughters not to date. Our straight daughters. Stay away from that guy.”

As a citizen, she’s dismayed. “Any of us who came from any history of domestic violence—we know the signs of that. We get fearful. You’re edgy. Now the entire country knows what it’s like to go through abuse.”

I asked her if she wanted Brown to run. “I don’t know,” she said. She wasn’t trying to be evasive or coy, she said, and I believed her.

“I know this,” she said. “If he survives the primary, he will beat Trump. And that’s certainly what fuels my thinking on this right now—but I don’t know yet.”

The decision, when they make it, will be a joint one.

“If I wanted him to run and started saying, ‘You need to do this,’ I understand that would get him there faster,” she said. “I don’t mean he would do what I tell him to do. I just mean that that part of the equation would be resolved.”

And if the decision ends up as a yes, they are both quite certain about what their roles will be.

“I’m his partner,” she said. “We are always partners. He wouldn’t have been elected to the Senate without me. He wouldn’t have been able to run without me. And I would not have won the Pulitzer without him. Because we are each other’s strength.”

Brown sounds eager to have her with him and for him on the biggest stages.

“She really can talk to anyone, particularly to labor audiences and women’s groups and African-American groups,” Brown said. “If she were campaigning for me in Iowa or New Hampshire, she would talk less about what I stand for, and she would talk more about the country and why this is important. She would use her words, and she would be captivating with people. I think when they look at her it’s not … well, what does her husband stand for? It’s … we’re glad to see this candidate who is married to a woman like this and that makes us trust him more. And I think that’s what you’ll see. But she’s always going to be outspoken. And she is most effective when she says what she thinks.”

Problem or prop? Asset or liability?

“I’m sure some who care about him”—about her husband—“would probably like me to be less outspoken or not to have this career,” Schultz allowed. “But they never say it to me—not anymore. What would you like me to do with my life if I’m not going to be a columnist anymore? Would you like to also tell me what I’m going to be then? And they get uncomfortable pretty fast. And I’m fine with that. See? I’m fine with making everybody uncomfortable, if you’re going to tell me what I should be.”

That old standby conciliatory carrot cake?

“The carrot cake is staying in the fridge.”

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Trump pushes McConnell to pass wall funding but prepares to blame Dems for possible shutdown


Mitch McConnell and Donald Trump.

“Mitch McConnell should fight for the Wall and Border Security as hard as he fought for anything. He will need Democrat votes, but as shown in the House, good things happen,” President Donald Trump tweeted. “If enough Dems don’t vote, it will be a Democrat Shutdown!” | Andrew Harnik/AP photo

President Donald Trump warned Friday that “there will be a shutdown that will last for a very long time” if the Senate fails to pass a spending bill that includes border wall funding, laying the groundwork to blame Democrats for a pre-Christmas shutdown that would shutter wide swaths of the government.

Trump pushed the government to the precipice of a partial shutdown on Thursday, insisting in a meeting with lawmakers that he would not sign legislation to keep the government open unless it included $5 billion for his long-promised wall along the U.S.-Mexico border.

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Acceding to the president’s demand, House Republicans on Thursday rejected a short-term funding bill passed by the Senate that included just over $1 billion for border security — not a wall — and instead approved legislation that met the president’s demands for border wall funding. The House bill now goes to the Senate, where it is almost sure to fall short of the 60 votes it would need to pass.

Still, Trump on Friday morning urged McConnell to push hard for border wall funding, which would need some Democratic support to pass. Democrats, who will hold the majority in the House next year, are all but certain to refuse to budge on funding the president’s border wall.

“Senator Mitch McConnell should fight for the Wall and Border Security as hard as he fought for anything. He will need Democrat votes, but as shown in the House, good things happen,” the president wrote on Twitter. “If enough Dems don’t vote, it will be a Democrat Shutdown! House Republicans were great yesterday!”

Trump also pushed McConnell to change longstanding Senate rules, if necessary, to pass wall funding, writing on Twitter that the majority leader should “use the nuclear option and get it done.” The president has long pushed for an end to Senate filibuster rules requiring legislation to clear a 60-vote threshold to pass, a step McConnell has vowed never to take.

“The Democrats, whose votes we need in the Senate, will probably vote against Border Security and the Wall even though they know it is DESPERATELY NEEDED,” Trump warned. “If the Dems vote no, there will be a shutdown that will last for a very long time. People don’t want Open Borders and Crime!”

Earlier this week, the White House had appeared ready to accept legislation to keep the government open without border wall funding. White House press secretary Sarah Huckabee Sanders signaled that the administration would find alternate sources for border wall money and the president said he would ask the military to build the border wall.

But as the deadline grew closer, the right flank of the Republican party mounted a final push to fund the president’s signature campaign promise now, before Democrats seize control of the House and likely install Rep. Nancy Pelosi (D-Calif.) as speaker. Members of the arch-conservative House Freedom Caucus delivered blistering floor speeches calling on the president to fight for the wall now, while conservative media figures similarly spurred the president to demand wall funding, suggesting anything less would amount to a capitulation.

Opponents of the president have long ridiculed his border wall proposal as an ineffective and overly simplified solution to the complex issue of illegal immigration. Trump has been lambasted, too, for his promise that Mexico would pay for the wall, a promise the president has dubiously claimed he kept by renegotiating NAFTA on terms he says are more favorable to the U.S.

Trump defended his wall proposal Friday morning, suggesting he has the technological expertise to stop immigrants from entering the U.S. illegally. Democrats, the president claimed, are “lying” when they argue that a border wall would be ineffectual.

“The Democrats are trying to belittle the concept of a Wall, calling it old fashioned. The fact is there is nothing else’s that will work, and that has been true for thousands of years,” he wrote on Twitter. “It’s like the wheel, there is nothing better. I know tech better than anyone, & technology on a Border is only effective in conjunction with a Wall.”

“Properly designed and built Walls work, and the Democrats are lying when they say they don’t. In Israel the Wall is 99.9% successful,” the president continued. “Will not be any different on our Southern Border! Hundreds of $Billions saved!”

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Opposition supporters reject delay to DRC elections

Kinshasa, DRC – Angry opposition supporters gathered outside their party headquarters in the Congolese capital Kinshasa on Friday, hours after the electoral commission delayed Sunday’s scheduled poll by a week.

The electoral commission (CENI) said late Thursday the long-delayed poll will not take place on December 23 due to a delay in deploying voting materials to polling stations.

The hotly contested election, which was first scheduled to take place in 2016, will now take place on December 30.

“For the last two years they assured us that election will happen on time,” Jean Mbaya, UDPS supporter told Al Jazeera.

“If election does not happen on Sunday, CENI president and Kabila [the country’s president] must resign and go,” the 24-year-old labourer added.

“We will no longer accept any delay. If we accept they will turn the seven-day to seven-month delay,” he added.

The supporters, mostly young men, marched up and down the township of Limete – an opposition stronghold – shouting “if there’s no election on the 23rd we will kill each other” as security forces kept watch from a distance.

“We cannot accept any delay. We have lost many friends who called for elections. We have suffered for too long,” Felly Kabambi, a tricycle driver, told Al Jazeera.

DRC election: Governor bans campaigning in capital Kinshasa

President Joseph Kabila, who took power following the assassination of his father in 2001, was meant to step down in 2016 after serving two five-year terms in office.

But the electoral commission said it didn’t have the resources to hold the election on time.

Last week, a fire gutted one of the main warehouses of the electoral body in the capital destroying two-thirds of the polling materials for Kinshasa.

Kinshasa is home to about 15 percent of the more than 46 million registered voters in the vast mineral-rich country.

CENI said it had ordered five million ballots papers from neighbouring South Africa but so far only one million have arrived in the country. The ballots papers were to replace those destroyed in the fire, CENI added.

The DRC’s Minister for Environment Amy Ambatobe backed the decision to delay the vote.

“We are very happy with the commission’s decision,” he told Al Jazeera.

“It’s not a bad move. It is good to make sure everything is in place first before elections can start.”

The campaign period has been marked by deadly clashes between the security forces and opposition supporters.

On Thursday, the International Criminal Court (ICC) said it will take action against anyone who commits crime during the election period.

DRC’s new electronic machines ‘could help rig election’

Dieudonne Mushagalusa, a coordinator for civil society groups in Kinshasa, said the electoral body’s decision to postpone the vote was the right one.

“We welcome the electoral commission’s decision and the courage they showed in telling the truth to Congolese people,” Mushagalusa told Al Jazeera.

“The decision is the right one since its technically justified. The commission has well done to delay for seven days instead of organising wrong elections that would create trouble in the country.” he added.

DR Congo, a country in central Africa roughly the size of western Europe, has never had a peaceful transfer of power since it gained independence from Belgium in 1960.

Twenty-one candidates are competing for the country’s top seat.

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