‘Meditations’ delivers a daily dose of play to keep you chill in 2019

Video games wear all the hats.

They’re an escape. An outlet. A distraction. A muse. We play them to remember or to forget, to focus in or to zone out. It’s a daily activity for most people, even if many of them don’t even realize it. 

SEE ALSO: Netflix’s ‘Hilda’ is the cozy winter binge you’ve been looking for

Rami Ismail’s Meditations focuses our innate fascination with play in a constructive direction. It’s a lightweight application for Windows or Mac that updates every day with a simple, new game for you to play.

No one explains the purpose better than Ismail, an outspoken indie developer who forms one half of Vlambeer, the studio behind Nuclear Throne, Ridiculous Fishing, and (a personal favorite) Luftrausers. Ismail unveiled his project, which is really more of a group effort, on New Year’s Eve.

(You can download it right here. More details here.)

One morning in 2017, I played a short game that made me wish I had a new tiny game like it for every day of the year. So for all of 2018, I’ve asked hundreds of devs to make a small game. This launcher will serve you a new little game every day. https://t.co/uPfA18W59h

— Rami Ismail (@tha_rami) January 1, 2019

If you like any days’ Meditation, I would very much appreciate it if you tweeted or talked about it using #meditationgames. January 1st’s Meditation is TEMPRES by @takorii, the game that started this whole idea. It mesmerized me back in 2017, and I hope you enjoy it too.

— Rami Ismail (@tha_rami) January 1, 2019

Happy 2019, y’all. Make games. Play games. ❤

— Rami Ismail (@tha_rami) January 1, 2019

An FAQ on the Meditations website offers a bit more detail on what kinds of games you might expect and how they were made/the intent with which they were made:

Meditations are free games made in approximately six hours. They’re often small, experimental, and minimalistic – and can frequently be personal. Many of these games have been inspired by the day that they’re available on, and will relate in some way to the creators’ life or interests. In general, they will feature no text, and should take you approximately five minutes to complete.

That’s been my admittedly limited experience so far, two days into the new year. I unfortunately missed the Jan. 1 Meditation — the app’s internal clock switches to new ones on Greenwich Mean Time (GMT), and I got home too late on New Year’s Day to check it out — but that’s part of what’s appealing here.

There’s no commitment! The mainstream gaming world is ruled these days by a desire on the publishing side to keep players hooked, and spending money. Meditations unmoors itself from that mindset. 

Seeing every single Meditation will take some commitment, of course. But the motivation to keep up needs to come from inside you. There’s nothing in the app that tracks your progress or measures your performance at a macro level. Each daily Meditation is just that — a contemplative act of play that’s replaced by a new one within 24 hours.

Consider the Jan. 2 Meditation, from Adriel Wallick. (Every day brings a different creator.) Before you even begin the game, you’re greeted by a bit of text that sets the scene. The words read more like a daily affirmation than an instruction manual. 

Image: screenshot from meditations

It’s just something to ponder in the brief moment before you hit the button to begin your Meditation. The way it’s written suggests that Wallick is sharing a bit of herself and what inspired her addition to this project. 

As a naturally outgoing person, I long to fill up my happiness by being near friends, but I often quickly hit a wall after a small amount of time. It’s hard to find the balance between making myself happy without draining all of my extra energy. This is always [exacerbated] by the holiday season, as I tend to spend a lot of time around those I love over the New Year’s holiday.

It’s also a hint. Wallick’s Jan. 2 Meditation is effectively an interactive representation of this hard-to-find balance she’s talking about in her preamble.

Clicking the “Begin” button opens up a new, roughly square window with a small, pulsating greenish-blue circle situated in the middle of a larger, lighter blue-green circle, tinged with shades of yellow. Clicking anywhere inside the window, or even just pressing and holding a button on your keyboard, causes the central circle to slowly grow in size, and change to more of a reddish color. Let go, and it’ll slowly shrink back to its original size and color. 

Hold the button for too long, though, and you’ll get an audio cue, at which point you’re barred from inflating the circle for around five seconds. During that time, the circle shrinks and reverts to its original color as it normally would when you let goal.

The goal of the Meditation is to make that central circle large enough to fill the whole playing area. To do that, you’ve got to get into the groove of holding down your button just long enough for the circle to inflate without it going full red. Then you release for a few seconds while the color reverts, and repeat the whole process again.

Image: screenshot from meditations

Image: SCREENSHOT FROM MEDITATIONS

It’s a simple activity that most people would figure out on their own after a few minutes of experimental clicking. But then, once you realize what you’re supposed to be doing, it requires total focus. The color change is subtle and slow, which can complicate that moment when you decide how much red qualifies as “too red.”

Remember: this is just one Meditation out of 365. And if you’re reading these words on any day other than Jan. 2, you’re going to find something very different waiting for you when you boot up the app. But even if you missed this one, I think Wallick’s contribution offers a good example of what to expect  in general from Meditations.

A few things to note from my own experience of downloading and setting up Meditations: Windows 10 might freak out on you (depending on your security settings), telling you the app is suspicious and shouldn’t be trusted. I won’t tell you how to handle your own PC security, but I can say I’ve downloaded and installed it without issue. Just follow the link in Ismail’s tweet if you’re worried — he’s a trustworthy creator.

(I don’t own a Mac, so I can’t speak to how this setup process would work in Mac OS.)

There’s also nothing in the app that makes it open up automatically every day, and nothing that nudges you to do so. If you want to check out each day’s new Meditation, you’ll have to manage your schedule accordingly and make time for it on your own. Though the same could be said of more traditional approaches to meditation!

The overall execution may be impossible to judge at this point, but I love Meditations as a concept. I love that idea that every day, I can sit down at my desk and take five minutes before work to puzzle through something new and fresh and original. It feels like a much-needed daily reset button for your brain.

Read More

from Daily Trends Hunter http://bit.ly/2CKIqut
via IFTTT

Lakers’ Lonzo Ball Endorses Earl Watson to Take Over as UCLA Head Coach

PHOENIX, AZ - OCTOBER 18:  Head coach Earl Watson of the Phoenix Suns reacts as he walks off the court following the NBA game against the Portland Trail Blazers at Talking Stick Resort Arena on October 18, 2017 in Phoenix, Arizona.  The Trail Blazers  defeated the Suns 124-76. NOTE TO USER: User expressly acknowledges and agrees that, by downloading and or using this photograph, User is consenting to the terms and conditions of the Getty Images License Agreement.  (Photo by Christian Petersen/Getty Images)

Christian Petersen/Getty Images

Los Angeles Lakers point guard Lonzo Ball stumped Wednesday for Earl Watson to become the next UCLA Bruins men’s basketball head coach.

I’d like to see [Watson] get the job,” the former Bruins guard said, per the Los Angeles TimesTania Ganguli.

According to Ganguli, Ball likes the fact Watson both played and coached in the NBA and that Watson has ties to the program from his days as a star guard for the Bruins.

UCLA announced Monday it had fired Steve Alford following a 7-6 start to the 2018-19 season. In what proved to be Alford’s last game, the Bruins lost 73-58 at home to Liberty.

Adam Zagoria of SNY.tv reported Watson was among the candidates in the hunt to succeed Alford, with one source telling Zagoria that the 2001 alum “has been lobbying for the job all year.”

The Undefeated’s Marc J. Spears echoed that report, adding Watson “connects well with young players, has strong AAU ties,” which would help him were he to coach UCLA.

Watson coached the Phoenix Suns for parts of three seasons. He replaced Jeff Hornacek midway through the 2015-16 season and remained in that role until the Suns fired him three games into the 2017-18 campaign. Phoenix was 33-85 under his watch.

It’s unfair to hold the Suns’ dreadful record against Watson too much, though. The franchise has long been a mess both on the court and in the front office. The Suns fired general manager Ryan McDonough in October, with the regular season starting in eight days.

Watson was an assistant for only two seasons—one year with the Suns and one year with the Austin Spurs of the then-D-League—before taking over for Hornacek. He might benefit from moving down to the college ranks.

Ball’s comments illustrate how much respect the 39-year-old would immediately command at UCLA as well. A not insignificant chunk of the Bruins fanbase never warmed to Alford. The school would avoid making a similar mistake by targeting a familiar face such as Watson.

Read More

from Daily Trends Hunter http://bit.ly/2TsfsVX
via IFTTT

Netflix’s Sex Education Spins Awkward Sex Conversations Into A Booming Business



Sam Taylor/Netflix

Going back to school after the holiday break can be hard, but maybe it would be easier if going back to school meant getting paid to give your peers sex advice. Allow yourself to dive into that fantasy with Netflix’s upcoming show, Sex Education.

The coming-of-age series stars Asa Butterfield as Otis Milburn, an inexperienced high schooler/reluctant teen sexpert thanks to his inquisitive, oversharing sex therapist mother, Jean (played by Gillian Anderson), who casually says cringeworthy things like, “I’ve noticed you’re pretending to masturbate, and I was wondering if you wanted to talk about it.”

When his best friend Eric (Ncuti Gatwa) and bad-girl Maeve (Emma Mackey) recognize the social status and money Otis’s unique specialty can bring them, they team up to open an underground sex therapy clinic and begin advising their fellow classmates — which, of course, leads Otis to revelations of his own. Check out the trailer below.

Through Otis’s sessions, the eight-episode dramedy tackles conversations about sex, identity, love, and other trials and tribulations that come with growing up. Sex Education hits Netflix on January 11.

Read More

from Daily Trends Hunter http://bit.ly/2CIx75W
via IFTTT

Roku brings premium subscriptions to Roku Channel, taking on Amazon Prime Video

A big update is coming for Roku’s free content network, Roku Channel.

The set-top box company announced on Wednesday that it will soon launch premium subscriptions on its movies, TV, and live events platform called The Roku Channel. 

Users will be able to subscribe to their favorite paid cable networks like Showtime, Starz, and Epix. Other paid subscription services coming to Roku Channel include CollegeHumor’s Dropout, Smithsonian Channel Plus, Noggin, and Tastemade. 

Roku touts that premium subscriptions can be setup with a single click. Those who subscribe to premium content via Roku Channel can manage their subscriptions through a single interface and be able to pay for each services’ fee on a single bill. Pricing for each service is the same as if your subscribed outside of Roku Channel, so the aggregated bill and management interface is really the main selling point from Roku. Premium subscription content can be viewed on any device that supports Roku Channel. 

Amazon offers something very similar to what Roku is rolling out through its Amazon Prime Video service with add-on channels. However, there are pros and cons to each service.

SEE ALSO: YouTube now offers free, ad-supported streaming Hollywood movies

A major difference between the two services right now is that Roku does not currently have an option to sign up for HBO. While it’s very possible a deal is currently in the works to bring HBO to Roku Channel, this is certainly a glaring absence at launch, especially with Game of Thrones’ final season coming up in April of this year.

Another negative, as The Verge points out, is that your subscriptions will only allow users to watch the services from within the Roku Channel. For example, if a user signs up for Showtime within Roku’s platform, they won’t be able to download Showtime’s standalone apps and use their subscription to watch the content there.

However, one major plus that puts Roku’s service ahead of Amazon is that there is no initial subscription necessary on Roku’s end to use the service. To subscribe to any premium network on Amazon, a user must be an Amazon Prime member at a cost of $119 per year or subscribe to Prime Video at $8.99 per month.

Roku Channel is a completely free, ad-supported streaming service provided by Roku. Just this past summer, Roku further expanded accessibility to Roku Channel when it launched a website allowing users to view content from any web browser. Previously, viewers needed one of Roku’s set-top streaming player to watch it’s free content channel.

An update will also be coming to Roku’s iOS and Android apps at the end of this month, bringing Roku Channel to tablets and mobile devices. The company will first begin rolling out premium subscriptions to Roku devices by the end of January as well.

Read More

from Daily Trends Hunter http://bit.ly/2CN0jsN
via IFTTT

How the government shutdown damages national parks

The toilets at Joshua Tree National Park — a world of palm oases, lizard-dominated wilderness, and desert tortoises — are overflowing.

Due to the ongoing government shutdown that started Dec. 22, there is zero funding for most Park Service employees. Hence, Joshua Tree announced that it is now forced to close its popular campgrounds, beginning on Jan. 2.  

“The park is being forced to take this action for health and safety concerns as vault toilets reach capacity,” the park wrote on its website. 

In a dozen past government shutdowns, like that in 2013, national parks closed completely — which gave some inherent protection to the nation’s hundreds of parks, memorials, and historic sites. But beginning in January 2018, the Trump administration instructed parks to stay open during a shutdown, however long. Now, with an extended shutdown, the parks are finding themselves littered, ill-managed, or not managed at all.

“It would be analogous to leaving The Smithsonian open, but having no staff there,” Jon Jarvis, who spent eight years as the director of the National Park Service, said in an interview.

“The parks are somewhat analogous to a small city,” added Jarvis, noting that parks run trash collection, wastewater, and emergency services like police and fire response. 

“You eliminate all that, but the visitor population is still there,” said Jarvis. 

That leaves toilets overflowing in Joshua Tree, piles of trash in Yosemite, and the hallowed ground of Civil War battlefields unwatched. 

“It’s an unacceptable and very worrisome situation,” John Garder, the Senior Director of budget and appropriations at the National Parks Conservation Association, said in an interview. “We’re deeply concerned that the administration has taken an irresponsible approach in urging parks to remain partially open when there are clearly threats to resources.”

SEE ALSO: Crumbling national parks mired in $11 billion backlog, but experts scoff at jacking up fees

The decision to keep the parks open makes little sense from the lens of preservation and conservation. Rather, it’s a political move by an administration that is insistent on a budget that secures billions of dollars to extend walls along the nation’s southern border.

“The reason the administration left it [the parks] open is nothing more than pure politics,” said Jarvis. “They didn’t want to face the public’s outcry that the parks are closed.”

The consequences of the shutdown expand well beyond wretched bathrooms. 

In Yosemite, for example, the Park Service has spent decades carefully keeping trash away from a large population of wild black bears. The reason is simple: Bears that seek out trash inevitably learn to seek out human food and become comfortable around, or habituated to, people. 

“In Yosemite we have worked for decades to wean black bears from human food,” said Jarvis. “Now the trashcans are overflowing.” 

“The bears aren’t on furlough — you’re going to wind up with habituated bears,” said Jarvis.

The crux of the problem is that most Park Service employees are deemed “non-essential” by the federal government, so they’re furloughed during a shutdown (unlike, say, air traffic controllers and Army soldiers). A small percentage of Park Service employees are considered essential — mostly law enforcement rangers — and are able to still work. Though, these rangers often have huge swaths of land to watch, but are few in number. 

“I would argue that Park Service employees are all essential,” said Jarvis. “We have these priceless resources that are under the stewardship of the National Park Service.”

It’s unknown when President Trump, who boldly declared responsibility for a shutdown in December, will sign a budget. But when Park Service employees return, they’ll almost certainly have to survey the land, clean up, and repair some of the nation’s most prized resources.

“They’re going to have to fix it,” said Jarvis.

Read More

from Daily Trends Hunter http://bit.ly/2Tu2pTZ
via IFTTT

Israel to ‘worsen’ conditions for Palestinian prisoners

Israeli Public Security Minister Gilad Erdan has announced plans to “worsen” conditions for Palestinian prisoners in Israeli jails.

The plans, which were the result of a committee Erdan set up seven months ago to make prison conditions harsher for those who “committed acts of terrorism”, include blocking funds to the Palestinian Authority, rationing water supplies, limiting prisoners’ access to television and reducing the number of family visits.

Speaking at a press conference on Wednesday, Erdan said that family visits had already been halted for prisoners affiliated with the Palestinian movement Hamas.

“The plan also includes preventing members of the Knesset [Israel’s parliament] from visiting Palestinian detainees,” Erdan said.

He added that the plan also includes ending the policy of separating Hamas prisoners from those affiliated with rival Palestinian faction Fatah, as he said that holding prisoners in cells based on organizational affiliation resulted in “strengthening their organization identity”.

Erdan also said that there will be “clear limits” on the amount of water a prisoner consumes each day, including a cap on the number of times they are allowed to shower.

He went on to assert that the Israeli prison service was ready to “deal with any scenario”.

“We will not be deterred by threats and [hunger] strikes,” he said.

“We must make conditions worse [for prisoners] to fulfil our moral duty to terror victims and their families,” he added.

Mustafa Barghouti, head of the Palestinian National Initiative party, told Al Jazeera that the Israeli government acts like it has a free hand to oppress Palestinians in any way they want.

“The only way to force Israel to abstain from this behavior is to impose sanctions on Israel,” he said, speaking from the occupied West Bank city of Ramallah.

“Israel is behaving as if it is above international law and this must change.”

According to Erdan, the Israeli authorities are likely to begin implementing the plan in the coming weeks, once it has been approved by the Israeli cabinet.

The Palestinian Prisoners’ Commission denounced Erdan’s plans and said they were an attempt to make Palestinian prisoners’ lives more unbearable.

Qadri Abubaker, the head of the Prisoners’ Commission, called for a strong national stand against these measures.

Such decisions and laws “calls for everyone to rally at the official, popular, legal, media and human rights level to expose these arrogant policies against our heroes in prisons,” he told Wafa, the official Palestinian news agency.

According to official statistics, the number of Palestinian prisoners behind bars has reached 5,500, including 230 children and 54 women.

Read More

from Daily Trends Hunter http://bit.ly/2CKfO4H
via IFTTT

Red Velvet Want You To Be ‘Whoever You Want’ When You Listen To Their Music



SM Entertainment

On first listen, “RBB (Really Bad Boy)” is a song that really shouldn’t work. It’s a cacophony of sounds, rhythms, shrill ad-libs, complex harmonies, and a whole lot of brass. For a lead single, it’s unapologetically bold and loud — the kind of song that beats you into submission with a powerful “oh my God” straight to your temporal lobes — but that’s what makes it so unabashedly Red Velvet.

Since making their debut in 2014, the Korean quintet has been serving up their distinct flavors with powerhouse vocals and boundless personality from members Irene, Seulgi, Wendy, Joy, and Yeri (who officially joined the group in 2015). When it comes to K-pop, it all starts with a concept, and Red Velvet’s artistic DNA is written into their name: Red signals their vivid pop aesthetic with quirky songs like “Power Up” and “Peek-a-Boo,” while Velvet speaks to their moodier, more sensual R&B side, as demonstrated on this year’s acclaimed single, “Bad Boy” (a.k.a. Billboard‘s No. 1 K-pop song of 2018).

It’s this duality — the constant push and pull between fierce and playful, sweet and soulful — that make Red Velvet such a mellifluous treat, especially in a musical landscape that likes to put female artists in boxes. In K-pop, girl groups are often one or the other: sweet (TWICE) or sexy (MAMAMOO), girls who produce perfect pop confections (Girls’ Generation) or girls with attitude (2NE1). But Red Velvet prove that one concept can’t contain the artistry and multitudes that girl groups really have to offer. With “RBB,” the titular lead single off their latest EP, Red Velvet aren’t playing by anyone’s rules, and that’s the point. “We just wanted to show people our confidence,” vocalist Wendy (who was born in Korea but spent her formative years in Canada) told MTV News about the release.

Though intended as a thematic follow-up to “Bad Boy,” the two songs couldn’t sound any more different. On “Bad Boy,” the women embraced their velvet personas with smooth vocals and a lush girl crush aesthetic; “RBB” is campier by nature but sonically more complex, with tight vocal harmonies and erratic ad-libs from Wendy, Irene, and Seulgi.

“‘Bad Boy’ was loved by so many people, so that’s why we came back with ‘Really Bad Boy,” Wendy said, describing the song as another entry in the “Bad Boy” series. “They’re both talking about bad boys but in different ways. This song is about the girl saying, ‘You can go ahead and seduce me, but you really can’t because I’m going to seduce you.’ So the girl has all the power.”

RBB — the album and the song — has confidence in spades. Each of the five tracks (or six, if you count the English version of “Really Bad Boy”) find the women of Red Velvet in full control; they know exactly what they want on the assertive, bass-heavy bop “Sassy Me,” and give in to temptation on “Taste,” a melodic hip-hop song with a ’90s groove.

SM Entertainment

Red Velvet members from left to right: Yeri, Wendy, Irene, Joy, and Seulgi

For Red Velvet, the message of RBB was clear: “You can be whoever you want.” And each track is meant to empower and embolden the listener. “There’s confidence in every song,” Wendy said. “We tried to show people that you can be whoever you want if you just have confidence.” As for which songs bring out their own confidence, Red Velvet unanimously pick “Sassy Me” as an album highlight.

“I like all the songs,” Wendy clarified, before jokingly adding, “because they’re our songs.”

That self-assertiveness and swagger also extended to the recording process. “You have to have confidence while recording because whoever is listening to it has to feel it, too,” Wendy said. “So we tried our best to have a lot of confidence.” Though, it wasn’t always easy, especially when it came time to sing in English.

In December, Red Velvet released an entirely English version of “RBB” — complete with its own music video — for their fans all over the world. “We performed an English version of ‘Bad Boy’ at KCON, just the first verse, and lots of people loved it,” Wendy said, noting how when it came time to prepare for their next comeback, or new release, the group wanted to “give this love back” with an English track. “We know that we’re getting lots of love from people in the U.S.,” she added.

But recording in English had its own challenges for the group. “English isn’t anyone’s first language, and the only one who can speak English in the group is Wendy,” vocalist and dancer Seulgi said, via an interpreter. “So in terms of getting the pronunciation and the nuances right, we got a lot of help from the people around us.”

“The demo was in English,” she added. “So musically, we tried to express ourselves the way that we heard it [on the demo].”

For rapper and vocalist Joy, the hardest part was figuring out which words needed more emphasis. “The pronunciation is a bit sharper in Korean,” she said. “So we had to really think about which syllables to focus on.” (And in case you were wondering, yes, even Wendy has had “oh my God” stuck in her head for weeks.)

As K-pop and Korean artists gain visibility and credibility in U.S., the cultural barriers that once prevented these global artists from cracking the Western market are being shattered one milestone at a time. Releasing bilingual songs, or separate English versions, is becoming increasingly popular for K-pop acts, and Red Velvet’s global approach to music is paying off. This February, the group will bring their RedMare world tour to the States. The five-city trek across the U.S. — including two sold-out stops in Los Angeles — is a major flex for a Korean girl group. In fact, the last K-pop girl group to tour in the U.S. was Apink in 2016.

“If you listen to all of Red Velvet’s albums you can tell that Red Velvet is a group that has a lot to offer,” leader Irene said. And arguably it’s this variety that appeals most to the masses, transcending language altogether. With their distinct vocal charms and tight harmonies, no two Red Velvet songs sound the same — and while “RBB” may be a divisive entry in the group’s discography, you can’t say it isn’t 100 percent them. Which other group is going to serve horror movie visuals and turn a classic B-movie scream into a perfectly pitched whistle note?

Perhaps Wendy put it best when she said, “The more you listen to our songs, the more you won’t be able to resist.”

Read More

from Daily Trends Hunter http://bit.ly/2Tu2mHN
via IFTTT

Trump just showed off his ‘Game of Thrones’ poster in a cabinet meeting. But he missed one key detail.

2016%2f09%2f16%2f56%2fhttpsd2mhye01h4nj2n.cloudfront.netmediazgkymde2lzax.6d630By Nicole Gallucci

Remember that dark as hell Game of Thrones-themed poster Donald Trump tweeted in November to announce his plans to impose sanctions against Iran? Welp, it’s back.

On Wednesday morning a large printout of the poster was spotted in the White House, smack dab in the middle of the Cabinet Room’s table as Trump and members of his administration held a meeting.

SEE ALSO: Trump tweets ‘Game of Thrones’ reference to announce Iran sanctions and this is hell

When Trump first tweeted the image of himself with the words “SANCTIONS ARE COMING” in the HBO show’s go-to font, he received a great deal of backlash from confused Americans, including Game of Thrones stars Sophie Turner and Maisie Williams.

So when a physical copy of the poster was visible in today’s Cabinet meeting, people were understandably confused.

Not sure what’s crazier: That Trump is using a stupid Game of Thrones reference to threaten sanctions, or that he’s obviously had that poster since at LEAST October (photo via AP) pic.twitter.com/NZaRoHw0NQ

— Josh K. Elliott (@joshkelliott) January 2, 2019

So Trump says “Walls work” in front of a Game of Thrones- inspired poster that represents himself.

2019 is already too long. https://t.co/EpiQRykXZC

— Bruno Tertrais (@BrunoTertrais) January 2, 2019

Some considered the fact that Trump may have put the poster there to enhance his argument for a wall, however, they then noted that his logic is essentially disproven by the show.

And Alex Wind and Cameron Kasky, two March For Our Lives activists, compared the embarrassing display to Gaston, the narcissistic villain in Beauty and the Beast.

According to Kathryn Watson, White House reporter for CBS News, no one in the meeting seems to know for sure why the poster is there.

Fun to start the year off with some burning questions, isn’t it?

Read More

from Daily Trends Hunter http://bit.ly/2LKbkxR
via IFTTT

Resolutions for 2019 that the tech industry should really consider

We’re barely 24 hours into 2019 and some of the tech industry is already re-trodding or doubling down on the the blunders, bad looks, and irresponsible policy of 2018. Sadly, we did not leave milquetoast PR statements and broken promises in the past where they belong.

But guys, it’s never too late to change! Let 2019 ring in the New You (even if that idea, for us flawed humans, is mostly BS).

SEE ALSO: 10 New Year’s resolutions that will make your online life a little better

As tech employees, their bosses, and the pundits (like me) shuffle back into work today, here are a few resolutions we hope the tech brass really, really considers. We make these suggestions not just to criticize, but in the hopes that tech actually can be a force for good — as long as the industry holds itself accountable to its own (not even that) lofty standards.

Happy new year!

1. Stop complying with fascist governments

On January 1, the Financial Times reported that Netflix had pulled an episode of comedian Hasan Minhaj’s show ‘Patriot Act,’ in Saudi Arabia. The first day of 2019 showed that, like Google, Apple, Microsoft, and many more, tech plower player Netflix chose to meet the censorship demands of an authoritarian regime, rather than uphold its own self-ascribed value of artistic freedom.

In the episode, Minhaj skewers the Saudi government — and the United States’ hum drum response to its crimes — including the murder of journalist Jamal Khashoggi and the war in Yemen. Minhaj also called out Saudi Arabia’s massive financial interests in Silicon Valley, including in Uber, Slack, and more.

Netflix reportedly pulled the episode following complaints by the Saudi government. Under a Saudi law that basically justifies censorship of anything whatsoever, Netflix said it was just complying with local law; for anyone keeping track, that’s the tech industry equivalent of “I was just following orders.”

“We strongly support artistic freedom and removed this episode only in Saudi Arabia after we had received a valid legal request — and to comply with local law,” Netflix told NPR.

Netflix’s move followed a year of fascist-assisting backslides in tech. In 2018, the Intercept reported that Google was working on a search engine for China that would comply with local censorship laws — reversing its 2010 decision to pull out of China because of censorship. But Google was not the only company to aid what a 2018 report from the organization and think-tank Freedom House has called “The rise of digital authoritarianism.” By removing apps, access to information, and even walling off individuals from the censored internet in China, Uganda, Tanzania, Vietnam, and other countries, Silicon Valley has helped authoritarian governments gain tighter control of their citizens by restricting the flow of information.

Tech companies need to do business in companies with far from perfect human rights records to make money. But tech also holds itself to a higher standard, often claiming to be companies with values that attempt to do good in the world. So for 2019, more of the tech industry should ~resolve~  to stop citing “following the law” over the values they themselves claim to espouse. 

2. Get a handle on the content moderation shitshow

A lovely January 2 report (from TechCrunch) showed how hackers exploit a Twitter vulnerability to spread Islamic state propaganda. That followed the December 27 New York Times article on Facebook’s disorganized global content moderation efforts.

2018 saw many tech industry policy changes and stated commitments to detox the web from hate and propaganda through proactive screening and AI. However, both of these recent reports show that much of tech companies’ efforts to remove harmful content still amount to reactive measures. In 2019, strive to own and learn from these mistakes, close the loopholes, and do better. The stakes are too high to allow propaganda to languish online.

3. Follow through on your own rules

Call it a meta-resolution. If tech companies abided by the rules they themselves had set up, the internet might be a much better place.

In 2018, many tech companies followed through on rules they had set on hate speech and other content violations, kicking many prominent figures off of social media. 

However, a little reported story from December shows they have a far way to go. 

In mid-December, YouTube banned Proud Boys leader Gavin McInnes. Many lauded this move, since YouTube is a particularly harmful avenue for spreading propaganda and radicalizing the impressionable. But what many of the initial reports missed was that McInnes was able to come back online just two days later

YouTube did not ban McInnes for his and his group’s well documented use of hate speech and incitements to violence, which break YouTube’s own rules. Instead, he was booted because of copyright violations. Once McInnes fixed the violations, YouTube gave him the green light for misogyny once more.

Experts recently told me that this is characteristic of the tech industry’s approach to clamping down on rule breakers. Its application of its own rules are diffuse, and often only followed through on after public outrage. 

Tech companies are incredibly powerful arbiters of speech and change. Like any diet or vow to exercise for the new year, if these companies enforced their own rules in 2019, the internet might have a chance of getting in shape.

Read More

from Daily Trends Hunter http://bit.ly/2s6fqra
via IFTTT

Mike Tomlin: Antonio Brown Hasn’t Requested Trade, Steelers Will Handle Absence

PITTSBURGH, PA - DECEMBER 29:  Head coach Mike Tomlin of the Pittsburgh Steelers talks to wide receiver Antonio Brown #84 as they walk off the field at the end of the first half during a game against the Cleveland Browns at Heinz Field on December 29, 2013 in Pittsburgh, Pennsylvania.  The Steelers defeated the Browns 20-7.  (Photo by George Gojkovich/Getty Images)

George Gojkovich/Getty Images

Pittsburgh Steelers head coach Mike Tomlin said Wednesday a “lack of communication” was central to wide receiver Antonio Brown missing the team’s Week 17 game against the Cincinnati Bengals and confirmed there’s been no formal trade request by the NFL‘s two-time receiving yards leader.

Ed Bouchette of the Pittsburgh Post-Gazette provided Tomlin’s comments from his season-ending press conference following the team’s 9-6-1 campaign in 2018.

“I heard he left the stadium, I don’t confirm that,” he told the media about reports the wideout exited Heinz Field at halftime of Sunday’s contest.

Aditi Kinkhabwala @AKinkhabwala

Mike Tomlin said “it became difficult to communicate and catch up w/ him” Fri eve and Sat am. Acknowledges Antonio Brown was not at walkthrough. Says AB’s agent Drew Rosenhaus called him Sunday am and said AB was ready to play. Tomlin told Drew: that’s not how decisions are made.

Jason La Canfora of CBS Sports reported Tuesday the superstar receiver had requested a trade out of Pittsburgh, citing his feeling that Tomlin was “too aligned” with quarterback Ben Roethlisberger.

“We take his lack of presence … as something very significant and will be handled appropriately so,” the coach said Wednesday. “… Not going to speculate on trade and haven’t been formally asked [by Brown to seek a deal].”

When asked whether the situation represented Brown quitting on the team, Tomlin responded: “You can call it what you want to call it.”

The receiver posted a message on Twitter while Tomlin was meeting with the media:

Antonio Brown @AB84

Happy New Year. Be great. https://t.co/QLna1LRncL

Tomlin’s press conference capped a whirlwind week that saw Brown listed as inactive in a Week 17 win over the Bengals because of an apparent knee injury.

Bouchette and Gerry Dulac of the Pittsburgh Post-Gazette reported the seven-time Pro Bowler was not injured but was instead benched for the season finale after skipping practices during the week following a dispute with Roethlisberger.

The longtime Steelers quarterback downplayed the situation Tuesday during a radio appearance on 93.7 The Fan in Pittsburgh (via Jeremy Fowler of ESPN.com), saying, “If there was a blowup or something, I sure as heck didn’t see it.”

“Like I said, I’m blessed to play with him and I consider him one of my closer friends,” Roethlisberger said. “… I know guys that are frustrated. I think the biggest thing is, some of the guys that I’ve talked to, they tried to reach out to him and they haven’t heard back.”

In September, Brown caused a stir on social media when he tweeted “Trade me let’s find out” in response to a tweet from a former Steelers staffer questioning Brown’s importance to the offense compared to Roethlisberger.

The following month, it was reported the 30-year-old Miami native was the subject of two lawsuits after allegedly throwing furniture and other items off a 14th-floor balcony at his Miami apartment complex in April and nearly striking a child, per TMZ Sports.

“It has now been made public that two lawsuits containing false claims have been filed against me,” Brown told reporters at the time. “The facts will soon come out that prove my innocence. My focus will remain on football and I will not let the cases serve as a distraction.”

Brown finished the 2018 season with 104 catches for 1,297 yards and a career-high 15 touchdowns. He’s under contract with the Steelers through 2021 with a $22.2 million cap hit in 2019.   

Read More

from Daily Trends Hunter http://bit.ly/2LKEVXP
via IFTTT