‘The Haunting of Hill House’ director breaks down that ‘one-shot’ episode

'The Haunting of Hill House' episode 6 attempted the old one-shot trick.
‘The Haunting of Hill House’ episode 6 attempted the old one-shot trick.

Image: Steve Dietl/Netflix

2017%2f09%2f01%2fdc%2f1bw.3febfBy Shannon Connellan

Wondering how the sixth episode of Netflix’s The Haunting of Hill House, the one that looks like it’s all one continuous shot, was made? 

Writer and director Mike Flanagan gave fans a rare look at how the ambitious episode of the streaming platform’s horror series was created, in a lengthy Twitter thread on Sunday.

SEE ALSO: The terrifyingly relatable horror of the family trauma in ‘Hill House’

Flanagan broke down the scenes for the episode, and the difficulties involved in filming what he describes as essentially “five long takes,” three in a funeral home, two in Hill House. 

The director speaks to problematic flooding caused by rain machines, praises the stand-in actors who helped rehearse the lighting, blocking and cinematography, and explains how the crew pulled off a 360-degree shot featuring adult characters being replaced with their child selves.

Flanagan even details exactly how long each shot runs for, which would be stitched together in post-production for the seemingly one-shot full episode.

Here we go. There’s a mild spoiler vibe in a few of the tweets, just so you know.

I’ve gotten a lot of questions about ep 106 of @haunting . Netflix released an awesome little BTS video, but for those that want more information, here’s a little thread: Episode 6 was part of the very first pitch for the show, promising an episode that would look like one shot.

— Mike Flanagan (@flanaganfilm) November 4, 2018

Most of the camera choreography was actually included in the script itself, which meant that the draft for ep 6 was a really tough read with “camera pivots left/tracks right down left aisle, keeping Steven in MS profile” breaking up the dialog.

— Mike Flanagan (@flanaganfilm) November 4, 2018

The sets for both Hill House and Shirley’s Funeral Home were designed with episode 6 in mind. They were built on adjacent stages, and had to accommodate a hallway that would physically connect them so that Hugh could walk directly from the funeral home to Hill House in shot 1.

— Mike Flanagan (@flanaganfilm) November 4, 2018

The sets needed to include hiding places for crew & equipment, specific lighting rigs, and even a handmade elevator that would lower into place from the ceiling to bring a cameraman to the first floor for shot 4. We began doing weekly walk-throughs of the ep 6 immediately in prep

— Mike Flanagan (@flanaganfilm) November 4, 2018

We initially intended to shoot it last, to give us as much time as possible. Budget issues resulted in the studio moving the episode up to the beginning of our third production block, and rapidly accelerating our prep time.

— Mike Flanagan (@flanaganfilm) November 4, 2018

Production was shut down, rehearsals for ep 6 began March 6th, 2018. We rehearsed daily with our second team stand-ins, who performed the entire episode as actors as we learned the camera, lighting, and acting choreography. They were HEROES and made the whole thing possible.

— Mike Flanagan (@flanaganfilm) November 4, 2018

The episode was comprised of 5 long takes. 3 took place in the funeral home, 2 in Hill House. We would rehearse one segment while another was prepped/programmed for lighting, and then switch. Sets were still being painted and constructed to accommodate the ep.

— Mike Flanagan (@flanaganfilm) November 4, 2018

Massive rain FX were put in both stages, and specialty lights were brought in to create the lightning. The water would sometimes flood the sets, and the studio initially didn’t want to pay for the extra “lightning” lights and proposed cutting the storms from the episode entirely.

— Mike Flanagan (@flanaganfilm) November 4, 2018

The actors arrived on March 26 to begin rehearsals. On their first day, we sat them down and showed them the entire episode, shot on a DSLR, with second team performing. They could see each shot executed successfully, and see the goal they were trying to achieve.

— Mike Flanagan (@flanaganfilm) November 4, 2018

Rehearsals began in earnest. The actors would be on one stage, practicing the scene and the performance, while our camera operators worked on the other stage with second team to continue refining camera blocking and lighting cues.

— Mike Flanagan (@flanaganfilm) November 4, 2018

There were hundreds of individual lighting cues, not only for effect but also for beauty lightning. If a cue was a late, an actor wouldn’t be lit properly. If an actor missed their mark, or if a cue was early or late, it meant actors went dark, or you’d see a camera shadow.

— Mike Flanagan (@flanaganfilm) November 4, 2018

We finally began shooting on April 6, 2018. We shot in episode order, so the first shot was 14 pages in Shirley’s funeral home. We did tech rehearsals in the morning, and finally just started shooting, in case we got lucky. We only had to get it right once.

— Mike Flanagan (@flanaganfilm) November 4, 2018

This first segment involved hiding the younger actors playing the Crain children around the corner in the viewing room, so they could run in and replace their adult counterparts during a 360-degree move around Tim Hutton. The adults sprinted back into place a moment later.

— Mike Flanagan (@flanaganfilm) November 4, 2018

We also had to swap a dummy of Victoria Pedretti from the casket, and help young Violet McGraw climb inside and be still. We did this change while the siblings talked about Hugh flying in coach on the airplane.

— Mike Flanagan (@flanaganfilm) November 4, 2018

At the end of the shot, we follow Tim through a hallway that leads directly through the doors of our other stage, onto the Hill House set. The shot ended a moment after the chandelier fell in the background. Length: 14:19

— Mike Flanagan (@flanaganfilm) November 4, 2018

We began shooting the second shot the following day, which was seven pages long and took place in Hill House. Our initial worry about putting this much pressure on the youngest of the actors proved to be a non-issue, as they were knew their lines cold (and even the adults’ lines)

— Mike Flanagan (@flanaganfilm) November 4, 2018

Lots of ALMOST complete takes on this segment, but the technical issues of this segment were pretty daunting, particularly timing our Bent Neck Lady with the lightning and making Nell disappear. We finally got a complete take late in the afternoon. Length: 7:25

— Mike Flanagan (@flanaganfilm) November 4, 2018

The third segment was the most brutal. 18 pages, shot in the funeral home, and requiring thunderous emotion from the cast. They started seated, which meant we had to keep the camera on a peewee dolly to handle the height differences. We pushed a dolly through this entire shot.

— Mike Flanagan (@flanaganfilm) November 4, 2018

It was a BEAST. We could never make it to the end. And the dolly was slowly getting harder to push, because (we found out later) the wheels weren’t meant for carpet, and carpet fibers were getting inside through all of our rehearsals, putting enormous strain on the transmission.

— Mike Flanagan (@flanaganfilm) November 4, 2018

We went to lunch without getting a take, and the grips told me that the dolly had a big issue. The transmission chain was strained and close to breaking from the rigors of rehearsal. They figure we MIGHT have one more take before it could break. There wasn’t a replacement dolly.

— Mike Flanagan (@flanaganfilm) November 4, 2018

We didn’t tell the cast, I didn’t want it to get in their heads. We came back from lunch, I said “I’ve got a good feeling about this one” and we held our breath. Believe it or not we got it. We got the take. They took the dolly, turned the wheel and the chain broke. Length: 17:19

— Mike Flanagan (@flanaganfilm) November 4, 2018

The next day we did segment 4, which was our most difficult from a technical point of view. Lots of swaps, windows breaking, the elevator gag, etc. We ran this all day, the pressure was on Carla and Henry. Time and again we’d make it all the way to the elevator and mess up.

— Mike Flanagan (@flanaganfilm) November 4, 2018

The smashing windows in this segment are a digital creation, but we had to “teleport” Carla around the set. This was done using a photo double for some moments, and having Carla run through secret crew access portals in others.

— Mike Flanagan (@flanaganfilm) November 4, 2018

We got the shot late afternoon after dozens of aborted attempts. Length: 6:13. The next day, we did the (relatively easy by comparison) 5th segment, which timed in at 5:31. Production was murder and almost killed us all, but it was the easiest edit of my life. Took 10 seconds.

— Mike Flanagan (@flanaganfilm) November 4, 2018

So the ep is 53:38. About 51:00 is comprised of 5 shots.

Shot 1: 14:19


Shot 2: 7:25

Shot 3: 17:19

Shot 4: 6:13

Shot 5: 5:31

It was the hardest thing most of us have ever done, and the result of the combined efforts of hundreds of people. Mad respect for the cast & crew.

— Mike Flanagan (@flanaganfilm) November 4, 2018

@netflix , @ParamountTV and @amblin rallied to give us what we needed to pull it off, even though it was a huge risk for them and there was no guarantee that it would work.

— Mike Flanagan (@flanaganfilm) November 4, 2018

On a final note, @k8siegel and I learned she was pregnant with our second child the night before we filmed segment 3. Made me really nervous every time I saw her fall down. Added a special layer of nerves to the stress of the ep

— Mike Flanagan (@flanaganfilm) November 4, 2018

Phew! So much detail. But there was one final question to answer.

Do you know the “hidden” ghosts, were they computer generated or did you have people hidden in the scenes?

— Phillip Wilkins (@pkwilkins) November 4, 2018

People were hidden in the scene. We had ghosts in makeup every morning waiting to be placed throughout the day. Sometimes the actors didn’t even notice them until after the first take.

— Mike Flanagan (@flanaganfilm) November 4, 2018

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‘Doctor Who’ fans are so into this cute, hangry creature called a ‘Pting’

2017%2f09%2f01%2fdc%2f1bw.3febfBy Shannon Connellan

There’s a hangry little new creature on Doctor Who and Twitter is into it.

Dubbed a Pting, the small but fierce newcomer appeared on Sunday in “The Tsuranga Conundrum,” the fifth episode of Series 11, which stars Jodie Whittaker as the 13th Doctor.

SEE ALSO: The new ‘Doctor Who’ title sequence is a real trip

Without spoiling too much, the Doctor and her crew found the creature somewhere in the galaxy, hanging out on a spaceship. It’s super cute, but is poisonous to touch, and though non-carnivorous, it will feed off any kind of non-organic material it can find.

The Pting’s rampant insatiability was something that struck a chord with some on Twitter.

Sure, it’s a little vicious, but it’s truly cute, and a damn sight less terrifying than the Weeping Angels. Folks on Twitter ran with their own interpretations of the Pting, and where they’d seen it before.

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Raptors Beat LeBron James, Lakers Despite Kawhi Leonard Sitting Due to Injury

LOS ANGELES, CA - NOVEMBER 04:  Serge Ibaka #9 of the Toronto Raptors dunks in front of Josh Hart #3 of the Los Angeles Lakers during the first half at Staples Center on November 4, 2018 in Los Angeles, California.  (Photo by Harry How/Getty Images)

Harry How/Getty Images

The Toronto Raptors stayed red-hot even without Kawhi Leonard, earning a 121-107 win over the Los Angeles Lakers on Sunday night.

Toronto (9-1) jumped out to a 41-10 lead in the first 10 minutes of the game before cruising to an easy road victory at Staples Center. Serge Ibaka set a career high with 34 points on 15-of-17 shooting in the win.

LeBron James finished with 18 points and six assists as Los Angeles (4-6) struggled to keep up on the scoreboard.

Lakers Won’t Contend for Playoff Spot Without Improved Defensive Effort

Offense is all the rage in the NBA among fans, but you can’t win games at this level without defense. The Lakers have been trying to test this theory without positive results.

Los Angeles entered the day ranked 27th in the NBA with 119.9 points allowed per game, with every single opponent scoring at least 110 points.

The trend continued against the Raptors, who scored 121 points on 50 percent shooting. Toronto had 32 assists and just 11 turnovers in the win.

While in the past you could blame a lack of talent, that shouldn’t be an issue with long, athletic players like James, JaVale McGee, Lonzo Ball and Brandon Ingram on the floor. The reality is that there was a lack of effort throughout the day, with even the best players allowing easy baskets:

NBA @NBA

🚨 Serge Ibaka has 18 PTS on a perfect 8-8 shooting! 🚨

#WeTheNorth 34
#LakeShow 10

WATCH on League Pass https://t.co/lsdlTk6Hze

Toronto Raptors @Raptors

Showtimeeeeee https://t.co/0zWsUsQ8Vt

The embarrassing performance hit record levels in the first quarter:

ESPN Stats & Info @ESPNStatsInfo

Entering tonight, the Lakers hadn’t trailed by 20+ points this season.

They trail the Raptors by 25 points after the 1st quarter, their worst point differential in a 1st quarter in the shot-clock era (since 1954-55). https://t.co/euWIL1104b

It’s difficult to play with 100 percent intensity on every play across 82 games, but the Lakers aren’t good enough offensively to make up for the defensive lapses. Teams like the Boston Celtics and Utah Jazz have also showed what you can accomplish with maximum effort defensively.

The question is what happens now and who is to blame. Some are hoping for a change in personnel while others expect head coach Luke Walton to take the fall:

Richard Sherman @RSherman_25

Lakers have to make a trade man. If for nothing more than addition by subtraction. More potential than production with some of these guys

J.A. Adande @jadande

Magic’s quote hasn’t aged well…and it’s only about an hour old https://t.co/VGm7g2F4aH

Tyson Chandler is expected to join the team after he clears waivers, per Adrian Wojnarowski of ESPN, but he is far from the player he was five years ago and won’t completely turn things around on that end of the floor.

The real change needs to come from the players on the court providing more energy to prevent opponents from getting easy baskets. Otherwise, the routs will continue against quality opponents.

Improved Balance Makes Toronto More Dangerous as a Contender

The Raptors have had several disappointing playoff exits in the past few years, but this team could be different thanks to the depth and balance on the court.

While Leonard is an elite player on both ends, the Raptors showed Sunday they have plenty of options even if he isn’t available.

Ibaka was the star of the day, but Kyle Lowry is the catalyst for success. He finished with 21 points and 15 assists. Nine of those assists came in the 42-point first quarter:

NBA @NBA

Kyle Lowry dishes out 9 helpers in the 1st quarter!

#WeTheNorth 42
#LakeShow 17 https://t.co/DLG6Jio4ZZ

It was the eighth straight game Lowry has reached double-digit assists, and his 11.6 assists per game lead the league. Considering he has never averaged more than 7.4 assists per game in any season, the veteran is clearly coming into each game with a different, more helpful mindset than we have seen in the past.

Meanwhile, the team’s depth has been impressive, as its underrated players have exceeded expectations:

Dan Woike @DanWoikeSports

The Raptors’ scouting/development is as good as anyone’s in the league. Guys like OG Anunoby (pick No 23) and Pascal Siakam (No. 27) are just so valuable to a modern NBA contender. They pick ’em, they play ’em, they develop ’em

AG @AndyGlockner

I really like this TOR team. They are going to be a very difficult proposition in the playoffs.

Pascal Siakam has looked like a difference-maker in the post, but he is just one of seven players who entered the day averaging double figures.

In past seasons, the Raptors offense relied upon DeMar DeRozan usually creating for himself, and the team struggled when he had a poor game. The rebuilt attack no longer relies on a good game from any one player, excelling even if the shots aren’t falling.

This offensive balance will help Toronto compete against the best teams in the NBA and potentially make a deeper run in the postseason.

What’s Next?

The Lakers will remain at home for a battle against the Minnesota Timberwolves on Wednesday. The Raptors will face a quick turnaround with a road game against the Utah Jazz scheduled for Monday.

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Macron ramps up EU power play with pitch to liberals

French President Emmanuel Macron | Franck Fife/AFP via Getty Images

French president’s big-tent plan to shake up European Parliament worries some potential allies.

Emmanuel Macron’s party will make its pitch for an alliance with European liberals at their congress this week, aiming to transform the Continent’s political landscape and grab second place in next year’s EU election.

But the French president’s big-tent approach, which includes reaching out to Social Democrats and Greens, risks alienating those liberals who see such parties as their ideological foes.

By sending officials from his La République En Marche party to the Madrid congress of the Alliance of Liberals and Democrats for Europe (ALDE), which begins this Thursday, Macron is stepping up his campaign to build a power base in Brussels. The French leader’s aim is to agree a joint campaign platform with the liberal group.

If he succeeds, Macron will replicate his success in France in building a new force to challenge traditional heavyweights on the right and left and implement his vision of centrist policies and greater European integration. With Germany’s Angela Merkel slowly making her way off the political stage, the French leader has an opportunity to take up her mantle of leadership in the EU. Officials involved in the project also portray it as a way to fight back against right-wing populist parties, which have surged across Europe in recent years.

If he fails, Macron risks becoming the odd man out at EU level — without a group of allies among national leaders and in the European Parliament to push forward his agenda.

An alliance between ALDE and En Marche would also give the two groups greater influence on the EU’s top jobs, all of which are up for grabs next year. According to En Marche’s plan, the new group would usurp the Socialists and Democrats as the second-biggest in the European Parliament, behind only the center-right European People’s Party.

“What made Macron so attractive to liberal and progressive movements like NEOS was his courage to leave old party structures and ideologies” — Nikola Donig, secretary-general of NEOS

As POLITICO reported last month, Macron reached a tentative agreement with Dutch Prime Minister Mark Rutte — whose VVD party is a mainstay of ALDE — and other liberal government chiefs to campaign on a common platform for next May’s European Parliament election. Such an alliance could sideline Guy Verhofstadt, the head of the ALDE group in the European Parliament.

Rutte and other liberal prime ministers have appointed informal “contact people” to work on cooperation with Macron for the election, according to ALDE officials. Liberal leaders are also expected to discuss the prospective alliance at a meeting hosted by Danish Prime Minister Lars Løkke Rasmussen on November 13 in Copenhagen, officials from ALDE and Rasmussen’s party said.

Spanish steps

En Marche will send a three-person delegation to the ALDE congress, which runs from Thursday to Saturday, bringing into the open a project largely hatched behind closed doors. Astrid Panosyan, an En Marche co-founder, is among the speakers at the opening ceremony of the congress. Other guests are expected to include Pieyre-Alexandre Anglade, the French MP tasked by Macron’s team to work on building a pro-European political force, and Garance Pineau, who runs the Europe section of En Marche.

Pineau said she and her colleagues will outline “the terms and conditions” of a common platform that both En Marche and ALDE could adopt for the European Parliament election.

French President Emmanuel Macron | Ludovic Marin/AFP via Getty Images

“We will be there to give others some guarantee of our goodwill,” Pineau said.

Anglade, the French MP, told POLITICO En Marche did not envisage merging with ALDE, allowing each side to maintain a separate identity, but they could form a common group in the Parliament after the election.

“We want to be in a group that will be significant enough to make a difference,” he said.

Anglade made clear that En Marche’s vision involved creating an alliance “that will be as wide as possible,” and bringing in not just liberals but also Social Democrats and Greens — and maybe even members of the EPP.

“We are not going to agree on everything with everyone,” Anglade said.

“But we are in a very particular moment in time, and we must get out of our comfort zone because there is a major danger on the other side.”

Pineau said left-of-center parties were natural allies with the French president on Europe.

“Socialist parties are completely in line with Macron’s Sorbonne speech,” Pineau said, referring to the French president’s landmark address in Paris last year, in which he laid out an ambitious vision for further European integration.

But that stance will make it harder to seal a pre-election alliance with the liberals — and harder still for such a group to find common ground in Parliament after the poll. The ALDE group is already a very broad church, bringing together groups as diverse as fervent German free marketeers, Spanish centrists and an ethnic Turkish Bulgarian party.

Even Macron and Rutte have major disagreements, for example over the French president’s proposals to deepen integration in the eurozone and create a budget for the common currency area.

Austria’s liberal NEOS party, which is part of ALDE and has been in touch with En Marche, said any new anti-populist alliance needs ideological cohesion — and should not rely too much on old parties.

“We need more than a common enemy,” said Nikola Donig, the secretary-general of NEOS.

“What made Macron so attractive to liberal and progressive movements like NEOS was his courage to leave old party structures and ideologies,” Donig said. “Any form of alliance must carry on this new spirit.”

Macron’s camp has bonded with liberal parties across Europe like Ciudadanos in Spain, the D66 party in the Netherlands, and Radikale Venstre in Denmark. But En Marche officials have also met with the center-right Civic Platform in Poland and center-left parties in Italy and Denmark.

French President Emmanuel Macron, left, and Dutch Prime Minister Mark Rutte | Bart Maat/AFP via Getty Images

Gesine Meissner, an ALDE member of the European Parliament from Germany’s Free Democrats (FDP), made clear her party will not shift to the left just to work with Macron. The FDP will “just look at what we want” and “not at what Macron wants,” she said.

Progressive problem

Last month, when En Marche held a conference called “Progressive thinking, and what else?” in Paris, the participation of prominent Social Democrats like former Danish Prime Minister Helle Thorning-Schmidt raised eyebrows in the liberal family.

Thorning-Schmidt, who now heads the NGO Save The Children International, led Denmark’s government from 2011 but lost power in 2015. Her party is not part of the current government.

“I don’t want to sound harsh but Thorning-Schmidt is a loser … One can only ask: Why is Macron with her?” said a member of the European Parliament from the ALDE group who is involved in talks with En Marche.

The MEP described Danish liberals as enthusiastic free-marketers who are not keen on teaming up with embattled socialists, especially because they have recently shifted to the right on issues like migration.

“In some countries, being a Social Democrat doesn’t mean being a liberal, and we have some concern about this,” the MEP said.

Helle Thorning-Schmidt | Dominique Faget/AFP via Getty Images

“The key question for us: Is Macron a liberal, or not a liberal?” the MEP added. “We can’t beat around the bush, we need to see if he is a liberal and not a socialist.”

According to the latest POLITICO projection, En Marche is predicted to win 21 seats in the next European Parliament, while ALDE is forecast to win 71. The two groups’ combined total of 92 would not be enough to overtake the Socialists and Democrats, who are on course to claim 137 seats. While the elections are still half a year away, and much can change between now and then, that scenario underscores why the Macron camp is keen to reach out to other parties beyond ALDE.

As well as representatives from major liberal parties, the recent En Marche conference also featured former Austrian Social Democratic Chancellor Christian Kern, and Sandro Gozi, an ex-minister from Italy’s center-left Democratic Party and close ally of former Prime Minister Matteo Renzi.

En Marche officials acknowledge that terminology and ideology both pose problems, with the word “liberal”carrying negative connotations in France while the term “progressive” does not strike a chord with many elsewhere in Europe.

But Anglade said the priority should be to challenge the traditional domination of parties like the European People’s Party in the Parliament, and make the future progressive tent big enough to counter populist forces in the upcoming election.

“We are not going to agree on everything with everyone,” Anglade said.

“But we are in a very particular moment in time, and we must get out of our comfort zone because there is a major danger on the other side.”


Read this next: Friedrich Merz returns to haunt Angela Merkel

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‘The Walking Dead’s Andrew Lincoln to return as Rick Grimes in film series

This article contains spoilers for Season 9, Episode 5 of The Walking Dead.

Rick Grimes ain’t done. He’s hopped on a helicopter, and is flying right into a film series.

Planning to continue Rick’s story after the events of the series, AMC has announced multiple films in development for The Walking Dead universe, starring Andrew Lincoln.

SEE ALSO: ‘The Walking Dead’ says goodbye to Rick in one of the best episodes yet

Written by AMC’s chief content officer, Scott M. Gimple, and based on the character from Robert Kirkman’s comic, the series of AMC Studios Original Films will begin production as early as 2019.

So, where will we meet up with Rick? Last we saw, our mortally wounded hero hopped on a helicopter and flew to an unidentified location, away from the land of The Walking Dead in Season 9, Episode 5 — Rick’s final episode. 

According to AMC, the first film will explore exactly where Rick is taken, and “what he faces in a new corner of the zombie apocalypse.”

A new corner of the zombie apocalypse for Rick?

A new corner of the zombie apocalypse for Rick?

Image: amc

“For many years, fans have talked about things in the apocalypse they want to see and now we have an opportunity to explore those stories, beginning with the character who started it all, Rick Grimes,” said David Madden, president of original programming for AMC, SundanceTV and AMC Studios, in a press statement.

It’s not the only project currently in development for The Walking Dead Universe, with Gimple set to roll out a multi-year plan involving films, specials, series, and other vaguely described “digital content.” Some stories will be standalone tales, while others will relate directly to characters in The Walking Dead series.

“We have a lot on the horizon — starting with a new epic featuring one of the greatest leading actors in television history and one of the best people I’ve ever met,” said Gimple in a press statement. 

“These films are going to be big evolutions of what we’ve been doing on the show, with the scope and scale of features. We’re starting with the first part of the continuing story of Rick Grimes, and there is much more on the way, featuring yet-unseen worlds of The Walking Dead and faces from the show’s past, as well as new characters we hope to become favorites, told by TWD veterans and emerging voices,” he added.

“We want to break new ground with different, distinct stories, all part of the same world that’s captured our imagination for nearly a decade of the Dead.”

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Floyd Mayweather to Fight Kickboxer Tenshin Nasukawa at Rizin FF 14

Floyd Mayweather Jr. poses on the scale during a weigh-in Friday, Aug. 25, 2017, in Las Vegas. Mayweather is scheduled to fight Conor McGregor in a boxing bout Saturday. (AP Photo/John Locher)

John Locher/Associated Press

Floyd Mayweather Jr. will surprisingly make his return to the spotlight with a bout against Japanese kickboxer Tenshin Nasukawa, according to Dan Rafael of ESPN.com.

It is not yet known whether the fight will be under boxing or mixed martial arts rules.

According to Ariel Helwani of ESPN, the rules are still being worked out:

Ariel Helwani @arielhelwani

Regarding the rules and weight, Rizin chairman Nobuyuki Sakakibara said “we still have some more work ahead of us.” Everyone I’ve talked to said they’d be shocked if it’s MMA.

The bout is scheduled for Dec. 31 at Saitama Super Arena in Saitama, Japan, as part of the Rizin 14 pay-per-view.  

Mayweather is one of the best boxers of all time, posting a 50-0 record in his professional career. While he did compete against an MMA fighter in his last bout—a knockout win over Connor McGregor—it was under boxing rules.

It was also his only match since 2015, as he’s presumably been retired from competition.

However, he teased a move to MMA in January, showing his training inside the Octagon:

Floyd Mayweather @FloydMayweather

https://t.co/JqWbuJ43eQ

Although this led to plenty of speculation about a rematch against McGregor or a bout with Khabib Nurmagomedov, it appears Mayweather is throwing everyone for a loop by competing in the Rizin Fighting Federation.

Nasukawa is only 20 years old, but he has already earned a reputation as one of the top competitors in the sport. According to Tom Taylor of BJPenn.com, he is 4-0 in his professional MMA career but is already 27-0 as a kickboxer.

Depending on the rules, this could be a difficult bout for Mayweather instead of just an easy payday.

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Sinema closes in on Arizona’s hotly contest Senate seat


Rep. Kyrsten Sinema visits with potential voters at an art festival.

Arizona Rep. Kyrsten Sinema, Democratic candidate for Senate, visits with potential voters at an art festival in Phoenix on Sunday. | M. Scott Mahaskey/POLITICO

Elections

The Democrat has withstood a barrage of attacks over her past liberal views.

PHOENIX — Kyrsten Sinema was rallying volunteers for the “exciting week ahead of us” when a campaign poster tacked to the wall behind her fell noisily to the ground.

“They’re coming for us, guys,” Sinema quipped before returning to her remarks on Saturday.

Story Continued Below

In fact, they’ve been coming for the third-term House Democrat ever since she sailed to victory in her late-August primary to replace the retiring Sen. Jeff Flake (R-Ariz.). Sinema’s opponent, GOP Rep. Martha McSally, has tarred her as a liberal in centrist’s clothing, running ads contrasting the Republican’s Air Force service with the Democrat’s past as an antiwar activist clad in a pink tutu.

But the hits, like Sinema’s poster, don’t seem to be sticking. Polls show the race tied or Sinema with a narrow lead — in a state that’s remained red over the years even as it elects famously independent-minded Republicans such as Flake and the late Sen. John McCain (R-Ariz.).

Arizona’s strong early vote totals have Sinema backers hopeful that she will be the first Democrat elected statewide since former Gov. Janet Napolitano (D-Ariz.) was reelected to a second term in 2006.

McSally betrayed a hint of frustration with what she called a disingenuous makeover by her opponent.

“Sinema has been on television since April 8 with tens of millions of dollars of ads portraying herself as right-of -center without ‘Democrat’ anywhere near her ads,” the two-term House Republican told POLITICO. “To people who are out there just living their lives — they’re not political activists — you can fool a lot of people with tens of millions of dollars pretending you’re something that you’re not.”

In fact, Sinema has shifted to the center since her 2013 arrival in the House, voting with President Donald Trump more than half the time and declining last month to call herself a “proud” Democrat. McSally prefers to invoke Sinema’s past as a Green Party spokeswoman, but also pointed to the Democrat’s opposition to Justice Brett Kavanaugh and her vote against last year’s GOP tax bill as signs that “even in the present, she’s out of step with Arizonans.”

Arizonans will decide on Tuesday whether McSally’s alignment with Trump is more in step with the state than Sinema’s sales pitch as a label-resistant coalition-builder. Sinema is hoping to capture GOP crossover voters who might also mark their ballots for Gov. Doug Ducey (R-Ariz.), who is poised to easily defeat a far more liberal Democratic opponent.

Mario Diaz, a veteran Democratic operative in the state who crossed party lines to work on the Ducey campaign this year, said that there is “no doubt” the GOP’s ads and attacks have helped tighten the race, but that Sinema is in a good position.

“If this is what you have, McSally, she’s withstood it,” Diaz said.

If Sinema wins, her key will have been a relentless focus on health care and education. Health care is a weak point for McSally, who has sought to downplay her vote for the House GOP Obamacare repeal bill that would have stripped the health care law’s popular protections for those with preexisting conditions.

As for education, a teachers’ strike in the state earlier this year galvanized political engagement among women like Kathy Hoffman, a 32-year-old newcomer who won a contested Democratic primary in the race for state superintendent of public instruction.

On the sidelines of Sinema’s canvass launch at a community center in a Democratic-leaning Phoenix neighborhood, Hoffman said that Republicans in her local race also are “trying to call me a radical or trying to present me in a radical way, but I just stay focused on the issues. I think Kyrsten Sinema is doing the same thing.”

Sinema agrees. Asked about what’s kept the race so close despite the bombardment of attacks on her — a purple shift in Arizona politics, perhaps, or a backlash against the GOP’s negative ads — she returned to health care and education.

“Arizonans know me, and they know my record,” the 42-year-old Democrat told POLITICO. “That’s what’s making the difference in this campaign.”

If McSally can keep the Senate seat red in an otherwise rocky year for her party, it’ll be because of the robust Trump-era economy that she touted this weekend — and her steely presence as the nation’s first female fighter pilot to fly in combat. Her appeal to veterans was on full display at a Sunday pancake breakfast Sunday in Prescott, the rural town where conservative icon Barry Goldwater famously kicked off his Senate and presidential campaigns.

“McSally has had some of the same leadership training that I’ve had, so I would vote for her in a heartbeat,” Air Force veteran Robert Shanks, 77, said.

Ducey invoked Arizona’s best-known veteran-turned-senator on Sunday in citing McSally’s “commitment to the military mission … because we are missing the influence of Sen. John McCain.” But the governor also name-checked two Arizona Democrats, Napolitano and former Sen. Dennis DeConcini, as he declared to reporters that McSally “has that independent spirit that will reflect the state’s values.”

McSally did survive a rough primary against two more conservative opponents, onetime state senator Kelli Ward and former Sheriff Joe Arpaio. In a radio ad, however, Ward touts McSally as best positioned to mend “the damage done by Obamacare.” The GOP nominee also has benefited from appearances by Trump as well as his eldest son, lending her campaign more of a White House imprimatur than a stamp of independence.

With the exception of former Vice President Joe Biden, Sinema has largely eschewed campaigning with big-name Democrats in favor of smaller grass-roots events. Earlier this year, she told POLITICO that she wouldn’t support Senate Minority Leader Chuck Schumer (D-N.Y.). But two prominent liberals in the caucus, Sens. Kirsten Gillibrand (D-N.Y.) and Kamala Harris (D-Calif.), have come to Arizona for Sinema fundraisers, according to invitations viewed by POLITICO.

While McSally faced her own primary-season challenge to corral GOP support, Sinema has encountered some grumbling on the left about whether she’s progressive enough to capture the state’s Democratic base.

“I know some people who are very, very left-leaning — they’re not necessarily as happy with what she’s voted on before,” Monica Pimentel, the Democratic chairwoman of a state legislative district, said during the party’s weekend canvassing event. “But I think that she’s also pulling in the moderate Republicans.”

Justin Unga, Arizona state director for the LGBTQ advocacy group Human Rights Campaign, said that he’s “not personally concerned about” Sinema’s shift to the right in the House.

“She wants to represent the entire electorate, and the only way she can do that is by working with the other side of the aisle,” Unga said.

Despite the race’s continued closeness after multiple hits on Sinema, Republicans haven’t given up the battle to define her as too liberal. Arizona GOP Chairman Jonathan Lines described her in a Friday interview as “a progressive liberal masquerading as a moderate.”

What Sinema may not be — even as she sprinted towards the election in two ways, completing a half-marathon on Sunday — is as good a singer as McSally, who belted the national anthem before Arizona State University’s homecoming football game on Saturday.

Sinema happened to be in the stadium for her opponent’s rendition. The Democrat flashed the famed hand signal of her alma mater ASU before calling the pregame coin toss. And the home team won.

James Arkin contributed to this report.

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‘The Walking Dead’ nails it with Rick Grimes’ last episode

This article contains spoilers for Season 9, Episode 5 of The Walking Dead.


Rick Grimes is gone and it looks like The Walking Dead might be better for it.

Despite advertising to the world that Sunday’s episode “What Comes After” was going to be lead actor Andrew Lincoln’s last hurrah, The Walking Dead managed to produce one of the best episodes in the series’ eight-year history that was both heartfelt and refreshingly surprising.

SEE ALSO: ‘The Walking Dead’ gift guide for superfans

At the end of Episode 4 of Season 9, Rick rode off on his own to draw away a horde of zombies, until to be reared off his horse and find himself impaled on a piece rebar, jutting up out of his abdomen. “What Comes After” picked up right after with an emotionally charged, suspenseful scene of Rick digging deep and freeing himself just in time to get away.

Some heart-pounding suspense.

Some heart-pounding suspense.

Image: Jackson lee davis / amc

Rick’s hurt. It’s bad. He’s slipping in an out of consciousness with a shambling mass of undead nipping at his heels. Rick is on a death march.

What follows is a Rick-centric episode, taking us into his fever dreams where the show revives meta versions of past characters like Shane (Jon Bernthal) and Hershel (Scott Wilson) in a sort of homage to the show, which comes off as a touching reprieve to Rick’s seemingly inevitable demise.

There was definitely a rose-tinted glasses vibe going on. Although I knew while watching this episode that the last eight years of The Walking Dead were consistently oscillating between boring and predictable, “What Comes After” effectively tugged at those nostalgic strings between some stellar moments of acting from Lincoln.

Meanwhile, back at the Sanctuary, Maggie (Lauren Cohan) was storming in with wrath in her veins and a weapon in her hand to kill Negan (Jeffrey Dean Morgan), who murdered her husband Glenn (Steven Yeun).

The scene stands out as one of the best to ever grace The Walking Dead, where an emaciated Negan pleads for Maggie to end his suffering and his life so he can finally die, be at peace, and be with his wife Lucille.

It’s heartbreaking

“Please kill me, please kill me,” he pleads, “I should be dead, I have to be dead.”

It’s gripping, and it catches Maggie off guard, who decides it’s a worse punishment to let the man who murdered Glen and others to live with his guilt.

Back to Rick, who keeps passing out. He’s losing blood. We see some iconic scenes like Hershel’s farm, the “Don’t Open Dead Inside” doors from the hospital, Atlanta.

Rick is stumbling forward, bleeding, walking like a zombie as the horde continues to follow him. He’s on the edge of death and he tries to lure the slow-moving group of people eaters over a bridge that’s just begging to collapse.

There are close calls, some fake outs, and Rick’s last move is to shoot some bundles of dynamite, blowing up the bridge and zombies and saving the day for everyone else, sacrificing himself.

It’s heartbreaking, until moments later when Anne (Pollyanna McIntosh) with a walkie talkie sees him washed up on the side of the river that the bridge ran over. And then one of the biggest twists to ever hit the show occurs: the helicopter we first learned about a year ago appears on the horizon, and Rick is ferried away through the skies to some unknown location.

The helicopter development is a great twist.

The helicopter development is a great twist.

Image: jackson lee davis / amc

Maybe it’s a stable settlement, maybe there are some parts of the world that aren’t in such dire straits as the southeastern U.S. It’s intensely intriguing. The possibilities of what this means are just swirling.

And then, boom, time jump, where we see a roughly 10-year-old Judith saving a group of 20-somethings from zombies with her dad’s old gun.

There hasn’t been an episode ending this enticing in a very long time.

Andrew Lincoln’s last episode was shockingly outstanding. And while he was one of the best actors on the show with some truly compelling performances throughout the years, the show needed to move on. The Walking Dead has been stuck in a sort of complacent loop of the same old stuff.

The show was exciting at the beginning, it felt fresh and fun, but as the years wore on, it just felt like the same old things were happening to the same old characters. This shake up is exactly what the show needed to inject a little excitement into it.

For the first time in years, I’m excited to watch the next episode of The Walking Dead.

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Rihanna wants Trump to please stop playing her music at his ‘tragic rallies’

Rihanna wants Trump rallies to stop playing her music.
Rihanna wants Trump rallies to stop playing her music.

Image: Caroline McCredie/Getty Images for Fenty Beauty by Rihanna

2016%2f09%2f16%2fe7%2fhttpsd2mhye01h4nj2n.cloudfront.netmediazgkymde1lzex.0f9e7By Johnny Lieu

It’s getting tougher for Trump’s playlist organizers, with the likes of Pharrell Williams to Axl Rose working to stop their music being played at his rallies.

R&B singer, diplomat, and icon Rihanna has caught wind of her songs being played at the president’s political events, and she too wants no involvement.

SEE ALSO: Axl Rose is not cool with Trump playing ‘Sweet Child O’ Mine’ at his rallies

Rihanna seemingly found out from Washington Post’s White House bureau chief Philip Rucker, who tweeted about hearing the artist’s 2008 track “Don’t Stop The Music” blared at a Trump rally in Chattanooga, as aides tossed free Trump t-shirts to the crowd.

But as Rihanna declared in a tweet, she or her representatives wouldn’t ever attend those “tragic rallies.” It looks like RiRi is next to hit Trump with a cease-and-desist.

Earlier on Sunday, Rihanna endorsed Florida Democrat Andrew Gillum for the midterm elections, backing the candidate to become the state’s first black governor.

“If you’re tired of feeling like you don’t matter in the political process,” Rihanna wrote in an Instagram post. 

“Know the most important thing you can do in supporting a candidate is finding someone who will take on critical issues such as: making minimum wage a livable wage, paying teachers what their worth, ensuring criminal justice reform, making healthcare a right, and repealing Stand Your Ground.”

She also wants Floridians to vote “yes” to an amendment to restore voting rights to 1.68 million of the state’s residents with felony convictions. Nothing but respect for MY president.

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Mookie Betts, Nolan Arenado Headline AL, NL 2018 MLB Gold Glove Winners

Boston Red Sox's Mookie Betts can't catch a ball hit by Los Angeles Dodgers' David Freese during the fourth inning of Game 2 of the World Series baseball game Wednesday, Oct. 24, 2018, in Boston. (AP Photo/Charles Krupa)

Charles Krupa/Associated Press

The 2018 Gold Glove winners were announced Sunday, handing out hardware to the best defensive players in baseball.

MVP candidates Mookie Betts and Nolan Arenado highlighted the list of winners, which featured six first-time recipients.

Although most winners were expected and well-deserved, there were a few surprises along the way, including a tie at first base between Anthony Rizzo and Freddie Freeman.

Here is the full list of winners, courtesy of Rawlings Sports.

National League

P: Zack Greinke, Arizona Diamondbacks

C: Yadier Molina, St. Louis Cardinals

1B: Freddie Freeman, Atlanta Braves/Anthony Rizzo, Chicago Cubs

2B: DJ LeMahieu, Colorado Rockies

3B: Nolan Arenado, Colorado Rockies

SS: Nick Ahmed, Arizona Diamondbacks

LF: Corey Dickerson, Pittsburgh Pirates

CF: Ender Inciarte, Atlanta Braves

RF: Nick Markakis, Atlanta Braves

American League

P: Dallas Keuchel, Houston Astros

C: Salvador Perez, Kansas City Royals

1B: Matt Olson, Oakland Athletics

2B: Ian Kinsler, Boston Red Sox

3B: Matt Chapman, Oakland Athletics

SS: Andrelton Simmons, Los Angeles Angels

LF: Alex Gordon, Kansas City Royals

CF: Jackie Bradley Jr., Boston Red Sox

RF: Mookie Betts, Boston Red Sox

It was clearly hard to separate finalists at several positions, but voters thought Rizzo and Freeman were too close to pick just one, as they earned the fourth tie in the history of the award, according to Mark Bowman of MLB.com.

On the other hand, a few races were easier on voters, like Arenado as he made history:

Tracy Ringolsby @TracyRingolsby

Correction: Arenado 6th consecutive GG 3B; has 1 month less than 6 years in bigs. Only players more GG at start of career: Ichiro Suzuki, of, 10; Johnny Bench, c, 10; Tied for 4th in GG at 3B behind Brooks (16), Schmidt (10) & Rolen (8). Buddy Bell, Eric Chavez &Robin Ventura 6.

Alex Gordon also won his sixth at left field, while Yadier Molina blew them all away with his ninth Gold Glove award.

Brandon Crawford was looking for his fourth straight award, but Nick Ahmed unseated him.

The World Series champions were obviously impressive at the plate this season, but defense was important as well, as evidenced by three Gold Glove awards, including two outfielders.

In the infield, the Colorado Rockies had two in the National League, while the American League was dominated by the Oakland Athletics:

Mark Simon @MarkASimonSays

Athletics infield combined for 85 Defensive Runs Saved, most in MLB

They had 2 Gold Glove winners to set the tone

Mark Simon @MarkASimonSays

Matt Chapman: 1st career Gold Glove Award

Thanks @PerezEd for the shout-out to Defensive Runs Saved

Chapman had 29. No other 3B had more than 10!

Chapman’s 29 Runs Saved were most in MLB (by 8!)

The A’s had finalists at all four infield spots but will leave with only two trophies.

Overall, 12 out of 19 awards came from players on playoff teams, showing the value of good defense.

Meanwhile, Jon Heyman of Fancred noted some quality players who didn’t win Sunday:

Jon Heyman @JonHeyman

Many great defenders are snubbed in gold glove awards: Jason heyward, Lorenzo Cain, kolten Wong and Brandon Crawford all snubbed in the nl alone

In competitive fields at a lot of positions, someone has to be left out.

The Gold Gloves were the first of the major awards handed out following the 2018 season, although fans will have to wait a couple of weeks for the biggest honors. The Cy Young Awards will be handed out on Nov. 14, with Most Valuable Players being named on Nov. 15.

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