How Grief Became Joe Biden’s ‘Superpower’

Days after his 7-year-old son was murdered inside Sandy Hook Elementary School in Newtown, Connecticut, the phone rang at Mark Barden’s house. “The vice president,” his sister-in-law whispered. He held the phone up to his ear and heard the voice of Joe Biden.

It cut through the fog of sorrow and shock. “I felt,” Barden told me recently, “immediately connected to him.” They talked for more than an hour—about shared priorities, about their families. “Lean on that,” Barden said Biden told him. “Tap into that.” And he gave him some practical advice, too: Keep a pad by your bed and rate each day, 1 being the worst, 10 being the best. Biden granted he wouldn’t see a 10 for quite some time, Barden recalled, but he also offered a kernel of hope. “He said, ‘I think what you’ll find is the lows will always be just as low—but they’ll start to get farther apart.’” Barden knew enough of Biden’s backstory to know that Biden knew how he felt, and knew how to get through it, because otherwise he couldn’t have been a senator for 3½ decades, couldn’t have been the 47th vice president, and wouldn’t have been on the other end of the line, making this call.

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“You know that he’s speaking from life experience, you know he’s drawing from his emotional bank, and so it’s pretty real and pretty raw,” Barden said. Biden, he believed, talked with “total credibility.”

There is no person in American politics today whose life has been so shaped by loss and grief. The long arc of Biden’s career is all but bracketed by tragedy. In 1972, his wife and baby daughter were killed in a car accident; in 2015, one of his two sons who had survived the crash died of a rare strain of brain cancer. These wretched tentpoles are not only tragedies the 76-year-old Biden has had to endure. They influenced major decisions he made about his political career—first, his priorities in the Senate; later, his decision to opt out of the presidential election of 2016. And they defined him as a person as well, according to longtime friends, former aides and veteran politicos in his home state of Delaware. They made him more relatable, more authentic, more empathetic. These traits, they say, were there already, instilled by his working-class roots and the teachings of the Catholic church, his mother’s tenets of social justice and his father’s mantra to get up, get up, after getting knocked down—but they were amplified by what Biden was made to learn about himself, and about life, as he fought through these ordeals. It’s also possible, some of the same confidants acknowledge, that Biden’s grief contributed to his propensity for impolitic, loose-lipped gaffes—life is short, let it rip—including two public instances in which he altered the narrative of the deadly wreck by suggesting inaccurately the other driver was drunk. Overall, though, and over time, Biden has managed to turn his grief into a sort of interpersonal gift.

“Joe Biden,” Delaware Senator Chris Coons told me earlier this week, “has almost a superpower in his ability to comfort and listen and connect with people who have just suffered the greatest loss of their lives.”

“He does use his knowledge of the process of going through these things no one should really have to go through to try to help others do the same,” said Jeff Nussbaum, one of his former speechwriters.

“That tragedy of losing someone, especially a child—if you haven’t had that happen to you, as much as you can feel sympathy, you can’t begin to put yourself in their place unless you actually have been there,” said Fred Sears, who’s been friends with Biden since high school. “And he was. And has been.”

Now, as Biden gets closer to a decision on whether to run in 2020, people who know him well, plus consultants and strategists, say this unique combination of political preeminence and lived experience would make Biden stand out in the disparate, growing field of Democrats who are or are about to be candidates. And at this moment, in a riven nation mired by tribal grievance, and with a president like Donald Trump, who has struggled in the role of consoler-in-chief, it’s difficult not to consider that Biden’s empathy could be an X-factor as much as any specific policies. His most extraordinary ability came at a profoundly high price—could it also help elect him president? Regardless of what Biden chooses to do, people who know him well say the two most wrenching, most salient experiences of his life have steeled him for what would be his third presidential bid.

And grief experts agree. “Absolutely,” said David Kessler, who told me Biden reached out to him by phone after his son’s death. “This is a man who like many other people in the world stopped and gave his grief its due. He stopped what he was doing and put his family and his grief first. And that can only strengthen him in whatever he does next.”

I wanted to talk to Biden about all this, of course, but he declined. Those close to him say he’s wary of feeding the perception he’s in any way using the death of his son to advance his career. But he has talked about his grief in speeches. He’s talked about it with Stephen Colbert. He talked about it in his eulogy for John McCain. And he wrote about it in his 2017 book, Promise Me, Dad. “The pain,” he said, “had seemed unbearable in the beginning, and it took me a long time to heal, but I did survive the punishing ordeal. I made it through, with a lot support, and reconstructed my life and my family. When I talk to people in mourning, they know I speak from experience. They know I have a sense of the depth of their pain.”

It’s an open question whether the electorate at large wants this from the person in the Oval Office—as evidenced by the current occupant. And Biden, whose previous presidential bids were brief and unsuccessful, brings his own baggage. But a case for his candidacy now incorporates history (no modern vice president has been denied his party’s nomination if he sought it), geography (the Scranton native would play well in battleground Pennsylvania), unmatched longevity (he’s been in the public eye for nearly half a century) and even simple name recognition. “There’s a real shot,” Democratic strategist Joe Trippi told me, “if he wants to take it.”

“He knows what it means to go through loss,” Coons said. “But he also knows what it means to get up off your knees and to move forward—and I think what exactly makes him the right candidate for the Democratic Party at this moment, and for the country, not just the Democratic Party, is he can heal our relationships, with the world, with our allies, that are badly frayed right now. He can restore our position of strength and leadership in the world. But he can also restore a sense of optimism about the American people and heal the incredibly deep divisions that were already there but that Trump has exploited and widened.”

***

Biden’s life was so storybook he was worried. He was married to a woman he had met and instantly fallen for on a beach on spring break in the Bahamas, a homecoming queen and a dean’s-list student. They quickly had three healthy children, two little boys and a baby girl. And on November 7, 1972, after just two years on a county council, after a race in which his sister was his campaign manager, one of his brothers was his chief fundraiser and his wife was “the brains” as well as his top “adviser,” as he told a local reporter, Biden won a seat in the United States Senate—besting a Republican icon in the same year Richard Nixon trounced George McGovern. He was two weeks shy of 30 years old. “Sounds preposterous,” he said at the time, “me a member of the Senate.” The day, though, after his election, he voiced to his wife a sinking feeling. “It’s too perfect. Can’t be like this,” he said, according to the reporting of Richard Ben Cramer in his classic tome, What It Takes. “Something’s gonna happen.”

The truck carrying corncobs broadsided the Bidens’ white Chevrolet station wagon returning from a trip to pick the family Christmas tree. It sheared off the left rear wheel and drove the back door into the back seat and pushed the car some 150 feet into a thicket of evergreens. Neilia Biden, 30, and Naomi “Amy” Biden, 13 months, were dead on arrival at the hospital. Joseph “Beau” Biden III, 3, had a slew of broken bones, and Robert Hunter “Hunt” Biden, 2, had head injuries that doctors feared might be permanent. Joe Biden rushed from Washington where he had been interviewing prospective staff. Today, going on half a century later, the intersection of Valley and Limestone roads in Hockess in, Delaware, has a Starbucks, a Great Clips and a Walgreens, and traffic lights for every direction. On the afternoon of December 18, 1972, it was a rural crossroads, surrounded by mushroom farms and a liquor store. The sun set on a crash site littered with broken glass and index cards with phone numbers of voters and paraphernalia touting Biden for Senate.

“Joe had it all,” his sister would say.

“We were all just, like, ‘Nothing could stop us,’” said Sears, Biden’s friend from high school, “if you know what I mean—and yet suddenly … ”

“The first few days,” Biden would write, “I felt trapped in a constant twilight of vertigo, like in the dream where you’re suddenly falling … only I was constantly falling.” He wondered how he could go on. “I began to understand how despair led people to just cash it in; how suicide wasn’t just an option but a rational option. But I’d look at Beau and Hunter asleep and wonder what new terrors their own dreams held, and wonder who would explain to my sons my being gone, too. And I knew had no choice but to fight to stay alive.”

He didn’t want to go, though, to Washington. He didn’t want to be in the Senate. Not anymore. Senate Majority Leader Mike Mansfield persuaded him to give it six months. He got sworn in in his boys’ hospital room. He fielded a condolence call from President Nixon. He felt such rage he stalked seedy streets looking for trouble. Senator John McClellan from Arkansas had had a wife and a son die of spinal meningitis and another son die in a car accident and yet another in a plane crash, and he tersely counseled Biden to “bury” himself in work. “Work,” he said. “Work. Work. Work.” But Biden didn’t want to work. He wanted to be with his boys. He took the train every day from Delaware to D.C. and back. He felt like he could barely breathe. He thought about moving to Vermont. The six months became a year. The second year was worse than the first.

“Neilia was my very best friend, my greatest ally, my sensuous lover,” he told Kitty Kelley in 1974 for a profile in the Washingtonian. “The longer we lived together the more we enjoyed everything from sex to sports. Most guys don’t really know what I lost because they never knew what I had. … When you lose something like that, you lose a part of yourself that you never get back again.” Kelley counted 35 pictures of her in his office. “Let me show you my favorite picture of her,” Biden offered. His wife in a bikini. “She had the best body of any woman I ever saw,” he said.

“Death and the All-American Boy,” the headline read. Biden recoiled. He thought it made him look “slightly unhinged.” It’s one interpretation, certainly. But read now, this signal piece of early Biden reportage seems to me to show a man still in visceral torment—hardened but to-the-core wounded, durably ambitious but still so lost, searching, struggling. “I want,” he said, “to find a woman to adore me again.”

***

Grief of this kind, according to people who study it, isn’t the kind of thing that gets better and gets better and then one day is all gone. It ebbs and flows but never wholly subsides.

“Sometimes,” Biden said, nearly 30 years after the accident, “it just overwhelms me.”

“The hurt,” he said, another 15 years after that, in Promise Me, Dad, “is a physical presence, and it never leaves.”

“It’s a process,” said psychologist Richard Tedeschi, retired from the University of North Carolina at Charlotte. “And this is no easy matter. There’s a lot of distress, a lot of struggle.”

Biden was remarried in 1977, to Jill Tracy Jacobs, an English teacher who met Biden on a blind date arranged by his brother. Their relationship made him whole enough again that he could think about more than just surviving. He was reelected in 1978, and again in 1984. In 1987, he ran for president, a bid halted after he incorporated into a speech of his parts of a speech by a British Labour Party leader, which coincided with reports about an insufficiently footnoted paper in law school, all of which congealed into a new and unflattering narrative about Biden as a cheater or plagiarist, or at least far too careless. Still, his seniority in the Senate put him in positions to shape history. As the chair of the Senate Committee on the Judiciary he led the confirmation hearings at the end of which the conservative Supreme Court nominee Robert Bork was spurned. His staff had champagne ready. Biden said no. “There’s nothing here to celebrate,” he said. “Imagine how he feels.” He endured crippling headaches, which led to the discovery of aneurysms in his brain, which led to two surgeries that could have killed him or left him unable to speak or otherwise infirm. In the ‘90s, he authored the Violence Against Women Act and helped pass the Violent Crime Control and Law Enforcement Act, the second of which he would come to consider a “big mistake.” But his almost daily trips on the train became a part of his brand. “Amtrak Joe.” For his staff, family first was always “an unwritten rule.” The second-youngest senator in the history of the country became one of the body’s elders.

In 2001, the week following the September 11 attacks, Biden gave a speech at the University of Delaware to a crowd of more than 2,700. He told them to not be afraid. He told the students their generation was up to the task to fight this fight. And he grieved for the people who had gotten a call saying their loved ones were dead, just like that, there in the morning, now gone forever. Once, he said, he had gotten that call. “It was an errant driver who stopped to drink instead of drive and hit—a tractor-trailer—hit my children and my wife and killed them,” he said.

Six years later, in a very different context, in Iowa for a second attempt at running for president, he relayed a similar rendering of the accident. “Let me tell you a little story,” he said to a quiet crowd in Iowa City. “ … a guy who allegedly—and I never pursued it—drank his lunch instead of eating his lunch, broadsided my family … ”

The problem was it wasn’t true. The driver of the truck, Curtis C. Dunn of Pennsylvania, was not charged with drunk driving. He wasn’t charged with anything. The accident was an accident, and though the police file no longer exists, coverage in the newspapers at the time made it clear that fault was not in question. For whatever reason, Neilia Biden, who was holding the baby, ended up in the right of way of Dunn’s truck coming down a long hill.

“She had a stop sign. The truck driver did not,” Jerome Herlihy told me. He’s a retired judge who then was a deputy attorney general and once was a neighbor to Biden and remains friendly. A pal of Biden at the time asked Herlihy “to go out to the state police troop where the driver of the other vehicle was to make sure everything was going all right,” and so he did. “In the end,” Herlihy said, “I concurred in their decision that there was no fault on his part.”

In late August of 2008, during the presidential campaign in which Biden was now Barack Obama’s running mate, Inside Edition aired a clip of him talking about the “errant driver who stopped to drink.” The daughter of Dunn, who died in 1999, was distraught. “The family feels these statements are both hurtful and untrue and we didn’t know where they originated from,” the daughter, Pamela Hamill, told a reporter from the News Journal in Delaware. Her father had mourned the accident, she said, and always was solemn around the holidays because of it.

In 2009, CBS News rehashed the debunking. “He was a good, hardworking man, and wonderful father,” Hamill said.

Biden called her after the CBS report, she told me. “He apologized for hurting my family in any way,” she said. “So we accepted that—and kind of end of story from there.” She sounded tired, and tired of talking about this.

Maybe the two cases of Biden embellishing the accident stemmed from the same part of him that neglected to credit the source of the most rousing pieces of that speech in Iowa in ’87. “Biden,” as Mark Bowden would put it in 2010 in The Atlantic, “has the limber storyteller’s tendency to stretch.”

Maybe he was merely passing along rumors he had heard from investigators and others. A now-dead emergency worker who was on the scene that day suggested as much after seeing the CBS report.

Or maybe Biden was engaging in what grief expert Rob Zucker described to me as “a retelling of the horror.” It’s something people sometimes do, he said, tweaking facts, shifting blame, if nothing else to make the grief more “palatable.”

“It’s a common challenge bereaved parents in particular struggle with after a sudden, violent death. I think the fact that he has this way of sometimes understanding the story is really an expression of the challenge for any person to go forward in their lives,” Zucker added.

“So maybe,” he said, “this other story creeps up sometimes because … ”

He paused to think about how he wanted to finish this thought.

“ … because he needed it.”

***

Lisa Blunt Rochester’s husband hadn’t been dead for but a few hours. She hadn’t even left the hospital. Her phone rang.

Joe Biden.

“I’ll never forget,” the Delaware congresswoman told me earlier this month. “He says this thing that I’ve kept in my mind—and he says it many times—that there will come a day when the thought of your loved one will bring a smile to your face before it brings a tear to your eye.”

He gave her his word.

“He said, ‘I promise you, I promise you, that day will come,’” she said.

She also heard, she said, from his son, then nearing the end of his second term as the attorney general in Delaware. She hardly recognized Beau Biden’s voice, he was so weak. He would be dead in eight months.

Joe Biden’s entry in his diary: May 30. 7:51 p.m. It happened. My God, my boy. My beautiful boy.

What struck so many who attended the memorial services in Delaware was the extent to which Biden tried to comfort those who had come to comfort him. “Joe stood there and talked to every single person that came through,” Delaware lobbyist Rhett Ruggerio told me. “Never left, never left, never left—thousands of people—he never left,” marveled Sam Lathem, the retired president of the Delaware AFL-CIO, who has known him for decades. “He was consoling more people than were consoling him,” said his friend Fred Sears. “People were just coming up and bawling in his arms, and I can hear him saying, ‘Yes, it’s going to be all right, it’s going to be all right … ’”

“The suffering he went through over losing Beau was just unspeakable. The depth of his grief over Beau’s passing was just beyond imagining,” Coons told me. And yet … “His strength at Beau’s viewing and funeral was superhuman. I mean, I was there, watching. I mean, he was on his feet, greeting and encouraging and comforting mourners, coming to his son’s viewing, and then his son’s funeral, for hours. I mean, just hours.”

Mark Barden wasn’t there but noted similarities in his conversations with Biden after the death of Beau. “I would find ourselves where he was consoling me again, you know?” he told me. “It’s like, ‘No, no.’ I felt like he’s always been strong for me—even when he was suffering this again.”

At the time of the funeral, the 2016 election cycle was well underway. One of the persistent questions was whether Biden would run for president. He agonized through the summer and into the fall.

Nussbaum, the former speechwriter, sent a memo to Biden four months after Beau’s death. He shared it with me. “As you think about your next steps,” Nussbaum wrote, “one of the things I’ve been thinking about is how you can tell the story of the real Joe Biden, either within the context of a presidential campaign, or upon leaving office. As part of that, I wanted to help you think about a different type of book you could write … ” He continued: “ … there is a part of your story that hasn’t been fully told, one that could resonate far beyond political-book buyers, one that could perhaps be cathartic to write, and could provide inspiration and comfort to others in the process. This book would be on the theme of, perhaps even with the title of: Resilience.” Lessons from loss, he suggested: “Should you choose to run for president, it could also inform a powerful, differentiated message.”

“He wasn’t interested in it,” Nussbaum told me.

Not then. Not yet.

Biden would have run if not for his son’s illness and death. “No question,” he has said. Both his sons wanted him to run. But in October 2015, he announced he would not. “I wanted to be able to summon the courage to live up to Beau’s example,” he wrote in 2017. “But I wasn’t sure if I would be able to find the emotional energy, and I knew from previous experience that grief is a process that respects no schedule and no timetable.”

It’s easy to read books by politicians—and there are so many that are so bad—and just churn through them, practically robotically, plucking buzzy crumbs or bullet-point bio bits. Never once while reading one of these books had I been forced to put down my red pen, to wipe my eyes and catch my breath—until I got to the bottom half of the 191st page of Promise Me, Dad.

“I miss him so terribly—already,” wrote Biden. “Beau could always chase my fears away. He saved my life, along with Hunter, 40 years ago, after Neilia and Naomi died in the car accident, and now what was I supposed to do? I had looked to Beau, as I looked to Hunt, from the time he was a child, as a source of confidence, and courage. ‘It’s going to be okay, Daddy,’ he would say. ‘I’m not going away.’”

Working on the book, Hunter Biden periodically would have to fact-check his father, who recalled conversations with Beau when he was sick—conversations that didn’t happen, and couldn’t have, because of a feeding tube in his throat. The explanation for this, Biden thought, was easy enough to decipher. “I found my mind playing tricks on me. You don’t want to see it.”

***

The grief experts I talked to nonetheless called Biden a stalwart example of something they call “post-traumatic growth.”

“What post-traumatic growth becomes over time is a pathway to resilience,” said Tedeschi, the UNCC psychologist. “That’s what post-traumatic growth does for people. It allows them to have a system of belief and understanding of living life that equips them for the traumas that may lie ahead.”

Ultimately, grief experts explain, it even can be fortifying.

Even liberating.

Katherine Shear from Columbia University’s Center for Complicated Grief, for instance, cited to me an example of a woman she worked with. Her entire life, she had been anxious, practically to the point of agoraphobic. After her son died, though, she started skydiving. “All of a sudden,” said Shear, “things that scared her didn’t scare her anymore—because the worst had already happened.”

Blunt Rochester described a similar sentiment. She announced she was running for Congress a year after her husband’s death—on purpose. “I actually said, ‘I have nothing to lose and everything to give.’ That’s how I felt,” she said. Fear? Doubt? “We have but a moment on this planet. And what are you going to do with it?”

Ditto for Barden. “I will tell you,” he said, “that one of the things that comes from navigating this horrible tragedy and being on this journey is it really kind of shakes things out into perspective. Like, so many things that you look back on, you’re like, ‘What was I so worried about? That’s nothing.’” He said he was warned in Washington about the array of politicians and lobbyists who would fight them on their efforts for gun control. “They were like, ‘Don’t let them bother you,’ and I was like, ‘They’re not. I’ve already lived through worse than my own death … ”

Grieving always. But emboldened.

Biden has wanted to be the president for what feels like forever. He was talking about it before he became a senator. He was talking about it in college. He was talking about it in high school. He’s been talked about as a potential president for something approaching 50 years. “I want you to run,” Beau told him in November 2014. “We want you to run,” Hunter said.

Just about everybody in Delaware seems to think he will. And they think he’ll win.

Along with consultants and strategists—and with New York Governor Andrew Cuomo and California Senator Dianne Feinstein already publicly backing him—they point to his common touch, his blue-collar bona fides and polls that suggest that Democrats want new, fresh faces … or him.

“I don’t think there’s any question that if he’s the candidate in November of 2020 he will be the next president,” said Bob Gilligan, the former speaker of the Delaware House of Representatives and a longtime Biden friend. “He will not lose Pennsylvania, he will not lose Michigan, and he will not lose Wisconsin.”

There is no shortage of sensible reasons Biden might not run. His age. His prior presidential flameouts. His brushes with scandal and embarrassment that undoubtedly will be recycled. Fodder available to his opponents that could be hurtful to his family. The long record that means lots of experience—and a litany of lines of attack. An indelibly moderate persona at a juncture when many Democrats seem to want bold attacks from the left. The circular firing squad of the primary taking shape—on the other side of which looms a matchup with a president fighting for his survival without shame. The utter, abject ugliness, guaranteed, of these next two years.

But Gilligan and others also think he’ll do it—they think he’ll run—not in spite of what he’s been through but because of it. His grief, they say, kept him out of 2016, but it’s made him stronger for 2020.

“Yes,” Coons said when I asked him about this.

“It just adds,” Gilligan said, “to his ability to be understanding and empathetic.”

“My guess,” veteran Democratic strategist Bob Shrum told me, “is having had time to recover from what happened to Beau that he may even have a stronger sense of wanting to run than he otherwise would have.”

“Is he more prepared now than he would have been? Yes. The answer is yes,” Moe Vela, a senior adviser to Biden when he was the vice president, told me. “And I’ll tell you why. Because our life experiences—and that’s what those were for him—those were life experiences—deeply painful, deeply horrific, right?—but life experiences—that’s what shapes us. Think about it. So yes. Of course the answer is yes.”

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‘The Magicians’ is back, it’s weird, and it’s better than ever

When Season 3 of The Magicians ended with the memories of nearly every main character’s magical lives being wiped to create nonmagical personas (to better protect them from an unknowable Beast who had taken over the body of their friend), there was a lot riding on Season 4 to bring that totally bonkers plotline home to something resembling coherency. How is there supposed to be a show called The Magicians if none of the main crew have access to magic? 

As of the first episode of the fourth season, there still isn’t an answer as to how the Brakebills Seven will emerge from that particular conundrum, but there’s even better news: The Magicians is still an excellent show. 

SEE ALSO: 23 extremely underrated TV shows you should binge ASAP

The Magicians has always been about updating and lampooning the tired fantasy tropes that permeate almost every other story where magic is present, and the characters’ new personas give them the opportunity to play with another one — where the heroes don’t know who they are but are magically drawn to each other by the forces of fate. 

In this case, fate is Dean Fogg’s hilariously dumb idea to turn Kady, the craftiest of the main characters, into a highly proficient police detective and expect she won’t find her way back to magic and the rest of her similarly mind-wiped friends. It takes less than half of the episode to get mostly everyone in one room and the other half quickly reintroduces them to the concepts of magic and the world they left behind. 

Moving quickly toward important plot points hasn’t always been the show’s strong suit, but The Magicians has improved in that regard since largely abandoning (or stretching out, it’s still unclear) the story as it was written in Lev Grossman’s Magicians trilogy. 

That’s not to say the storylines pulled from the books were in any way worse, but comparing the first season, which struggled with pacing as it attempted to cover the first novel, to the third, which was bold enough to set a capsule episode inside a musical alternate reality that ended with the cast performing Queen and David Bowie’s “Under Pressure,” is truly an apples and oranges situation. Weird-ass oranges. With great singing voices. 

Now in the fourth season, the cumulative weirdness that seeped in through the show’s exceptionally funky writer’s room has created something that goes beyond Grossman’s books. Plotwise, The Magicians leans in on stuff being bonkers — Alice’s imprisonment in the library sets her up to meet Santa Claus and hide a cockroach in her mouth for an uncomfortably long time; Not!Eliot murders the ice cream man for using an unfamiliar, regional term for sprinkles; and Margot’s alter ego meets a dead god playing with kittens — and it’s made the show one of the most fun and least predictable on television. 

It’s easy to catch up on The Magicians now. The first three seasons are conveniently on Netflix, and the fourth season only recently premiered and has its episodes up on SyFy’s website. If you’re not already watching and are a grown-up Harry Potter fan, or miss Buffy, or just want to see a bunch of magic hotties engage in fantasy mayhem, it’s definitely worth your time.

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Casio’s new G-Shock watch sounds like it could survive a nuclear blast

Wearing this watch might automatically make you proficient in sword-fighting.
Wearing this watch might automatically make you proficient in sword-fighting.

Image: Casio

2016%252f09%252f16%252f6f%252fhttpsd2mhye01h4nj2n.cloudfront.netmediazgkymdezlza1.53aea.jpg%252f90x90By Stan Schroeder

Casio’s G-Shock watches are known for ruggedness, toughness and durability, but the latest specimen from the company’s premium line “Mr. G” is something else. 

The sexily named MRGG2000RJ-2A comes with a ridiculous amount of toughness-related buzzwords; if half of what’s written in the press release is true, this watch will probably outlast you, your descendants, and possibly the human race.

SEE ALSO: Withings ECG smartwatch is an analog Apple Watch killer

Let’s begin. The MRGG2000RJ-2A has an all-titanium case, back cover and clasp. But it’s not just any titanium. It’s titanium that has undergone a “deep-hardening treatment” that makes it five times harder than regular titanium. Yes, this watch’s titanium out-titaniums titanium. 

The bezel is made from Murasaki-gane metal and Cobarion. These, Casio claims, are premium materials that make the bezels 2-3 times stronger than regular steel. It’s also undergone “deep violet Arc Ion Plating” treatment, that gives it a “mirror-like, purple finish.”

The watch also has a scratch-resistant sapphire crystal protecting the dial, with an inner coating, which should improve clarity and readability. 

Can you feel the toughness?

Can you feel the toughness?

Image: Casio

Finally, the watch features a Japanese engraving on the back meaning “gravity,” hand-engraved by sword smith Teruhira Kamiyama. I don’t really know much about sword smiths but this guy must be good if he can engrave anything into that ultra-hard titanium case. 

Even the watch’s band is made of fluoro-rubber material which Casio says is soft, yet durable. 

Woah.

Woah.

Image: Casio

Given the hefty price tag of $4,300, watch aficionados might be a bit disappointed that there’s no automatic movement beneath all that tough exterior. Yes, the MRGG2000RJ-2A is a quartz watch, but it does have a bunch of features, including world time, daily alarm, countdown timer, day/date display and automatic date update. For accuracy, the watch features three-way sync, by way of Bluetooth, GPS, and Multi-Band 6 tech. It also has a “Super Illuminator” LED light, and its battery is self-charging through Casio’s Tough Solar technology. 

And yeah, if you even have to ask, the watch is shock-resistant and water resistant up to 200M. 

The MRGG2000RJ-2A will be available in February with selected high-end jewelers and in Casio’s G-Shock store in Soho, NYC. 

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ISIL ‘caliphate’ in Syria to be defeated within month: SDF chief

With the backing of the US-led coalition, the SDF are in the last phase of the operation that started on September 10 to defeat the ISIL in eastern Syria [Reuters]
With the backing of the US-led coalition, the SDF are in the last phase of the operation that started on September 10 to defeat the ISIL in eastern Syria [Reuters]

Military operations against the Islamic State of Iraq and the Levant (ISIL, also known as ISIS) group in Syria are wrapping up and the last pocket of the group’s “caliphate” will be flushed out within a month, a top rebel commander has said.

“The operation of our forces against ISIL in its last pocket has reached its end and ISIL fighters are now surrounded in one area,” Mazloum Kobani, the chief of the Kurdish-led Syrian Democratic Forces (SDF), told the AFP news agency on Friday.

With the backing of the United States-led coalition, the SDF are in the last phase of the operation that started on September 10 to defeat the ISIL in the Euphrates Valley in eastern Syria.

“We need a month to eliminate ISIL remnants still in the area,” said Kobani, who spoke to AFP on Thursday near the northeastern Syrian city of Hasaka.

A few hundred ISIL fighters are defending a handful of hamlets near the Iraqi border, the last rump of a “caliphate” which the organisation proclaimed in 2014 and once covered territory the size of Britain.

“I believe that during the next month we will officially announce the end of the military presence on the ground of the so-called caliphate,” Kobani said.

Intense fighting in the area known as “the Hajin pocket” has left hundreds of fighters dead on both sides, according to the UK-based war monitor Syrian Observatory for Human Rights.

ISIL lost the town of Hajin late last year and the subsequent collapse of its defences saw the Kurdish-led SDF conquer one village after another.

Kobani said the battle had been complicated by the armed group’s shifting strategy after the fall of its de facto Syrian capital of Raqqa in 2017.

The new tactics include “sleeper cells everywhere, secretly recruiting people again, and carrying out suicide operations, bombings and assassinations”, he said.

“We expect there will be an increase in the intensity of ISIL operations against our forces after the end of their military presence,” Kobani said.

ISIL has retained a presence in Syria’s vast Badia desert and has claimed a series of attacks in the SDF-held territory.

Syria’s war: SDF confronts ISIL in last Syrian stronghold (2:47)

SOURCE:
AP news agency

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Meet ATEEZ, The Rookie K-pop Group Poised To Break Big In 2019



KQ Entertainment

By Taylor Glasby

ATEEZ have just played a sweaty showcase in Seoul for their second mini-album, Treasure EP.2: Zero To One, five new cuts of what already feels like their signature sound — pop-rap fused with orchestral brass and dance beats, ranging from trop-house to dubstep. Three months into their career, and the eight-member Korean boy group (consisting of Hong Joong, Min Gi, Woo Young, Yun Ho, San, Yeo Sang, Jong Ho, and Seong Hwa) are making waves: EP.2 bowed at No. 5 on the Billboard World Albums chart this week, and they recently announced their first U.S. tour.

Treasure EP.2: Zero To One is the follow-up to last October’s debut, Treasure EP.1: All To Zero, on which “Treasure,” with its vast, cinematic chorus, flexed hard — husky-voiced rapper Min Gi predicted ATEEZ would “melt everything, we’re going to be all over the press in two years.” With this and the lead single, the blustery “Pirate King,” they accumulated over 7 million views. The new single, “Say My Name,” which charismatic rapper and lyricist Hong Joong describes as a “country music style of EDM with trap sounds,” garnered upwards of 1.4 million YouTube views in two days. In the saturated K-pop industry, this is indeed a very big deal for a rookie group from a small company.

The two rappers and six vocalists are aged between 18 and 20 and, like most K-pop groups, their laser-focused stage presence is the polar opposite of their robust, youthful off-stage nature. They exude ambition yet worry about each performance, and despite the anticipation for EP.2, Hong Joong, the group’s leader, downplays the strenuous run up to release. “We’ve been practicing hard to prepare,” he tells MTV News. “We’re a rookie group who just debuted, we have to try our best.”

ATEEZ kicked off 2019 with a single image on Twitter — a hunting horn adorned with a tattered flag bearing their logo — accompanied by a line of Morse code which translated as “say my name.” The first concept photos saw them veiled by black face masks, wearing vigilante-esque wide-brimmed hats and black tailoring. They held walkie talkies and, oddly, a wand; it was at odds with the pale denim and white cotton of their debut videos, shot in the desert and riads of Morocco.

Courtesy of KQ Entertainment

“It’s hard to explain the relationship between the two different Treasure [albums]. We hope people interpret it freely,” Hong Joong says cagily, then relents a split-second later. “I’ll give you a hint why there’s a wand in the promo: The concept of the album represents ATEEZ vs. ATEEZ. The black photo is about one identity that’s pressuring and controlling us.”

These bandit outfits were used in a performance video teaser for EP.2’s “HALA HALA,” whose lyrics call to break out and find success, and feature in “Say My Name” like alter-egos. If you look back to the trailer for EP.1’s “Intro: Long Journey,” ATEEZ wear variations of the black outfits as they question what treasures people seek — eternal life, fame, love. It becomes clear ATEEZ are creating their own map on which themes (success, youth), key words (treasure, light, darkness, dreams), and colours link and cross like magical ley lines.

In an extra twist, the video for “Say My Name” segues into the opening bars of “Treasure,” positioning it as the latter’s precursor in terms of storytelling, and charting the group as they step onto the path of an artist, supported by their fans (known as ATINY, a mix of “ATEEZ” and “destiny”). They seem to allude to ATINY in “Say My Name” — “I believe in me the moment you called me” — but, interestingly, ATEEZ have ambiguous lyrics that could reference each other, fans, friends, or lovers at any point. Hong Joong points out that “one of the single’s meanings is when someone calls my name, we go forward towards the bright future. ATEEZ look for a treasure that’s hidden somewhere.”

For Hong Joong, his admiration of long-standing boy group Block B inspired him to reach out to their label, KQ, about joining the company as a trainee: “I sent my mixtape to KQ as I didn’t get a chance to have an audition. Luckily, one of them listened to it and contacted me!”

Having turned 20 last November, Hong Joong’s path has seen him sacrifice what many trainees give up: a normal life. “I started as a trainee producing music earlier than others, whereas my friends were studying at school,” he explains. “Most people say the most memorable period in life is high school and spending a lot of time with friends. I just have a memory that I had to practice all the time rather than having fun. But I don’t have regrets. It was a valuable time.”

He’s written many songs but says he’s “still learning,” adding, “I talk to EDEN, who is my teacher and producer, all the time.” Hong Joong and Min Gi are credited on all but one of their songs as lyricists. “I write for my part,” says Min Gi. “For other parts, I get feedback from the producing team and Hong Joong. We make it all together.”

Prior to their debut, the members partook in two reality shows, Code Name ATEEZ and KQ Fellaz (their early moniker), and travelled to Los Angeles for training at renowned dance schools, including Millennium Studio. Yun Ho (who chooses himself as team motivator because of his unstoppable ambition) recalls that “it was an amazing experience. Our movements became more accurate, and we had a new confidence.” The feline-looking San adds, “We thought it was a great chance for us to experience new things and have a strong base when it comes to dance. Since then, whenever we learn new choreography or techniques, we’re able to give it our own style.”

Being followed by a bank of cameras, however, wasn’t without its pressures. “It was exciting and we were so curious,” recalls Seong Hwa, “but we felt awkward, too. Some members were nervous about being on the show but people started to support us at the end, so we thought we have to put more effort into making good music for them.”

ATEEZ have already made a splash with international fans — one only needs to look at the thousands of English comments beneath the videos and social posts — and the timing of their debut couldn’t be better with K-pop now at its highest-ever level of popularity outside of Asia. This advantage comes with its own issues, however; the stakes are higher, there’s an unstoppable flow of new groups, and established idol groups are more frequently releasing material.

Perhaps the biggest hurdle for ATEEZ is that they buck the trend for groups formed through hugely successful survival shows, which give them a ready-made fanbase. ATEEZ are doggedly building theirs from scratch, and although more than equipped to rise through the K-pop ranks, Hong Joong is pragmatic about their future and potential for global success. “Senior groups have performed greatly overseas and we’d like to follow in their footsteps,” he says. But first, he admits: “I just believe that we need to have our own story to tell fans through our music and performance.”

They cite groundbreakers like G-Dragon, BTS, Zico, and Jay Park as influences. “They’re the artists I can learn a lot from [because] they’re trying their best to show new things to the audience,” Woo Young, the group’s moodmaker, explains. On stage, ATEEZ don’t look like a rookie group. It’s not just the polished moves and music that impart this but their remarkable self-assuredness and solid sense of identity. The nerves are all but invisible and the thrill of performing is evident.

Their visual (or, visually striking member), Yeo Sang, credits this dynamic to constant communication. “We chat with each other all the time,” he says. “We set each Saturday to talk about something together, and share opinions about how we should change or improve. This process is very important to us.”

Despite being together 24/7, the members have gotten used to one another’s individual quirks. “Even when he sleeps, I’ve never seen someone like Seong Hwa,” the youngest, Jong Ho, says. “We sleep in different rooms, but he heard the alarm from mine and came to turn it off.”

“Our members are very understanding. We try to make each other comfortable, thus we don’t have any conflicts so far,” adds Seong Hwa. He pauses. “Ah! Except for choosing food! Everyone wants a different menu all the time.”

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Apple changes its mind, says it’ll pay photo contest winners after all

Disclosure

Every product here is independently selected by Mashable journalists. If you buy something featured, we may earn an affiliate commission which helps support our work.

Winning Apple’s “Shot on iPhone” photo contest will net you some cash after all.

Image: Lili Sams/Mashable

2016%252f09%252f16%252f6f%252fhttpsd2mhye01h4nj2n.cloudfront.netmediazgkymdezlza1.53aea.jpg%252f90x90By Stan Schroeder

Sometimes, all one needs is a little motivation. 

After photographers, artists, and news outlets such as Mashable pointed out that Apple’s “Shot on iPhone” photo contest rules were unfair, the company altered its photo contest rules (spotted by The Verge), saying it will offer the contest winners a licensing fee for use of their work. 

SEE ALSO: Apple wants you to send your best iPhone photos in return for, cough, exposure

The blog post announcing the contest now has this text at the bottom: “Apple believes strongly that artists should be compensated for their work. Photographers who shoot the final 10 winning photos will receive a licensing fee for use of such photos on billboards and other Apple marketing channels.”

The contest rules have also been amended. Originally, the rules stated that the “prize has no cash value;” now, that bit was removed, and the following bit was added: “Winners will receive a licensing fee for use on billboards and other Apple marketing channels.” Oddly, the original rules document is still available on Apple’s site, so you can compare the two if you like. 

Coming from a corporate behemoth like Apple, the decision not to give any sort of monetary prize to contest winners was tone-deaf to say the least. Creative artists constantly have to fight false notions that their work is easy and should not be compensated, but when it’s coming from one of the world’s most valuable companies, it just adds insult to injury.

Apple never answered Mashable’s query on why the contest winners weren’t receiving monetary compensation per the original rules. But it’s good that the company changed its course. The original rules of the contest were downright cruel, with contest winners giving Apple the license to use their work in every conceivable way, including for commercial purposes. It’s only fair to pay them for their work. 

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Why Qatar’s migrant workers dress up on ‘fashion Fridays’

Doha, Qatar – Every Friday, migrant workers in their thousands flock to the Doha Corniche, the main waterfront promenade in the Qatari capital, dressed in their finest clothes, from morning to night.

A large number of country’s expatriate workforce, who mostly come from South Asia, have only one day’s rest from their hard, long working week.

From Saturday to Thursday, they wear uniforms – overalls for construction workers, blue or green tunics and trousers for janitors, black waistcoats and white shirts for office staff.

Fridays bring a chance to show off traditional and contemporary fashion and inject a little colour into the monotony. 

In their uniforms, the workers are indistinguishable from one another. Fridays allow workers to demonstrate their individuality.

Thousands of construction workers toil six days a week [Ayilah Chaudhary /Al Jazeera]

“No, I don’t like my uniform – I like what I’m wearing now,” said Aakash, a Nepalese construction worker who wears blue overalls on site during the week.

“Back home, everyone has a sense of style.” 

On this Friday, he is wearing a camouflage shirt, bootleg jeans and plimsole-style sneakers.

Aakash says people back home in Nepal have a unique sense of style [Ayilah Chaudhary/Al Jazeera]

“We come to [Doha Corniche] every Friday after prayers,” said Shahid Sultan, a light-eyed Pakistani dressed in a checked shirt and blue jacket, who works as an electrician at Hamad International Airport.

He supports his family back home with his income, but in the future hopes to become a fashion model in Karachi.

“Clothes are too expensive here and I don’t think we’re allowed inside Villagio [Mall] today, so we just come here instead,” he said.

Shahid Sultan is an electrician but hopes to return to Pakistan and work as a model [Ayilah Chaudhary]

There are almost two million migrant workers in Qatar, comprising more than 80 percent of the total population.

The Central Municipal Council prohibits single men, primarily South Asian workers, from entering public areas designated as “family zones” on Fridays, such as parks, open-air markets and shopping malls. 

The segregation is purportedly a security measure, but rights group have rallied against it.

The expatriate workforce comprises almost 90 percent of the Qatari population [Ayilah Chaudhary /Al Jazeera]

Aparna Jayakumar, a portrait photographer who co-founded Doha Fashion Fridays, a blog, spends her Friday afternoons on the promenade documenting stylish workers.

The social media page is similar to Brandon Stanton’s Humans of New York platform.

“It’s beyond fashion, because the point of this project is to give visibility to people who go unnoticed otherwise in real life,” she said. “Fashion is part of this blog, for sure, because I’m only selecting people to interview who are dressed in an interesting way.”

Radha Hamal has left two daughters behind as she works in Qatar [Ayilah Chaudhary /Al Jazeera]

Jayakumar keeps an eye out for workers with “style and swag”. 

She also talks to the workers about their lives in Doha and what inspired their outfit.

“How you dress is such an expression of who you are,” she said. “But for six days a week, they’re not allowed to express themselves, so they go the extra mile on the day they can.”

One particularly moving entry shows the tattooed forearm of Neera Limbu, 27, a housekeeper from Nepal.

“Love you Ronik”, says the tattoo, a message to her son she left behind. Like thousands of other women in the Gulf, Neera’s mother takes care of her son as she works in Doha and sends money home.

According to the blog entry, she enjoys dressing up “Nepali style” on her day off in Doha.

Donald Earley, an assistant professor at VCU-Q’s fashion design programme, said individuality is expressed when people choose their own clothes. 

“When you buy a garment, and it’s a beautifully crafted garment, you have this imagination when you’re looking at it,” he said. “You see yourself in the clothing, and you think, ‘this is going to make me feel good.’ That’s what clothes are really about, to send a message about how you’re feeling.” 

While low-income workers have far less to spend on their wardrobe than other residents in the wealthy peninsula, Earley said they value fashion more.

“Poorer people want to be more fashionable than anybody, because it’s out of reach. And at the same time, a shirt or sweater is all they have.”

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Hall of Fame QB Joe Montana Invests in Legal Marijuana Company Caliva

En esta imagen del 21 de octubre de 2018, el ex quarterback de los 49ers de San Francisco Joe Monana durante una ceremonia en Santa Clara, California. (AP Foto/Tony Avelar, Archivo)

Tony Avelar/Associated Press

Hall of Fame quarterback Joe Montana is reportedly getting in the medical marijuana business. 

Paul Elias of the Associated Press reported Montana’s venture capital firm, Liquid 2 Ventures, is involved in a $75 million investment into Caliva, which is a company that works with medical marijuana and features a farm, retail story, distribution center and delivery service.

Montana said he thinks medical marijuana “can provide relief to many people and can make a serious impact on opioid use or addiction.”

Elias noted Caliva didn’t reveal how much of the investment came from Montana. 

This comes after Craig Giammona of Bloomberg reported CBS rejected a Super Bowl commercial for Acreage Holdings calling for the legalization of medical marijuana.

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Chased by police, Syrian refugee child falls to death in Beirut

Beirut, Lebanon – The sight of street children selling flowers and chewing gum and shining shoes has become as much a part of Beirut’s landscape as bullet-poked mansions and glitzy bars. 

Most are Syrian refugees who fled to Lebanon to evade the war and find safety. For Ahmad al-Zoubi, a 14-year-old who polished shoes to supplement his family’s income, it proved to be anything but safe, and his death has set off a controversy that has sent shockwaves through the city.

Ahmed was found dead at the bottom of a six-floor ventilation shaft in Verdun, a western suburb of Beirut, last Tuesday. His body was found three days after he was chased by municipal police in the residential area near the building. 

His family said that after he went missing they inquired about him at a police station and a local hospital but were given no information. It was not until they visited the nearby Salaam Mosque, where Ahmed often pitched his shoe-shine stand, that they saw CCTV footage showing the time their son was last seen. 

It showed Ahmad running away from the police and turning into an alleyway in a residential area. Two policemen ran after him but returned alone. There is no recording of the last minutes of Ahmed’s life but the implication is clear – Ahmed fell to his death while the policemen were somewhere near him. 

His cousin, also named Ahmed, said that the family were not accusing the police of killing him, but blamed them for scaring the boy into a panic, and thus into falling down the ventilation shaft.

“The municipal police are one of the reasons for sure for his fall,” the cousin said. “He was in mortal fear of them.” 

The teenager had been detained several times before, from a few hours to a full day, and beaten.

Majdoline Lahham, a local activist, is working with the family after they approached her for help. 

She shared the CCTV video only to show the public of the dangers Syrian children are facing. It triggered a wave of outrage on social media, with hundreds planning to stage a march in the city in the next few days.  

Nasser Yassin, director of research at the Issam Feras institute in the American University of Beirut, and co-chair of the AUB4Refugees initiative, accused the authorities of “forcefulness and high-handedness” towards street children. 

He said the police needed to re-examine their standard operating procedures when they caught children working on the streets. 

“These are kids not criminals,” he said. “The police must go with social workers and take help from NGOs.”

In a statement the municipality said that the police followed the “laws and regulations” and merely wanted to question the teenager over the theft of a Zakat donation box stolen from near a hotel in the city. They said that whenever they arrest someone, it is “without any violence or abuse”. 

Lahham said it was ironic that Ahmed was being suspected of stealing Zakat money. “Zakat money is for the poor, and he is very, very poor,” she said. “Do you see what I am saying?

“Anyway, the police did not find any box near him, and only about six dollars in his pocket.” 

Ahmed was one of more than a million Syrian refugees in Lebanon, seventy percent of whom live below the poverty line. His father makes a few dollars a day as a porter. The cost of living in Beirut meant that Ahmed had to venture out and earn whatever he could to support the family.

His cousin said Ahmed was the eldest boy of eight siblings and wanted to help. He never confided in his family about the troubles he endured with the authorities. “He wanted to continue to work and protect his brothers and sisters,” said his cousin. 

Paul Donohoe of the International Rescue Committee [IRC] in Lebanon said that children like Ahmed not only worked “punishingly long hours” but also often faced abuse. 

He said that more than sixty percent of the children surveyed by the IRC had experienced either physical or verbal abuse and in some cases sexual harassment.

“It is estimated that there are 1,500 children working on the street and 180,000 children involved in child labour in Lebanon,” Donohoe added.

A Syrian street vendor sells tissues to drivers in Beirut [File: Bilal Hussein/AP]

Ahmed’s death coincided with the news of an Oscar nomination for a Lebanese film, Capernaum, which focuses on the lives of street children.

In the film, directed by the famed Lebanese actress an director Nadine Labaki, the 12-year-old protagonist Zain sues his parents for giving birth to him when they were not in a position to give him a decent life. 

Ahmad did not get a chance to seek answers from his father for having a large family. He could not question the Syrian state for imposing a war on the country forcing him to flee nor could he ask the Lebanese state to show mercy. 

In real life, often, justice is harder to find. Lebanon’s police is still to offer a full explanation for what happened in the last minutes of Ahmad’s life. 

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Chris Pine and Jimmy Kimmel nerd out over their first ever concerts

What was your first concert? Did one of your parents take you or did you go it alone?

Chris Pine’s a keen Metallica fan, but it wasn’t his first concert. Hollywood Chris and star of both Patty Jenkins’ Wonder Woman and I Am the Night, Pine had a delightful nerd-out with Jimmy Kimmel on Friday over music, from their first concerts to Pine’s teenage band in which he rapped Vanilla Ice (and still can).

While Kimmel’s first concert was Sammy Davis Jr. in Vegas, Pine’s first concert was Faith No More, with Kyuss and Babes in Toyland. And although it wasn’t his first concert, Kimmel went to Lionel Richie with his mother. 

For the record, my first concert was John Mayer and I regret nothing.

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