‘New Super Mario Bros. U Deluxe’ is the best game I’ve ever despised

The dogs are confused. My wife is no doubt peering down the stairs with concern. The shouts emanating from my office are primal and raw. I must be playing one of those jumping games again.

New Super Mario Bros. U Deluxe and its mouthful of a title are all I know. At times, it feels like it’s all I’ve ever known. Five-minute stages last an hour or more as I try to navigate intricately designed spaces, brimming with beauty and imagination. It’s a joy-filled wonderland of color and sound.

Oh god how I hate it. 

SEE ALSO: The ‘Super Mario Bros.’ theme is a killer song for a gymnastics routine

I still haven’t finished. That may never happen. But I can’t deny the craft that went into this despicable beast of a game. My adult life doesn’t spare as much time for gaming as it used to, so it takes something extra sticky to keep me on board with Mario’s masochistic flavor of jump-perfectly-or-die experiences. Against all odds, I’m still going.

The fact that it’s Mario helps. Nintendo’s iconic series doesn’t just evolve over time; it also carries the entire history of everything that came before. NSMBU Deluxe is a Mario game where you zip from level to level on a colorful world map that pulses with activity. You store power-ups in a private stash for later use. Ride on the back of Yoshi. Swap between playable characters with different skills.

These are all elements that have their roots in Nintendo’s NES/SNES golden age. The series hit its stride right around Super Mario Bros. 3 and Super Mario World, but there are even echoes of Super Mario Bros. 2 in this 2019 game. That’s in addition to Mario’s newer developments, like cooperative play and HD-kissed 2.5D levels. NSMBU Deluxe is a throwback, yes, but it’s a gorgeous one that somehow makes this ancient series feel fresh.

Image: Nintendo

You’re not seeing a lot of gameplay broken down here because, well, it’s a Mario game we’re talking about. You know the drill: Bowser and his family of minions kidnapped Princess Peach, and to save her you’ve got to make your way across multiple worlds and defeat all the Koopalings before you can topple Bowser in the final castle.

All the familiar Mario level tropes are here. There’s the easy Acorn Plains starting area, which lulls you into a false sense of security as you smash your way through every level and collectible with ease. There’s a desert zone filled with deadly quicksand and cloud-riding Lakitu. An ice world where you’ll slip and slide across most surfaces. Underwater levels. Haunted levels filled with Boos and false doors. The gang’s all here.

It’s the design of these locations that makes NSMBU Deluxe a standout. Each level has its own rhythm, its own sense of momentum. They’re self-contained puzzle boxes where, yes, secrets and branching paths inject some variety. But in the end, the only thing standing between you and your goal — the iconic flagpole-and-castle combo at the end of every non-boss level — is the path forward. Timing and reflexes mean everything. Go too slow, jump too far, run too fast, and you’re starting over.

The “Deluxe” difference in this Switch re-release doesn’t amount to a whole lot more than, you know, being able to play this forgotten game on a Switch. You get the original Wii U game’s add-on, New Super Luigi U, as a packed in bonus. A bunch of extra-short, extra-tough levels — stuff I haven’t even dreamed of touching yet, as you can probably imagine.

Deluxe is a throwback, yes, but it’s a gorgeous one that somehow makes this ancient series feel fresh.

But the biggest addition, by far, is a new character: Toadette. She’s great, but her presence represents an expansion of Nintendo’s ongoing efforts to make these infernally challenging games from the company’s catalog of classics more approachable.

Playing as Toadette essentially activates easy mode. She doesn’t slip on the ice, or skid as far after running. She swims faster than your average character. When she happens upon a mystery block that would normally spit out an extra life, she gets three extra lives instead of one.

But best of all: when Toadette collects the Super Crown, a new power-up that only she can use, she transforms into Peachette. This Princess Peach doppelganger floats slowly down to the ground after a jump. She can also jump a second time while in mid-air. If she happens to fall into a bottomless pit or deadly lava, she gets a second chance to survive as a burst of wind shoots her skyward.

It’s not unlike Nabbit, a playable character who joined the game in the Luigi add-on. Another easy mode character, Nabbit doesn’t take any kind of damage when he touches an enemy (though a few will knock him back). He can also run on ice without sliding and swim faster than others. Bottomless pits are still deadly and his jump isn’t anything special, but playing as Nabbit effectively eliminates all threats from the game that don’t involve falling to your death.

Toadette is great, but Toadette and Nabbit together represent a softening of the Mario experience. It’s completely optional, of course. That old school, no-compromises Super Mario challenge is there for anyone that wants it. But Toadette and Nabbit make the game more accessible for a wider. more all-ages audience.

Image: Nintendo

And hey, it still gets stupidly hard as you draw closer to Bowser’s hideout! Toadette and Nabbit helped me persevere far longer than I probably would have if they hadn’t been there, but their existence doesn’t mean there’s no longer a challenging game to be conquered. They just help take the edge off.

I wonder though, is that a good thing? Long ago I came to terms with the fact that tricky platforming side-scrollers cut from the Mario mold aren’t really my thing. I leapt on the opportunity to play this one because I’m a sucker for classic Nintendo-made-new, and also because it promised more forgiving gameplay.

But I quickly discovered as I played that it’s all fool’s gold. The shiny promise of a more user-friendly Mario game only holds true for so long. Eventually, the game’s innate escalating difficulty is going to get the better of you. Your willingness to continue, to bash against one level or another until you get your run-and-jump timing exactly right, is going to be tested.

The shiny promise of a more user-friendly Mario game only holds true for so long.

This is both good and bad. Kudos to Nintendo for not betraying the long history of deeply challenging Mario games. I can’t emphasize that enough. I’ve spent hundreds of hours in Mario games over the past three decades, and as much as I’ve come to realize they’re not for me, I also recognize the brilliance of their design. This latest one especially is a tremendous Mario game, and fans should be thankful that it’s found new life on Switch.

But all the additions that aim to make the game more approachable only work for so long. They can help a player like me get further than I normally would, but eventually there comes a level where all the reasons I generally avoid these games come rushing back. And I ask: what’s the point? Is it enough to just get a little further than I would have without an easy mode?

Not for me it isn’t. I work hard in my daily life to keep what has always been a short temper in check, but games that hinge on bashing against a reflex-based challenge again and again until you find a perfect path test my patience. I’m sure I’m not the only one who feels this way.

New Super Mario Bros. U is a beautiful and expertly made game that absolutely deserved its Deluxe second shot at life on Switch. But it’s also nothing new. If you’ve loved the thrill of mastering a Mario level before, this is more of that. But if you’ve ever sent a controller sailing through the air and watched it shatter against a wall after you missed a jump for what feels like the 373,587,576th time… this is more of that, too.

(Author’s note: No Switch Joy-Cons or consoles were harmed in the making of this review.)

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Bad Bunny’s Latest ‘Mía’ Performance Was A Celebratory Street Parade In Puerto Rico



Andrew Lipovsky/NBC/NBCU Photobank

As one of 2018’s breakout stars, Bad Bunny closed out the year with two staggering hits: his Cardi B/J Balvin collab “I Like It” and “Mía,” the one he linked up with Drake for. To kick off 2019, he’s keeping things going by heading down to Puerto Rico with none other than Jimmy Fallon to deliver “Mía” on the streets of Old San Juan.

To back up, Fallon brought his Tonight Show crew to Puerto Rico — still recovering from 2017’s Hurricane Maria and a lack of sufficient help from the American government — to film the entire episode, including a segment where he joins Lin-Manuel Miranda in costume as Alexander Hamilton to perform “The Story of Tonight” from Hamilton. Another segment? The street video for “Mía,” anchored by Bad Bunny’s insatiable coolness.

Fallon often invites musical guests to perform their hit songs using classroom instruments (or paper ones), and the results are usually pretty neat. But filming a street-performance music video of a song and incorporating dozens of local folks to help execute it? That’s next-level joy, even for Fallon, a guy who often falls out of his chair laughing at his guests’s remarks.

It’s all Bad Bunny’s doing, as he struts in a yellow ensemble, chewing an apple and leading the pack in front of Fallon, Black Thought, and Questlove. Pretty much everyone in this video is smiling the entire time, and folks wave Puerto Rican flags and sing along before the parade brass marches in. It’s exultant and warm.

Watch the whole wonderful thing above. Find the rest of Fallon’s sojourn to Puerto Rico — including an interview with Lin-Manuel Miranda, an acoustic José Feliciano and Ozuna performance, and Fallon’s cries of fear while zip-lining — at The Tonight Show‘s YouTube channel.

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Bipartisan Senate group presses Trump to end shutdown


Capitol building

Democrats have said they will not give more than $1.3 billion in fencing, while Trump has asked for billions more. | Saul Loeb/AFP/Getty Images

Senators in both parties are racing to deliver a letter to President Donald Trump indicating that if the government reopens they are willing to work on a border security package with the president, according to multiple people familiar with the matter.

The senators are trying to send the letter to the president as soon as Wednesday. It would put in writing a commitment to take up his request for billions more in border security money as a condition of Trump opening the government for a short period, a gambit the president has rejected in the past.

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The letter says the group is “committed to resolving our current budget stalemate by strengthening border security and ending the government shutdown,” according to a draft obtained by POLITICO. It includes an assurance that the administration $5.7 billion budget request would be taken up in the relevant congressional committees.

“We believe that such requests deserve consideration, through regular order, a process we support,” the draft letter reads, asking that the president agree to open the government up for three weeks to allow a debate “to give Congress time to develop and vote on a bipartisan agreement that addresses your request. We commit to working to advance legislation that can pass the Senate with substantial bipartisan support.”

The draft does not include a direct reference to the wall, a physical barrier that is one of the president’s top political priorities and is the genesis of the shutdown. Democrats have said they will not give more than $1.3 billion in fencing, while Trump has asked for billions more.

“We will make our best efforts following regular order in the appropriate committees and mark up bipartisan legislation relating to your request. This would include debating and voting on investments on the Southern border that are necessary, effective, and appropriate to accomplish that goal,” the draft reads.

Among the senators working on the letter are Republicans Susan Collins of Maine, Lindsey Graham of South Carolina, Lamar Alexander of Tennessee and Rob Portman of Ohio as well as Democrats Joe Manchin of West Virginia, Kyrsten Sinema of Arizona and Chris Coons of Delaware. The list of signees is not final and is still being developed, but the group is hoping to get as many as 20 senators, an equal amount in both parties, to commit to the debate.

Republicans could find themselves in an awkward place by signing on to the letter. A group of GOP senators proposed a similar option to Vice President Mike Pence and the president last week, only to see Trump reject a temporary funding bill. Trump has reasoned that this proposal could leave him with no border security increases, although the three-week timeline of the bipartisan letter would at least put real pressure on Congress to deliver and give Trump some leverage to force another shutdown if he doesn’t get his way.

“I don’t know what the latest position of the administration is or whether or not they would receive a letter favorably,” said Sen. John Thune (R-S.D.), the GOP whip. “The Dems that are signing this letter are suggesting to me that they are going to be supportive at some point of the funding for border security and the wall. and to me that seems like a positive step forward.”

He said he won’t be signing onto the letter but was supportive of what members of his caucus are trying to achieve. Leaders in both parties have been skeptical that a bipartisan gang could be successful, but it’s the only game in town since the president and Democratic leaders haven’t met about the shutdown for a week.

Senate Minority Leader Chuck Schumer (D-N.Y.) visited the House Democratic Caucus on Wednesday to urge Democrats to lobby GOP senators from their state to sign the letter, predicting some GOP senators who have previously been outspoken about the effort will join it, according to an attendee. Schumer’s lobbying could backfire: Few Republicans want to be seen as siding with the Democratic leader against the president.

Marianne Levine and Heather Caygle contributed to this report.

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Pokémon Go maker Niantic valued at $4 billion after $245 million round

The company is preparing to release a Harry Potter-themed AR game in 2019.
The company is preparing to release a Harry Potter-themed AR game in 2019.

Image: Tomohiro Ohsumi/Getty Images

2016%2f09%2f16%2f6f%2fhttpsd2mhye01h4nj2n.cloudfront.netmediazgkymdezlza1.53aeaBy Stan Schroeder

Niantic Labs, the maker of augmented reality (AR) megahit Pokémon Go, has raised $245 million in a new funding round. 

The Series C round, led by IVP with additional investors including Samsung Ventures and aXiomatic, brings Niantic’s valuation to nearly $4 billion, the company said in a press release Wednesday. 

SEE ALSO: ‘Pokémon Go’ reveals trainer battles coming later this month

The company will use the funds to invest in further development of AR tech, machine learning, its Niantic Real World Platform. Niantic will also continue to invest in its gaming titles, which — besides Pokémon Go — include the AR game Ingress Prime and the upcoming Harry Potter: Wizards Unite, which is being co-developed and co-published with WB Games. 

“IVP is excited to support Niantic in building the future of AR — initially as it delivers the magic of AR through highly popular games, but ultimately by delivering an operating system for applications that unite the digital world with the physical world,” IVP’s Sandy Miller said in a statement.

Niantic started as a Google-incubated project and spun out in 2015, raising $35 million from Google, Nintendo and others. The company raised and additional $200 million in VC funding in 2017. 

The upcoming Harry Potter: Wizards Unite game will once again let users interact with the real world via an AR experience on their phones. The game is scheduled to launch on iOS and Android in 2019. 

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Verizon extends free Apple Music subscription for some Unlimited plans indefinitely

Verizon is extending its free Apple Music offer to its higher tiered Unlimited plans.
Verizon is extending its free Apple Music offer to its higher tiered Unlimited plans.

Image: studioEAST/Getty Images

2018%2f06%2f26%2fc2%2f20182f062f252f5a2fphoto.d9abc.b1c04By Matt Binder

Verizon and Apple Music are committing to a long-term relationship.

Starting January 17, the largest wireless provider in the U.S. will be offering a free Apple Music subscription for customers on two of its unlimited plans. Verizon Beyond Unlimited and Above Unlimited subscribers will be able to take advantage of this offering at no additional charge.

Verizon announced an exclusive partnership with Apple last summer. At the time, the company also introduced the first benefit for Verizon unlimited customers: six months of free Apple Music. Verizon has now extended its Apple Music subscription indefinitely for its two higher tiered Unlimited plans. Customers on the lower tiered Go Unlimited plan are still eligible for the six month Apple Music trial.

A subscription to Apple Music normally costs $9.99. Verizon’s Go Unlimited plan starts at $40 per line for four lines. Pricing for its Beyond and Above Unlimited plans start at $50 and $60 per line, respectively. 

SEE ALSO: Rumors are swirling about Apple’s AirPower wireless charging again

While a free offer for subscribers is certainly a winning business proposition for Verizon, Apple stands to gain from this partnership too. The iPhone maker is investing heavily in its Apple Music service. However, Apple’s music streaming service is facing heavy competition from the current market leader, Spotify. 

According to Apple, the service has around 56 million paying and trial-based subscribers. Apple Music currently lags behind Spotify, which boasts 87 million subscribers as of September 2018.

By offering free subscriptions to certain Verizon customers, Apple Music will retain users who may have dropped off after the six month trial as well as gain new users who sign up for Verizon’s Unlimited plans.

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Enes Kanter Accused of Being in Terror Group by Turkey; Arrest Warrant Sought

DENVER, COLORADO - JANUARY 01: Enes Kanter #00 of the New York Knicks plays the Denver Nuggets at the Pepsi Center on January 01, 2019 in Denver, Colorado. NOTE TO USER: User expressly acknowledges and agrees that, by downloading and or using this photograph, User is consenting to the terms and conditions of the Getty Images License Agreement.(Photo by Matthew Stockman/Getty Images)

Matthew Stockman/Getty Images

The Turkish government is seeking an international arrest warrant for New York Knicks center Enes Kanter, alleging he’s part of a terror organization.

On Wednesday, the Associated Press cited a report from Turkish newspaper Sabah that prosecutors in the country have prepared an extradition request for Kanter, an outspoken critic of President Recep Tayyip Erdogan, based on his ties to preacher Fethullah Gulen.

The Knicks star responded to the situation on Twitter:

Enes Kanter @Enes_Kanter

Turkish Government can NOT present any single piece of evidence of my wrongdoing. 🤷‍♂️

I don’t even have a parking ticket in the US 😂 (True)

I have always been a law-abiding resident. 😇 https://t.co/DxLgvFcTST

Turkish officials are also reportedly working to put out an Interpol Red Notice, which is “a request to locate and provisionally arrest an individual pending extradition.” The notice would not require the United States to comply with the request.

Kanter’s relationship with the Turkish government has been in the spotlight since May 2017, when he posted a Twitter video while being detained at a Romanian airport and called Erdogan the “Hitler of our century:”

Enes Kanter @Enes_Kanter

I’m being held at Romanian airport by Police!! https://t.co/uYZMBqKx54

His Turkish passport was then revoked.

Kanter announced Jan. 5 that he wouldn’t travel to London for the Knicks’ international game against the Washington Wizards on Thursday over fears for his life because of Erdogan, who he referred to as a “lunatic:”

“I talk to the front office and decided I’m not going. The freaking lunatic, there’s a chance I can get killed out there. I talked to the front office. I’m not going. I’m going to stay here and practice. It’s pretty sad. All this stuff affects my career in basketball. I want to help my team win, but because of one lunatic guy I can’t even go there to do my job. It’s pretty sad. They got a lot of spies there. I can get killed pretty easy.”

Former NBA player Hedo Turkoglu, an Erdogan advisor, responded to Kanter’s accusations on social media last week:

Hidayet Türkoğlu @hidoturkoglu15

https://t.co/Dv16BVHFFF

The Knicks center started his professional career with Turkish squad Fenerbahce and has represented the country at the international level, including being named the MVP of the 2009 FIBA Europe U-18 Championship after leading the national team to a bronze medal.

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Roswell, New Mexico Becomes TV’s Most Timely Show Amid Government Shutdown



The CW Network

As we hit day 25 of the longest federal government shutdown in history, Roswell, New Mexico offers a look at the tensions that brought us to this point. The CW’s remake of the beloved 1999 teen drama about aliens living among us comes with some welcome updates that place it firmly in the present day, layering social commentary into the sci-fi romance that highlights our politically divided nation.

Of course, the new iteration of the show still has all the requisite tentpoles of a young adult sci-fi drama. There’s the central alien story line, in which Max (Nathan Parsons), Michael (Michael Vlamis), and Isobel (Lily Cowles) are siblings from another planet, who have thus far successfully assimilated into human culture. There’s the love story, in which Max pines for Liz (Jeanine Mason), to the point where he tells her his secret, jeopardizing his and his siblings’ safety. There’s the drama, coming in through sibling tensions escalated by supernatural powers and through a love triangle with Liz’s ex-boyfriend, Kyle (Michael Trevino). There’s intrigue and mystery: What are these aliens hiding, and will they be found out?

But unlike the previous TV show, which starred Shiri Appleby and Jason Behr as the star-crossed lovers, Roswell, New Mexico takes place ten years after high school, making all of their problems a little more serious, a little more intense, a little more adult — and because of that, a little more political.

The CW Network

Liz, a scientist, has become everything Max and his siblings have always feared. “It’s the science that scares us the most,” he tells her in the premiere episode. And Max, now a cop, has become the same for Liz, the Mexican-American daughter of an undocumented immigrant in a border state.

Our southern border is, of course, a hot issue right now; our government is in a stalemate over funding for a wall in that very space. President Donald Trump refuses to sign any government budget (and thus end the shutdown) that does not allow for his $5 billion fence meant to prevent people from entering the country illegally through Mexico, while members of Congress — namely, Democrats, plus an increasing number of moderate Republicans — refuse to waste money on a symbolic gesture that fuels racism and won’t even solve the non-existent problem it’s intended to address, preferring to instead use those funds for immigration reform.

On the show, that wall is also the reason that Liz is returning to her hometown after all these years — her Denver lab “lost funding because someone needs money for a wall,” leaving her jobless — and the veiled racism that fuels cries for the wall is the same hatred targeted at Liz’s father, a diner owner trying to contribute to his community to the best of his ability.

The CW Network

While this seems like a perfectly timely for early 2019, it’s important to note that the show was actually made in 2018, before the government shutdown and before a GoFundMe was created for a citizen-funded wall — which goes to show that the country’s latest divisions are the foreseeable results of years of underlying animosity.

Part of this was a choice, and part of it was the natural result of aligning this iteration of Liz with the character in the book series Roswell High; choosing a present-day Latina lead meant making a political statement.

“We’re living in a world where certain people feel disenfranchised or certain people feel threatened, and I feel like those things come up in conversation all the time in our daily lives,” writer and executive producer Carina Adly MacKenzie told MTV News and other outlets at during a visit to the show’s Santa Fe set.

And for these modern times, the allegory between the aliens and the immigrants actually works out well. “We try to tell the story on the sci-fi metaphorical level and then to also tell the story on a more real level,” she said. “We have undocumented immigrants on our show that are feeling threatened the same way that we have aliens on our show that are feeling threatened, and I think that they’re not that different … Storytelling in general, I think, is about humanity.”

The CW Network

Since humanity extends beyond border politics and racism, as the story progresses, the show tackles other less talked-about but equally prevalent social issues, like sexuality, mental health, and returning military support, all woven into the alien-dominant storyline in such a way that you almost don’t realize just how many issues we’re dealing with until you pause and list them — kind of like marginalized issues in real life.

Taking care not to tokenize any characters and to offer varying perspectives, MacKenzie noted the overall goal was to tell “stories about what it feels like to be an ‘other’ and to feel all alone and to not have a community that you can look at” — something that we can all relate to in some way or another.

“Overwhelmingly, I think the through line is this idea of looking for a place to belong and looking for acceptance for what you are — you know, the truth of what you are and being able to be accepted for that,” Cowles said. “Tolerance and acceptance, versus intolerance and feeling threatened and endangered by something that’s foreign.”

Tolerance and acceptance, a message apt for Roswell, New Mexico, and for everyone living in the United States in 2019.

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