NASA photos capture historic flooding of critical U.S. Air Force base

In 1948, Air Force Secretary Stuart Symington stationed the United States’ long-range nuclear bombers at Offutt Air Force Base in eastern Nebraska, a location safe in the middle of the nation and well-insulated from the coast.

But 70 years later, the base — now home to the U.S. Strategic Command which deters “catastrophic actions from adversaries and poses an immediate threat to any actor who questions U.S. resolve by demonstrating our capabilities” — isn’t safe from historic and record-setting floods

Intense rains on top of the rapid melting of ample snow has inundated large swathes of Nebraska and a full one-third of the Offutt Air Force Base, including the headquarters building.

NASA’s Landsat 8 satellite captured before and after images of the flooding — which the European Union Earth Observation Programme called “biblical.” The overloaded river burgeoned in size, creeping into Offutt, neighborhoods, and farmlands. 

Satellite image from March 20, 2018, a year prior to the flooding.

Satellite image from March 20, 2018, a year prior to the flooding.

Image: nasa

Flooded Nebraska on March 16, 2019.

Flooded Nebraska on March 16, 2019.

Image: nasa

A number of potent factors mixed to create what Offutt Air Force Base Commander Mike Manion has labeled a “1,000 year flood” — meaning there’s only a one in 1,000 chance of such an extreme event happening in any given year. 

NASA noted that exceptionally cold Arctic blasts (from a wobbly polar vortex) preserved bounties of snow that soon rapidly melted when “unusually warm” March air produced massive amounts of runoff. Exacerbating matters, the winter’s freeze made the ground less absorbent when extreme downpours then slammed the region. 

SEE ALSO: The Green New Deal: Historians weigh in on the immense scale required to pull it off

If that wasn’t enough, big rains in 2018 had already “loaded the dice even more,” meteorologist Bryce Anderson noted on Twitter: A thawed ground, already saturated with water, wouldn’t have been able to soak up much water anyway, he said

On top of this confluence of extreme weather events, Earth’s atmosphere is considerably different than it was a century ago. Specifically, the climate has warmed by 1 degree Celsius (1.8 Fahrenheit), and due to simple physics, the warmer air is able to hold more water vapor. Specifically, for every 1 degree Celsius of warming, the air can hold seven percent more water.

That means more intense downpours. Between 1958 and 2012, the amount of rain in the heaviest rainfall events in the midwest shot up by 37 percent, according to U.S. government scientists.

Forthcoming research will reveal the role climate change played during these floods, though atmospheric scientists expect this same climate lever to bring more intense precipitation blasts to other parts of the nation in the near future, notably California. 

A flooded runway at Offutt Air Force Base

A flooded runway at Offutt Air Force Base

Image: U.S. Air Force photo by TSgt. Rachelle Blake

On March 17, the National Weather Service (NWS) expected the Missouri River just south of Offutt Air Force Base to break record levels by a whopping four feet, noted CBS meteorologist Eric Fisher. The forecast turned out to be almost spot on.

“That’s unreal for a river with some big floods in the past,” Fisher wrote. 

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Kyler Murray Rumors: Cardinals, QB Meet at Oklahoma Amid 2019 NFL Draft Buzz

INDIANAPOLIS, IN - MARCH 1: Kyler Murray #QB11 of the Oklahoma Sooners is seen at the 2019 NFL Combine at Lucas Oil Stadium on March 1, 2019 in Indianapolis, Indiana. (Photo by Michael Hickey/Getty Images)

Michael Hickey/Getty Images

The ongoing speculation about Kyler Murray being selected No. 1 overall by the Arizona Cardinals in the 2019 NFL draft will only increase after Tuesday. 

Per Aaron Wilson of the Houston Chronicle, Murray is meeting with Cardinals general manager Steve Keim and head coach Kliff Kingsbury at Oklahoma. ESPN’s Adam Schefter confirmed the report.

During Oklahoma’s pro day last week, Murray went through his workout without Keim or Kingsbury in attendance:

Ian Rapoport @RapSheet

As #Oklahoma QB Kyler Murray gets set for his Pro Day, #AZCardinals GM Steve Keim, coach Kliff Kingsbury and owner Michael Bidwill will… not be in attendance, per @JamesPalmerTV and me. Hmmm. Interpret that how you will. 🤔

That didn’t necessarily signal a lack of interest from the Cardinals in the reigning Heisman Trophy winner. The Cleveland Browns didn’t send John Dorsey or Hue Jackson to Baker Mayfield’s pro day last year, but they still selected him with the top pick.

Speculation about the Cardinals drafting Murray began when Kingsbury was hired in January. He told reporters last year while serving as Texas Tech’s head coach, the Oklahoma quarterback would be his choice to be drafted No. 1 overall:

Eric Kelly @EricKellyTV

Kliff Kingsbury with some high praise for OU QB Kyler Murray:

“Kyler is a freak…..I would take him with the first pick of the draft if I could.” https://t.co/aYYamjMu7o

Potentially complicating matters for the Cardinals is the presence of Josh Rosen. Keim traded up in last year’s draft to select Rosen with the 10th pick. He struggled through his rookie season with 11 touchdowns and 14 interceptions, but he just turned 22 in February. 

If Kingsbury believes Murray is a better fit for what he wants Arizona’s offense to look like, there’s no reason for the team to pass on him. 

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After A Career In K-pop, Tiffany Young Is Finally In Control



Transparent Agency

Who is Tiffany Young? It’s a question I’ve found myself asking a lot over the last six months as the 29-year-old singer has been making a name for herself in the U.S. To be clear, I know who she is — I’ve known of her since she went by just Tiffany, the cheery American member of the successful K-pop girl group Girls’ Generation — but I don’t really know her. Like you, I know her through the bits and pieces she’s been willing to share with me.

For example: Tiffany Young was born Stephanie Young Hwang. She loves musicals. And Christmas music. She’s a Slytherin. She inherited her late mother’s love of female artists, citing the “divas” — Annie Lennox, Madonna, and Mariah Carey — as her biggest musical influences. But she also went through a boy band phase in the early aughts and had a huge crush on Justin Timberlake. Her dream to become a performer led to a chance audition with South Korean company SM Entertainment and ultimately a move to Seoul at age 15, alone, where she trained for two years before debuting with Girls’ Generation in 2007. Despite her decade-long singing career abroad, she decided not to renew her contract and instead move back home to Los Angeles in 2018 to try and make her pop star dreams come true in the U.S. with a fresh sound and a fitting surname (“Young is the Chinese character for forever in Korean,” she told me last year).

These are all the familiar beats of Tiffany Young’s story, and she typically recounts them warmly, her signature smile always present. But it’s sometimes hard to see through all that poise and polish to find the woman underneath. It’s not Young’s fault; she’s been held to the highest standard of perfection for more than a decade, and that’s not something she can shed overnight. Though, she’s getting there.

After kicking off her U.S. solo career last year with bold, sensual songs like “Over My Skin” and “Teach You” — two groovy English-language singles that helped establish the Korean-American artist as a woman not to trifled with, while also relying on glossy K-pop-inspired visuals to convey the message — 2019’s “Born Again” was a fresh page for Young. “Never felt this safe, in a foreign place,” she croons. “I used to feel so hollow, shallow, vacant.”

Co-written by Young, the single was a sweeping confessional that picked at old wounds. At the end of 2018, her father was accused of fraud, and the situation made national news in Korea, forcing Young to not only apologize on her dad’s behalf but also reveal her own estranged relationship with him. It was a painful, embarrassing experience, but it inspired her to see things from a new perspective.

“It changed me a lot,” she told MTV News. “Finding that self-acceptance during that time really let me embrace some of the imperfections of myself [and] to find the strength to say, ‘I want this rebirth. I want this to be the beginning. I want to ultimately say I am reborn as a human being, as an artist.’”

She teamed up with prolific producers and songwriters like Fernando Garibay, The Rascals, and Babyface to lay these insecurities bare in the studio, co-writing all five songs on her debut English-language EP, Lips On Lips. For Young, Lips On Lips — released in late February — was a way for her to “open up so that others may open up and connect [with it] the way music made me feel when I was lost.” It was also an opportunity for Young to advocate for herself and her ideas for the first time and turn the studio experience into something fun and collaborative. “I used to always be nervous [in the studio],” she said. “I thought that I had to get things perfect in one take. I’m always trying to relax now. I’m just deprogramming a lot of things that I thought was supposed to be. There are no rules when creating, and I’m just reminding myself that every day because it really translates once you’re comfortable and you’re ready.”

Getty Images

(L) Tiffany poses for photos in Seoul, South Korea in January 2009; (R) Tiffany Young attends the iHeartRadio Music Awards in March 2019

Young is hardly the first artist to turn personal tragedy into creative fuel — Ariana Grande’s done it twice in the last year alone (Sweetener, Thank U, Next) — but she’s in a unique position, where by rewriting her narrative she’s not simply writing it, she’s owning it for the very first time.

She debuted with Girls’ Generation at the age of 17. The first time I had interviewed her, last fall when she was promoting “Teach You” in New York, she had described it as “a time when you had to be perfect.” K-pop idols not only endure years of training — practicing singing, dancing, rapping, and languages (as a foreigner, it took Young two years before she was comfortable reading, writing, and speaking Korean) — but they also have busy promotional schedules and, in most cases, various restrictions. In the early days of Girls’ Generation, everything was decided for Young, from her clothes to her hairstyles. When the group released their first single, Young sported a short chop, which would become her signature look over the years. The style, she says, was determined by management as a way to give her an identity within the nine-member group. The long, loose blond waves she has now are as much a tangible representation of her rebirth as “Born Again.”

And while the modern K-pop landscape is embracing new narratives, there’s still an expectation to work hard and to always strive for more — better music, tighter formations, and better performances. “It was the most grueling work but [also] educational,” she said. “I am thankful.”

That unyielding level of work ethic is present in everything Young does, from changing into a new outfit at every press stop during a hectic 19-hour media day, to co-writing all five songs on Lips On Lips, and mapping out her first North American tour — an “intimate” showcase in which Young planned the set list (which includes euphoric covers of *NSYNC’s “Gone” and George Michael’s “Freedom”) and the costumes (she was inspired by Blake Lively’s character in A Simple Favor). “I’m just trying to find that balance of being relaxed and still kicking my ass to work harder and pushing myself to create,” she said. But that hard work is already paying off. The singer recently won the iHeartRadio Music Award for Best Solo Breakout.

Transparent Agency

According to Young, one of the most personal songs on the EP is “Not Barbie,” an R&B song that celebrates human imperfections. “Even if I don’t look like what they show me,” she sings on the track. “They can’t ever judge me ’cause they don’t know me.” To bring this song to life on tour, Young invites a few fans at every stop join her on stage for the emotional performance. “This tour is all about intimacy and closeness for me,” she said. “That song’s so special. I want every woman and man and boy and girl to know that beauty is being positively true to your mind, body, and soul, and nothing else.”

Even for Young this idea of being true to yourself is a process. “I’m still learning,” she said. Old Tiffany had to be perfect, but New Tiffany likes perfection too. This time, of course, it’s her choice.

Just like it’s her choice to decide what she wants to say and how to say it. In 2019, we don’t want our idols to be perfect. In fact, we prefer when they’re not, when they’re a little messy — but not too messy. Thanks to social media, the relationship between an artist and their fans has never felt more intimate; there’s an expectation to share the everyday emotions and anxieties you’re feeling. That can feel overwhelming for some, but for Young, it’s liberating.

Transparent Agency

“I feel like opening up to this part of me made things a lot more clear in the sense of how optimistic and persevering I wanted to be during that time of Girls’ Generation. I’ve always found a lot of beauty in pain.” And that beauty can manifest itself in many ways, like, say, a persistent smile. Because sometimes the best way to really know someone is to pay attention to what they’re not saying — like the tone of their voice, or the way their eyes sparkle when they’re talking about their favorite Broadway musicals.

“You have to be able to see past the pain, and I got to do that. Music has always been that for me. I was just so thankful to be doing what I love to do, to be performing. That makes me continue to have this smile on my face.”

To hear about Tiffany Young’s career journey in her own words, watch her episode of the MTV News series, Homecoming.

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These 3D printing timelapse videos are your new self-soothing treat

An Ode to… is a weekly column where we share the stuff we’re really into in hopes that you’ll be really into it, too.


What’s more satisfying than being able to 3D print stuff? Watching it happen. 

If you’re at all familiar with what goes into the 3D printing process, you know just how long it takes. But now, thanks to timelapse video, you can watch objects appear as if they’re being created out of thin air. 

SEE ALSO: This new 3D printer makes objects appear out of nowhere

There is something intensely pleasing about seeing the inner structures that fortify 3D prints come to be in an almost fluid-like motion. Take this headless knight: Watching the wavy weavings is so bizarrely calming, it doesn’t matter that it takes more than one try. 

This next video looks straight out of some futuristic Disney Channel program, like Smart House or Phil of the Future. The borderline-eerie music really adds to the overall experience. You’ll feel like Zenon: Girl of the 21st Century watching this vase phase in out of nowhere. 

This moon city video gives off similar vibes (with some different music). Especially pleasing is the effect of the platform slowly descending rather than the 3D printer building up. 

The two clocks in this video illustrate just how lengthy a process a 3D print of this size actually is. The fact that this castle is also the equivalent of the Barbie Dream Home for kids who grew up liking medieval fantasy novels is just an added bonus. 

As technology advances, different types of 3D printing are evolving as well. For example, here’s a video of a 3D print being made out of a vat of resin. Sure, it seems a bit slimy and gross, but at the same time, it’s undeniably cool.

This lighthouse, as seen in the video game Elder Scrolls, was so massive it had to be built in three stages. 

As technology advances and 3D printers become more accessible, we can only hope that more printing timelapses will come along with it. It’s a little bit of magic right before your eyes. 

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Report: Prosecutors Offer to Drop Robert Kraft’s Solicitation Charges in Florida

New England Patriots owner Robert Kraft speaks during a television interview on the sideline before an NFL preseason football game against the New York Giants, Thursday, Aug. 31, 2017, in Foxborough, Mass. (AP Photo/Steven Senne)

Steven Senne/Associated Press

Florida prosecutors have reportedly offered to drop the solicitation of prostitution charges against New England Patriots owner Robert Kraft if he admits he would have been proven guilty had the case gone to trial. 

According to Andrew Beaton of the Wall Street Journal, prosecutors have offered the same deal to other men charged with solicitation of prostitution in the Florida sting. If Kraft takes the deal, he will reportedly have to complete an education course about prostitution, complete 100 hours of community service and undergo screening for sexually transmitted diseases.

Kraft was charged with two misdemeanor counts of first-degree solicitation after he was allegedly caught on camera paying for and receiving oral and manual sex at the Orchids of Asia Day Spa in Jupiter, Florida, in January, including once on the morning of the Patriots’ AFC Championship Game win over the Kansas City Chiefs.

Per Beaton (h/t NBC Sports Boston), the deal prosecutors offered to Kraft is considered “unusual.”

According to ESPN.com, police said Kraft is one of 200 people who engaged in sex acts at Florida massage parlors that were the focus of a prostitution sting.

The 77-year-old Kraft has not spoken publicly about the charges against him, but his spokesperson did say they “categorically deny that Mr. Kraft engaged in any illegal activity.”

Kraft had been scheduled to appear in court March 28, although his attorney, Jack Goldberger, said Kraft would not have to attend.

Since buying the Patriots in 1994, Kraft has won 10 AFC championships and six Super Bowls, making him one of the most successful owners in major American sports history.

Kraft could be subject to a fine and suspension by the NFL depending on the outcome of his case.

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The 5 most obnoxious things from Devin Nunes’s lawsuit against Twitter

Devin Nunes, Republican congressman from California and Trump lapdog, is suing Twitter for a deeply hilarious reason.

The thrust of the Nunes’ lawsuit is that two parody accounts — @DevinNunesMom and @DevinCow — defamed Nunes with the assistance of the third defendant, strategist Liz Mair. Twitter is also named in the suit for just letting it happen. It also mentions “shadow banning,” a false claim frequently made by conservatives on Twitter that the platform suppresses their tweets.

The entire filing is about 40 pages and can be read here, but below is a selection of the parts that made us el oh el the most. 

The accounts in question

Credit to @DevinNunesMom for breathing new life into the “your mom” category of jokes. The account, now suspended, had the word “parody” in its Twitter bio, but that wasn’t enough to keep it off the chopping block. Still, it’s fun to imagine Nunes being triggered by such a schoolyard-style taunt.

More imaginative is @DevinCow, playing off of Nunes’ early life growing up on a farm. One hilarious point of fallout: @DevinCow has picked up thousands of Twitter followers thanks to the lawsuit. Probably not the effect Nunes was hoping for.

It’s also worth noting that while Liz Mair is named in the suit, the defamation claim against her is mostly separate from that of the parody accounts. The only thing that connects the two is a 2018 tweet from Mair that shouted out @DevinCow.

The lawsuit ultimately accuses the accounts of a “concerted defamation campaign… to cause immense pain, intimidate, interfere with and divert Nunes’ attention from his investigation of corruption and Russian involvement in the 2016 Presidential Election.”

If the investigation referred to here is actually the now-infamous Nunes Memo, that makes the argument even more laughable given that the memo wound up contradicting itself and ultimately being a self-aggrandizing nothing burger.

Ridiculous tweets

The suit mainly focuses on the now-deleted @DevinNunesMom account and, boy, does it not disappoint. The tweets quoted in the lawsuit include a few real doozies, like:

  • “Devin Nunes’ Mom stated that Nunes had turned out worse than Jacob Wohl” 

  • “falsely stated that Nunes would probably join the ‘Proud Boys’ if it weren’t for that unfortunate ‘nomasturbating’ rule”

  • “and even falsely stated that Nunes has “herp-face’”

But that’s nothing compared to some of the screenshots they put in the lawsuit:

Serious threats

Serious threats

Image: Twitter/Nunes complaint

But even that was no match for the tweet that played the Human Centipede card.

The three branches of government.

The three branches of government.

Image: Twitter/nunes complaint

Astonishing. 

As for @DevinCow, the lawsuit focuses in on critical tweets that are far more offensive for the puns.

Devin’s boots are full of manure. He’s udder-ly worthless and it’s pasture time to mooove him to prison. The herd supports @JanzforCongress: Valley resident, anti-crime prosecutor. #CA22 needs a representative who works for us, full time 🐄 https://t.co/SizKWRN9kx

— Devin Nunes’ cow (@DevinCow) October 12, 2018

These tweets are pretty ridiculous as is, but they sound even more absurd in the context of a multi-million dollar lawsuit. Yes, some cross the line into being mean-spirited. But it’s hard to be sympathetic to Nunes here, since he has remained silent on many of the far more pervasive examples of Twitter harassment

It’s as if Nunes was shocked to learn that people would say nasty things about elected officials, which has pretty much been an American tradition going back to its beginning.

‘Dirty Devin’

In describing the defamation claim against Mair, the suit points out the nickname that Mair gave Nunes: “Mair’s tweets about Nunes, for example, referred to the Congressman with disdain as ‘Dirty Devin’.” Oh, the horror. 

This, on my read, violates congressional ethics rules and probably also creates an FEC issue for him. Just another reason why we now routinely refer to him as “Dirty Devin.” https://t.co/PwfXAoR747

— BrandValue$4B (@LizMair) July 19, 2018

Much like with the “mean tweets” the lawsuit cites, Nunes’ complaint ignores the fact that much of the same behavior is exhibited by President Trump, of whom Nunes has been quite an ardent supporter. 

Bullying? Spreading of conspiracy theories? Using Twitter to undermine democracy? Mean nicknames? All things Trump has done with his own account, though probably minus the Human Centipede meme.  

This one complaint about Twitter

At one point, while discussing the lack of action from Twitter with regards to his complaint, the lawsuit emphasizes, in bold, “Twitter did absolutely nothing.” To that, everyone who has ever been threatened or harassed on the platform can respond, “No kidding.” 

It’s as if Nunes and his team are just now discovering that Twitter is a problematic tool.

The “shadow ban” scam

The lawsuit also regurgitates the claim that Twitter suppresses conservative voices. Except this isn’t true. As we detailed in 2018, the incidents that led to the claims from conservatives actually had everything to do with alt-right Pizzagate trolls and nothing to do with actual suppression of free speech.

Twitter is also largely protected from the defamation charges Nunes has leveled against it thanks to the Communications Decency Act that shields platforms from lawsuits based on what its users say. 

Not that any of this really deeply matters to Nunes. Sure, maybe his feelings are really hurt, but given the fact that Trump and others have brought up strengthening libel laws multiple times — the old “you can’t take what you dish out” syndrome — it could be setting up more nefarious actions to come. 

And a whole hell of a lot of fundraising off the backs of these silly tweets from a fake cow. 

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Rendered or real? Real-time ray tracing makes cars look convincingly realistic.

The hyper-realistic reflection of light on the ground in front of the car should’ve given it away, but I was so distracted by the realness of everything else that I didn’t pick up on the clues that the BMW 8 series coupe I was looking at wasn’t the real thing.

San Francisco-based Unity Technologies general manager Tim McDonough had given me this challenge via video chat. On the screen, he showed me three sets of side-by-side images of a BMW car on a stage. Some of the images I was looking at had been created in virtual reality, using the 3D imaging tools on the Unity Technologies platform with Nvidia software processing to make a photo of a car look like the car was actually on a stage. I had to guess which was the real car and which was made through a Unity ray-traced rendering.

Real-time ray tracing — a rendering method that creates a virtual image by copying how light falls and interacts with images — makes for photorealistic images that are almost indistinguishable from the real thing. The light bounces off the rearview mirror and the grille glimmers in the light. 

And I was easily fooled — all of the images looked real enough to me.

SEE ALSO: Volkswagen drivers can unlock their cars with Siri

The company announced the new ray-tracing tool at the Game Developers Conference in San Francisco Monday afternoon. 

It’s a tool that can be used for rendering cars for designing or marketing purposes. Outside of the automotive industry, the technique is popular in media, entertainment, and gaming to create realistic virtual scenes, characters, and more. 

For the car industry, this means being able to create virtual cars of a prototype that’s not as far along as the real thing but will still look complete, finished, and most importantly, real. If a designer wants to see what the car would look like parked in front of the Sydney Opera House at sunset, for instance, it can do that — without heavy equipment and long re-rendering times to process the images.

Here were two of the challenges I took to see if I could tell which was a photo of a real car:

Cms%252f2019%252f3%252fd523ac9d 84db e790%252fthumb%252f00001.jpg%252foriginal.jpg?signature=f3ebrrxi5kv3yrncyozkqlsgyxi=&source=https%3a%2f%2fvdist.aws.mashable

Cms%252f2019%252f3%252fdd287490 8460 446d%252fthumb%252f00001.jpg%252foriginal.jpg?signature=eaxhck jm2rych2kq0bbrva08aq=&source=https%3a%2f%2fvdist.aws.mashable

In the end, I got every single one wrong: 0/3. A fail for me, however, is a win for the company. The images fooled my untrained eye — which means that if a car company used the rendered version in its marketing website, most of us wouldn’t know the difference. Designers don’t need to work with expensive tools and heavy-duty equipment when a simplified VR tool running on a usual design set-up can produce the same thing. 

The one on the right was rendered for both of those challenges (did you guess correctly?), and Unity had made its point. 

As McDonough said, “Ray tracing lets designers and developers create content that looks super real … You can’t tell the difference anymore.”

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How do Western media get Africa wrong?

East Africans poured out grief and anger on social media in the wake of Ethiopian Airlines Flight 302, with many criticising foreign media coverage.

The Ethiopian Airlines Flight 302 disaster has not only sparked conversations about aviation safety, but prompted a furious debate over how Western media outlets covered it. Some observers, such as The Atlantic’s Hannah Giorgis, noted the tragedy was reported unevenly, focusing more “on non-African passengers and organisations.” This despite the fact that nine Ethiopians and 32 Kenyans were killed – the most victims from any nation.

Kenyan writer and political cartoonist Patrick Gathara added that media organisations forget there is no such thing as an “African story”, saying that any effort to compress the lives and experiences of millions of Africans and thousands of cultures “will always say more about the prejudices and laziness of the journalist than about his subjects.”

Many felt that prejudice was on display when one international news anchor erroneously stated that Africa’s most successful airline had a “poor safety record.”

So how does coverage of the crash fit within a broader Western media narrative that often covers the continent using racist and colonialist tropes? We ask a panel of east Africans.

On this episode of The Stream, we speak with:
Patrick Gathara @gathara



Political commentator

gathara.blogspot.com
Solomon Dersso @SolomonADersso



Founding director, Amani Africa

solomondersso.wordpress.com
Tsedale Lemma @tselemma



Editor-in-chief, Addis Standard

addisstandard.comRead more:
Why do Western media get Africa wrong? – Al Jazeera



Who were the victims of the Ethiopian Airlines crash? – The Guardian


The Western Erasure of African Tragedy – The Atlantic

What do you think? Record a brief comment here, or leave your thoughts in the section below.

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Top Gillibrand aide to leave amid questions over sexual harassment investigation


Kirsten Gillibrand

The departure of Kirsten Gillibrand’s longtime deputy chief of staff, Anne Bradley, comes at a critical moment for the New York Senator’s campaign. | AP Photo/J. Scott Applewhite

Sen. Kirsten Gillibrand’s longtime deputy chief of staff, Anne Bradley, is leaving her Senate office next month, according to a person familiar with her plans.

Bradley has been with Gillibrand since 2007 and had been planning to retire later this year. She moved up her departure after POLITICO detailed an internal sexual harassment investigation Bradley helped lead in 2018, which ended with a young female staffer resigning in protest over how Gillibrand’s office handled the incident and the post-investigation fallout.

Story Continued Below

Bradley’s exit comes at a critical moment for Gillibrand. The New York Democrat officially announced her candidacy for president Sunday, after a two-month exploratory period, and has scheduled a kickoff speech outside a Trump hotel in New York City on March 24.

A Gillibrand spokesperson declined to comment.

Gillibrand told reporters last week she had no regrets about how the episode was handled, but she told The Hill last weekend that “where we did see some human error was post-investigation.”

Bradley and Gillibrand’s general counsel, Keith Castaldo, took the lead on the sexual harassment investigation last summer, along with Gillibrand’s former chief of staff, Jess Fassler — who now manages Gillibrand’s presidential campaign. CNN reported last week that Bradley’s role had been restructured and would no longer include handling such investigations and personnel cases. The Gillibrand spokesperson declined to comment on the report.

A young female aide in Gillibrand’s office alleged last summer that Gillibrand’s longtime driver, Abbas Malik, made unwelcome sexual advances shortly after the senator told Malik he would be put into a supervisory role over her. The woman also told her superiors that Malik made repeated demeaning remarks about other women in the office.

The office said that it could not substantiate the allegations and could only corroborate one of the alleged inappropriate remarks, which did not rise to the level of sexual harassment. Malik was stripped of his expected promotion, which would have come with a raise, and the office moved his desk away from the woman’s.

But Gillibrand’s office did not contact two former staffers the woman said could corroborate her allegations that Malik made repeated inappropriate comments about female staffers. One of those staffers and multiple others told POLITICO that Malik had also made crass, misogynistic remarks in front of them as well, including making light of rape. After reviewing that new reporting, Gillibrand’s office opened up another investigation and fired Malik earlier this month.

The woman wrote in her resignation letter that she initially “felt satisfied there had been a fair process” in the investigation, but she documented a series of tense interactions with Bradley and Fassler that eventually culminated in her departure.

The day after the investigation, Bradley told the woman that Malik was upset with his punishment and felt it had been too harsh, according to contemporaneous notes. The woman responded that she thought Malik should be feeling remorseful. Bradley also told the woman that “Jess told Abbas that he could have fired him for a number of reasons but isn’t going to. So he should consider himself lucky,” according to the resignation letter that the woman sent to Gillibrand, Fassler, and Castaldo.

The woman confronted Fassler and Bradley about why they didn’t fire Malik if there were already multiple reasons for doing so. “‘You could also be fired at any minute, for any reason,’” Fassler replied, according to the woman’s resignation letter.

After the woman alleged that Malik had retaliated against her for reporting him for sexual harassment, Bradley also accidentally sent the woman an email intended for Fassler. “I get the impression she is trying to divide and concur [sic]. After today, neither of us should meet with her alone,” Bradley wrote, mistakenly believing that the woman had gone to Fassler alone with her complaint.

Bradley briefly left Gillibrand’s office for another job last August, before the woman decided to resign. The woman did not send Bradley the resignation letter and Bradley returned to Gillibrand’s office months later.

The woman did not put the blame solely on Bradley either. In a statement to POLITICO, she pointed the finger at Gillibrand herself. “She kept a harasser on her staff until it proved politically untenable for her to do so,” she said.

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